Showing posts with label community. Show all posts
Showing posts with label community. Show all posts

Saturday, December 1, 2018

No Passport Required: Still connecting with food and having a conversation about it with Marcus Samuelsson


Earlier this year, chef Marcus Samuelsson of Food Network Chopped fame took an inspiring journey across the United States in which he explored – and celebrated – the wide-ranging diversity of immigrant traditions and cuisine woven into American food and culture.

On “No Passport Required,” a six-episode PBS/Eater series which first aired across the U.S. during the summer months, Samuelsson visited Detroit, New Orleans, Chicago, New York City, Miami and Washington, D.C. An immigrant himself, who was born in Ethiopia and raised in Sweden, Samuelsson discovered dynamic and creative ways in which a particular community thrives – making its mark, so to speak. He spoke to poets and musicians, business owners and community leaders, as well as artists and home cooks – each who have contributed to enhancing our nation’s culture and its cuisine.




In Detroit, Samuelsson gathered with Middle Eastern immigrants who call the Motor City home and in New Orleans, he learned how the culinary traditions of the Vietnamese have been fully integrated into the fabric of the Big Easy, which has its long-established French and Creole influences. Samuelsson gathered with Ethiopians in Washington, D.C., and with the Indo-Guyanese in Queens, New York. He discovered how Chicago’s Mexican neighborhoods have impacted that area’s food and culture, and in Miami, he was welcomed by the city’s proud Haitian community.




The bottom line in Samuelsson’s adventures – and what I learned from watching – is this: there are many wondrous global food traditions that are waiting to be discovered throughout the United States. Sometimes, we just need a little bit of encouragement. After all, as the title of Samuelsson’s show reinforces, there’s No Passport Required.

 • • •


There’s a great back story about chef Samuelsson I blogged about six years ago that's worth sharing, again. Back in July 2012, he wrote a memoir, Yes, Chef – an incomparable story – about what it means to be an American. Through his cooking, he told a story that in the words of former President Bill Clinton, “reached past racial and national divides to the foundations of family, hope and downright good food.” Gabrielle Hamilton, the bestselling author of Blood, Bones & Butter said that Samuelsson exudes “a quiet bravery, and a lyrical and discreetly glittering style – in the kitchen and on the page.”

Thus, an opportunity to meet chef Samuelsson in person, hear him wax poetically on his life’s passion and get a signed copy of his memoir was too good an opportunity to pass up.

“It begins with a simple ritual: Every Saturday afternoon, a boy who loves to cook walks to his grandmother’s house and helps her prepare a roast chicken for dinner. The grandmother is Swedish, a retired domestic. The boy is Ethiopian and adopted, and he will grow up to become the world-renowned chef Marcus Samuelsson.” His memoir, Yes, Chef, became his love letter to food and family in all its manifestations.

As Samuelsson shared his fascinating life’s story at Book Passage’s intimate San Francisco Ferry Building store, he said, “Sometimes, the worst situation can become the best situation.”

In a chapter of Yes, Chef devoted to his grandmother, Helga, Samuelsson wrote: “Mormor (the Swedish word for mother’s mother) treated her house like it was her own little food factory. She made everything herself: jams, pickles, and breads. She bought large cuts of meat or whole chickens and game animals from the butcher and then broke them down into chops and roasts at home. It’s so funny to me how, today, we celebrate braising as some refined, elegant approach, when it’s the same slow cooking method Mormor used. Her menus followed a simple logic:

“You have bread today because it’s fresh. You have toast tomorrow because the bread has gone stale. You make croutons the next day, and whatever bread is left after that gets ground into crumbs that you’ll use to batter fish.

“I don’t think I saw a rib-eye steak until my late teens when I started working in restaurants. At home, we ate mostly ground meat that was rolled into balls and stretched even further by ample additions of breadcrumbs. We ate our own Swedish version of a hamburger: pan beef, a patty topped with caramel iced onions. Sometimes we ate beef Lindstrom: a hamburger patty mixed with onions, capers, and pickled beets before being seared in butter. That’s comfort food where I come from, and it’s damn good.”

• • •


At times, it’s been a struggle for Samuelsson to find his place, both in the kitchen and in the world. At least now, he has the appearance of a man who’s found peace in all the right places – and he’s always with a smile on his face.

“I am an immigrant, not a refugee,” Samuelsson reminds us. “There is a big difference. I am as a patriotic as any American. I am determined and grateful.”

As a chef, Samuelsson states that inside the kitchen or out, “it’s a matter of luck and the belief in others.

“Cooking has changed, but the core values remain the same. It’s about expressing a journey and culture. What better way than through food,” he says. And, besides, as Samuelsson playfully shared with his San Francisco audience on that summer night six years ago, “My fried chicken is better than yours!”

Tuesday, January 30, 2018

A Tuesday Night Memo: Thoughts on turning eight

People who know me well know that I've been interested in writing, reporting and storytelling for a long time. So, it's only natural that I turned to blog writing because it gave me an opportunity to hone my writing skills and provided a forum for writing about things that interested me and that I wanted to share with others.

My blog, A Tuesday Night Memo, turned eight last week. Here's a little history about it:

I started writing A Tuesday Night Memo on January 26, 2010, as a means for sharing musings about my life filled with music, sport, and urban travel, and to foster community with my friends, family and Facebook acquaintances. More recently, as I added a Twitter profile, it allowed me to reach a wider audience across the country and beyond.

People who know me well know that I'm passionate about music, sport, and urban travel. Additionally, I have used my blog as a vehicle for writing about art, food, fashion, religion and gardening – and, more recently, about politics. Before we moved to the east coast, sharing news and photos about our former Oakland, Calif., flower gardens at home always seem to generate great interest and enthusiasm. Maybe, it was the pretty shapes and colors of our flowers that others found appealing, especially since we could maintain a garden all year long.

Up to now, I have "blogged" 391 entries for A Tuesday Night Memo, which collectively have received more than 142,000 page views. Among the many subjects I have written about include: my appreciation of tennis champion Roger Federer, how the city of Seattle fosters community through international cinema, a history of the world as seen through 100 objects, classical music conductor Gustavo Dudamel, Golden State Warriors head coach Steve Kerr, my love affair with Pink Martini, validating our travel through our photographs, and Jerry Seinfeld's Internet comedy Comedians in Cars Getting Coffee. Some of my recent posts have focused on new books written by actor Tom Hanks and veteran newsman Dan Rather. My most recent post focused on the future of the food industry in light of recent sexual harassment allegations made against many high profile chefs across the country. I have shared my interest in digital photography since beginning my blog, which has enabled me to illustrate many if not all of my posts with colorful visuals to match the words I've written.

The feedback many have shared is not only very much appreciated, but I also find it very useful. Much of it has been positive, but sometimes it's also been critical. Whether good or bad, I've found the feedback readers provide to be a valuable learning tool. Occasionally, I like to sneak a look at my blog's statistics, which are the key indicators that show how many total "hits" my blog has received, which stories have been read the most, and what countries comprise the blog's readership. The numbers are modest but nevertheless interesting.

Here are a few fun facts about A Tuesday Night Memo I thought you might enjoy:

Since my blog's debut, it has been read in dozens of countries, including the U.S., Canada, Mexico, France, Morocco, Tunisia, Turkey and Hong Kong – even Brazil, India, Vietnam, and Australia. The top five countries reading my blog include the U.S, Russia, Germany, France, and the United Kingdom. I hope Russia's interest in my blog has nothing to do with their wanting to hack me because of my occasional blog posts about President Donald Trump.

Looking ahead, the Trump presidency will continue to garner my interest and attention from time to time. How could it not? However, there's so much more to write about. Among things that I look forward to learning about include my continuing interest in exploring museums – and what we can learn from them. Also, I would like to explore the effect digital music and media have in connecting our world.

In the meantime, I thoroughly enjoy sharing my writing week in and week out, and I look forward to contributing more of my words and thoughts in what is shaping up to be another exciting year awaiting all of us.

Stay tuned!

Tuesday, January 23, 2018

TimesTalks D.C.: Food is what's going to save America


Last Thursday, The New York Times hosted a most interesting and informative "TimesTalks D.C." roundtable on the future of restaurants, the plight of undocumented workers in the food industry and gender equity in the workplace at George Washington University. The "Future of Restaurants" panelists included James Beard Foundation Award-winners José Andrés (Spanish-American chef and Washington, D.C. restaurateur, often credited for bringing the small plates dining concept "tapas" to America), Danny Meyer (CEO of the Union Square Hospitality Group and founder of the popular Shake Shack casual dining cafes), and Aaron Silverman (owner/chef at Rose's Luxury in Washington, D.C.). The multi-Michelin starred panel was moderated by Kim Severson, national food correspondent for The New York Times.

During the frank and lively 80-minute discussion, which was aired live on Facebook.com/nytimes, Severson started by asking each panelist if they have been practicing their "active male listening" in light of recent stories pertaining to sexual harassment in the workplace, including the restaurant industry.

"We are only as good as the people we have around us ... and we need to be calling out when we see something that is not right," said Andrés, the father of three daughters, about the #MeToo movement happening now in every industry, not just the field of food. "It's about humanity. ... I don't want to have any regrets that I didn't do the right thing."

Meyer, whose New York City-based Union Square Hospitality Group includes Union Square Cafe, Gramercy Tavern and Shake Shack concepts, spoke about the future opening of his first Union Square Cafe outside of New York at the Capitol Crossing complex in Mount Vernon triangle. "The thing that I'm most excited about is starting with the great restaurant community (in D.C.)," he said, which also includes creating safe spaces and promoting diversity. "I think we have an amazing moment to talk about who we want to be going forward right now."

Silverman, whose Little Pearl coffee shop and wine bar evolved out of a daytime cafe (Pineapple and Pearls) he used to operate, responded to a question about the elevation of "ethnic" foods: "I think there is a lot of food that isn't 'American' or French or Spanish that is already being elevated. It's totally happening and I hope to see more of it.

"It feels good to be able to say yes to people. We're just trying to make people happy."

Andrés, whose humanitarian relief effort has resulted in more than 3.2 million meals for hurricane-ravaged Puerto Rico, recently wrote a Washington Post op-ed about immigration reform. He said: "America is about pragmatism. We should be creating smart visas to give opportunities for those people to come in, work, get paid, and go back to their communities."

Later, Andrés summed up the evening's wide-ranging discussion perfectly – and it took just one just one sentence to do it. He said: "At the end of the day, food is what's going to save America."

Photo: © Michael Dickens, 2018.

Tuesday, July 18, 2017

Saturday road trip: On Maryland's Best Ice Cream Trail

Be a trailblazer! / Maryland's Best Ice Cream Trail
Last Saturday, my wife and I drove about 60 miles up the I-95 northeast past Baltimore to Bel Air, Maryland, in Harford County, in search of old fashioned ice cream at Broom's Bloom Dairy.

A lot of other Marylanders and tourists had the same idea as us.

On this summer afternoon, Broom's Bloom Dairy was a very popular destination. When we arrived about 1:30 p.m., there were plenty of cars lining the spacious gravel parking lot, and the line for food and ice cream was out the door. A sign near the entrance warned us: "Be patient – we are not fast food."

I learned that Broom's Bloom Dairy farm is named after the colonial land grand for the area and each year in late summer, there are lots of blooming sunflowers dotting the landscape. In 1997, as David and Kate Dallam began milking the 65 cows on their farm, one thing led to another and, more recently, they started making and selling old fashioned ice cream to go along with farmstead cheese and pork sausage. Their animals are fed a natural diet of grains and forages and they don't use artificial growth hormones.

Once inside, there were still at least half a dozen parties in front of us, but we were determined. The downtime gave us time to peruse the menu posted on a chalkboard, which consisted of variations on a main theme of quiche, mac and cheese, as well as Maryland crab soup, salads and sandwiches all featuring cheese. And, of course, there's the old fashioned ice cream – the reason why we drove to Broom's Bloom Dairy. We had a choice of about a dozen or so traditional (vanilla, chocolate, strawberry, cookies and cream) and eclectic (coffee, salted caramel, graham cracker cake batter, maraschino cherry and chips) choices, but I'm told that Broom's Bloom Dairy produces more than 100 different flavors – and it ranks in Trip Advisor's Top 10 Ice Cream Shops in America. While there may be a certain sadness when a choice gets erased from the chalkboard, soon it's replaced with another amazing flavor. Obviously, it will take plenty of visits for us to get through all of them – traditional and eclectic. Not to worry, though, the farm and the house have been around since the early 1700s, and it's now supporting its ninth generation of the Dallam family.

Welcoming sign to Broom's Bloom Dairy in Bel Air, Md.
I couldn't help but feel that being surrounded by corn fields and having the rustic family farm nearby gives one a feeling that everything at Broom's Bloom Dairy is fresh – and it is. Plus, there's plenty of seating, both inside and outdoors, live music on the weekends, and the big open field lends itself to a friendly, family atmosphere.


By the time it was our turn to order, both of us decided on a lunch of mac and cheese and I asked for mine to be covered in chili, which proved to be a hearty compliment. We pre-paid for our ice cream dessert – each of us chose "a very small size," which was actually a very generous, nearly-two scoop portion of our choice – caramel and cashew – and were given a couple of poker-chip medallions to use when were were ready to order our ice cream. This allowed us to skip the main line and queue up for the afternoon's main attraction. After all, ice cream was the real reason for our trek on Maryland's Best Ice Cream Trail.

There's a back story to our journey on the roads of Maryland's Best Ice Cream Trail:

Maryland has nine dairy farms that offer fresh, delicious on-farm ice cream sold directly to consumers. Together, they make up Maryland's Best Ice Cream Trail. Let's see, in addition to Broom's Bloom Dairy, there's Prigel Family Creamery in Glen Arm (Baltimore County); Kilby Cream in Rising Sun (Cecil County); South Mountain Creamery in Middletown, Rocky Point Creamery in Tuscarora, and Keyes Creamery in Aberdeen (all in Frederick County); Woodbourne Creamery at Rock Hill Orchard in Mount Airy (Montgomery County); Misty Meadows Farm Creamery in Smithsburg (Washington County) and Chesapeake Bay Farms, Inc., in Berlin (Worcester County).

"The Maryland's Best Ice Cream Trail is a great way to encourage Marylanders to get out and visit a real working farm," Maryland Agriculture Secretary Joe Bartenfelder said last month in kicking off the 2017 season. "Maryland is home to many outstanding dairy operations, and I challenge all residents to visit at least one of the trail's nine stops this summer."

Sunflowers dot the landscape at Broom's Bloom Dairy.
Now in its fifth year, Maryland's Best Ice Cream Trail – a joint production supported by the Maryland Department of Agriculture and the Mid-Atlantic Dairy Association, the local affiliate of the National Dairy Council – officially opened its 2017 season on May 26 and it runs through September 25.

Ice cream enthusiasts can become a "trailblazer" by having their ice cream passport stamped by all nine creameries. And, if they wish, they can mail it in to the state's agriculture department to be entered in a drawing for some cool food and dairy-themed prizes.

Knowing that the milk that goes into the ice cream served on Maryland's Best Ice Cream Trail comes from good places, the Maryland Department of Agriculture wants everyone to know that these dairy farmers take good care of their animals and the land that they farm. Not only are they active members of their respective communities, they contribute greatly to their local economies, which we witnessed firsthand on this sunny summer afternoon. In the hour or so we were at Broom's Bloom Dairy, easily 100 scoops of ice cream were dished up by the enthusiastic and friendly waitstaff. With lots of enjoyable and creative, home-made flavors, there was not shortage of good choices. My velvety caramel cashew ice cream – most definitely – was not only delicious, it was welcome relief on this hot summer afternoon.

Caramel and cashew ice cream at Broom's Bloom Dairy.
Think about it. What a great concept enjoying homemade ice cream on a dairy farm is – changing Maryland for the better, so the slogan goes. With one stamp in our Maryland's Best Ice Cream Trail passport, we hope to visit many more this summer.

Note: Broom's Bloom Dairy, 1700 S. Fountain Green Road (Maryland Highway 543), in Bel Air, is open Tuesday-Saturday, 11 a.m. to 9 p.m.; Sundays, noon to 9 p.m.; closed Monday. 

www.bbdairy.com. 

Photos: Courtesy of Maryland Dept. of Agriculture and Broom's Bloom Dairy. Ice cream photo by Michael Dickens © 2017.

Tuesday, February 14, 2017

Nike: Equality has no boundaries

LeBron James during the filming of Nike's "Equality" commercial. /
"We can be equals everywhere."

On Sunday evening during the nationally televised Grammy Awards program, Nike debuted a short film about #EQUALITY. It's message was clear: Equality has no boundaries.

This extraordinary 90-second spot, filmed in black in white, was directed by Melina Matsoukas who has two Grammy Awards for her work on Beyoncé's "Formation" and Rihanna's "We Found Love." It features NBA great LeBron James and co-stars American athletes Serena Williams, Kevin Durant, Megan Rapinoe, Gabby Douglas, Victor Cruz, and Dalilah Muhammad.

"Equality" has already received more than 4 million views on YouTube.




The central theme of "Equality," which also features actor Michael B. Jordan in a cameo as well as narrating the script, and singer Alicia Keys covering Sam Cooke's "A Change Is Gonna Come," is this: "The Equality and fairness prevalent in major professional sports should transcend into broader society."

As part of Nike's Black History Month campaign, their initiative aims to "inspire people to take action in their communities."

The voice over in the film (Jordan) says "if we can be equals here," referring to a basketball court, then James says "we can be equals everywhere."

Writing in ESPN's "The Undefeated" sports, race and culture website, writer Clinton Yates said: "Using a street art metaphor to make a point about in-your-face activism is not only effective, but for many who'll likely see this ad, perhaps familiar."

It made an impact with me; I hope it makes an impact with you.

#EQUALITY
Is this the land history promised?
Here within these lines.
On this concrete court. 
This patch of turf.
Here, you're defined by your actions, not your looks or beliefs.
Equality should have no boundaries.
The bonds we find here should run past these lines.
Opportunity should not discriminate.
The ball should bounce the same for everyone.
Worth should outshine color.
If we can be equals here, we can be equals everywhere.

A postscript: Nike has released a behind-the-scenes look at "Equality," which is worth a good look. It showed what equality means to each of the athletes involved. Said Rapinoe: "Being a woman in sport, first of all, equality is not always something that we're privy to. And being a gay woman in this country, in sport, wherever I am in the conversation, it's there. It's my responsibility of making sure that I speak up about it, and speak up for other people. Hopefully, it can grow that movement in that way."

Adds James: "At the end of the day, we're always just trying to find a way that we can all feel equal, we can all be equal, have the same rights, have the same feelings, being able to be in the same place no matter the color."




• Nike, which plans to air the "Equality" film during next Sunday's NBA All-Star Game, is currently promoting "Equality" t-shirts on its website. According to Adweek, Nike will donate $5 million during this calendar year to "numerous organizations that advance equality in communities across the U.S., including Mentor and PeacePlayers."


Tuesday, February 7, 2017

Super Bowl ads: Are you paying attention, Mr. President?


How did I spend my Super Bowl Sunday? Watching the big game, of course. As much as I was riveted by the exciting outcome – New England beat Atlanta, 34-28, after coming from behind to force the first overtime game in the 51-year history of the Super Bowl – I focused on the commercials, too.

This year, many ads contained politically charged messages and several TV spots highlighted hot-button themes such as immigration (Budweiser, 84 Lumber), equal pay (Audi) and inclusion (Coca-Cola). Are you paying attention, Mr. President?

Long after the game ends, collectively, we do seem to remember the commercials, especially the good ones. There were a couple of ads that resonated with me for a variety of reasons, for Coca-Cola and for Airbnb. Both aired early during Sunday evening's Super Bowl LI game broadcast.

In "It's Beautiful," Coca-Cola's message was simple: "Together is beautiful." The Atlanta-based soft drink titan scored a touchdown with its Super Bowl ad that aired just before kickoff, in which culturally diverse Americans sang a multilingual version of "America The Beautiful," in English, Hindi, Arabic and Tagalog.

The 60-second spot designed by Wieden + Kennedy debuted during the 2014 Super Bowl to mixed results and was revived during last year's Rio Olympic Games. However, given the current national conversation many Americans have been sharing about immigration and diversity, its message seemed more relevant. "It's Beautiful" featured plenty of beautiful, multicultural images depicting America as a nation of many races, many ethnicities and many religions. It promoted optimism, inclusion and humanity, themes which seem foreign to the dystopian American carnage being propagated by the Trump Administration. It was beautifully filmed and edited, and given today's political climate, "It's Beautiful" took on a certain poignance this time.


Another commercial worth applauding came from Airbnb, whose politically charged message in its "We Accept" ad spoke volumes about diversity and acceptance: "Acceptance starts with all of us." In its Super Bowl commercial, put together on short notice  – perhaps seen as a Silicon Valley response to President Trump's immigration ban – Airbnb reminded us of this simple but important message: "We believe no matter who you are, where you're from, who you love, or who you worship, we all belong. The world is more beautiful the more you accept." Indeed, the world is more beautiful the more #weaccept. The hashtag went viral by halftime.

Afterwards, I learned Airbnb CEO Brian Chesky announced that the company is aiming to provide short-term housing for 100,000 refugees, disaster survivors, and other displaced persons over the next five years. Additionally, over the next four years, Airbnb will donate $4 million to the International Rescue Committee.

"We couldn't talk about the lack of acceptance in the world without pointing out the challenges in our own community at Airbnb," the company said in a statement following the airing of its ad. "The painful truth is that guests on Airbnb have experienced discrimination, something that is the very opposite of our values. We know we have work to do and are dedicated to achieving greater acceptance in our community."


Looking back on both ads – expressions of American values I support – reminded me of this: I have many multicultural friends – thanks, Facebook – who are close and dear to me. They represent many races and ethnic backgrounds, come from many different religious faiths, and speak multiple languages. I have friends who identify with the LGBTQ community. I have friends who are biracial. I have friends who are raising biracial children and friends who are parenting transgendered children. Thus, it's important to see advertisers, representing both legacy and start-up companies, reaching out to all Americans by conveying positive messages about inclusion, diversity and acceptance. After all, there's no larger TV audience than a Super Bowl audience for spreading a good message.

Regardless of what you think, Mr. President, these ads conveyed the true spirit of our America.

Cover photo: Courtesy of Google Images. Videos: Courtesy of YouTube.

Tuesday, January 17, 2017

On art and politics: "We the People ... "

We the People of the United States ...

In just four days, Donald J. Trump will be sworn in as the 45th President of the United States. With a lot of division surfacing throughout the country, many Americans are looking to art as a means of connecting us as human beings.

We the People ...
 are greater than fear.
"We the People are greater than fear," reads the message of a new poster created by Shepard Fairey, the graphic arts, muralist, illustrator and activist behind the iconic 2008 Hope posters he created for Barack Obama. Another new poster reads "We the People protect each other" and the third one says "We the People defend dignity."

There is a lot of division right now. Trump is not a healer," says Fairey. "Art, on the other hand, is healing and inclusive, whether topically it celebrates humanity, or whether it's just compelling visuals to make a human connection."

Interviewed recently by the PBS NewsHour, Fairey said "it was the right time to make a campaign that's about diversity and inclusion, about people seeing the common bonds we have, and our connections as human beings. The idea was to take back a lot of this patriotic language in a way that we see is positive and progressive, and not let it be hijacked by people who want to say that the American flag or American concepts only represent one narrow way of thinking."

Shepard has created three portraits for the "We the People" campaign. One depicts a Muslim woman wrapped in a hijab resembling an American flag. Another shows a young African-American girl and the third features a Latina female.

We the People ...
protect each other.
Two other artists, the Colombian American muralist Jessica Sabogal and the Chicano graphic artist Ernesto Yerena, each contributed to the project in collaboration with the Amplifier Foundation, a nonprofit that works to amplify grassroots movements and which commissioned the project. Together, the artists hope the faces of "We the People" – standing in for traditionally marginalized groups or those specifically targeted during Trump's presidential campaign – will flood Washington, D.C., on Friday during Inauguration Day.

According to Fairey, "All the subjects (in 'We the People') were photographed by people who relate to them somehow. The Muslim woman was shot by a Muslim photographer, the Latina woman shot by a Latino photographer, and the African-American kid shot by a French African-American woman photographer. We realized that this has got to be a diverse coalition of artists for us to do this, and that while it's good for us to be allies, this campaign really has to be authentically diverse."

Fairey went on to say in the PBS NewsHour interview, "We came to a conclusion as a group that in the language (for these posters) we want to say, 'We reject fear-mongering and exclusion.' But we also wanted to do it in a way that doesn't leave the door open for the Fox News type to say, 'This is reverse racism' ..."

We the People ...
defend dignity.
Adds Fairey: "It's hard to encapsulate the complexity of what we're facing, going into this Trump presidency, in three images. But we chose three groups that are vulnerable. In the history of the U.S., there are a lot of people who fled persecution from Europe on the basis of religious identities. The idea of championing the ideals of our forefathers and then limiting the movement of Muslims – it so confounding that this is not riling more people up. And so it's really time to do some (work) that I think is a counterargument to that, and that's not based on division but based on inclusion. We've seen where division has got us."

A Kickstarter campaign has begun that according to Fairey is "getting great traction." He said a goal of his group is funding an ongoing and expanding range of creative projects, with the next wave of people from all different communities. "We want to allow people to express all their social/political views around a number of issues – LGBT rights, women's rights – because a number of those things are going to be under attack under Trump."

Photos: We the People images by Shepard Fairey; U.S. Constitution courtesy of Google Images.

Wednesday, June 1, 2016

SIFF: Fostering community through cinema

The Seattle International Film Festival / A chance to see the world
from a different perspective.

The Seattle International Film Festival's mission is a simple but meaningful one: Create experiences that bring together people to discover extraordinary films from around the world. It is through the art of cinema, it believes, that we foster a community, one that is more informed, aware and alive.

The best of Sweden / A Man Called Ove
It is said that a great film is more than entertainment. It's a chance for moviegoers to see the world from a different perspective.

While in Seattle over the long holiday weekend visiting longtime friends, my wife and I and our friends experienced four extraordinary films from four different countries – Australia, Germany, Sweden and the U.S. – that were most enjoyable.

On Friday afternoon, we began with the 2015 Australian documentary film Women He's Undressed, in which Director Gillian Armstrong pays tribute to Academy Award-winning costume designer Orry-Kelly, a little-celebrated Australian hero of Hollywood's golden age who adorned the stars in such classics as Some Like It Hot, Casablanca, and An American in Paris, and was scandalously linked to Cary Grant as his former lover.

On Friday evening, we turned to the 2014 Austrian film Therapy for a Vampire for laughs. It's a dramatic comedy in which one night Sigmund Freud discovers a new patient on his couch, a mysterious count who has entered therapy because he can no longer bear his "eternally long" relationship with his wife, in this humorous mashup of vampire legend and neurotic obsessions. It was presented in German with English subtitles.

On Sunday afternoon, we sat front and center in the balcony of venerable Egyptian Theater on Capitol Hill, a classic movie house, where we saw Sweden's biggest hit of 2015, an endearing and crowd-pleasing dramatic comedy, En Man Som Heter Ove (A Man Called Ove). Rolf Lassgård stars as Ove, a grumpy, curmudgeonly old man, who finds his caustic view of the world put to the test when a new family moves in next door. The Swedish movie with English subtitles, which was adapted from the best-selling novel by Fredrik Backman, moved me to tears, and played upon the themes of unexpected friendship and love.

An intriguing spy thriller / Our Kind of Traitor
"A Swedish film in an Egyptian theater in America," a Tunisian Facebook friend messaged me on Sunday afternoon. "I like that," she wrote. I liked that, too.

Finally, on Sunday night, we were riveted by the spy thriller Our Kind of Traitor, based on the novel by bestselling author John Le Carré, starring Ewan McGregor and Naomie Harris as a couple who wind up as international pawns in a chess game between the Russian Mafia and the British Secret Service. It also stars Stellan Skarsgård and Damian Lewis, and it is due for a summer release here in the U.S. I highly recommend it.

Each film we attended drew capacity audiences of well-informed and educated film goers – the first at Pacific Place, a modern cineplex in downtown Seattle, and the other three at the Egyptian in the city's Capitol Hill neighborhood, and tickets were reasonably priced at $13 for each film.

This year's festival, which continues through June 12, will present over 400 features, short films and documentaries gathered from more than 80 countries.

Looking back, for the duration of each film we saw, there was a fostering of community. Together, we laughed, we cried, we felt excited, we applauded. Attending the country's largest film festival – with more than 150,000 people attending over the 25-day event – was both special exciting, and I look forward to returning again.




Tuesday, April 12, 2016

Mississippi memo: You don't love your neighbor by discriminating against them


Mississippi / From Hospitality State to Hostility State, thanks to H.B. 1523.

Dear Mississippi,

In case you missed it we've already had this conversation. You don't get to decide who sits at the lunch counter.

Love, America

The above letter that's making the rounds on Facebook sums up a lot of common-sense feelings in just a few words. In a matter of days, Mississippi went from being the "Hospitality State" to the "Hostility State," thanks to the recent passing of a hateful and discriminatory measure (House Bill 1523) by the State Legislature.

Memo to Republican Governor Phil Bryant: "You don't love your neighbors by discriminating against them." Shame on you.

Mississippi / "You're on my mind ... "
Indeed, I've been saddened by the appalling news that my former home state of Mississippi (where I graduated from high school in the Gulf Coast city of Ocean Springs) last week passed legislation and the governor signed into law "The Religious Liberty Accommodations Act," which directly targets the LGBT community throughout the state – from Tupelo to Biloxi, from the Delta to the Gulf Coast and everywhere in between.  The bill is so draconian that the state's largest daily newspaper, the Clarion-Ledger of Jackson called it "an act of oppression."

According to the Human Rights Campaign (HRC), the nation's largest lesbian, gay, bisexual, and transgender (LGBT) civil rights organization, H.B. 1523 "would allow individuals, religious organizations and private associations to use religion to discriminate against LGBT Mississippians in some of the most important aspects of their lives, including at work, at schools, and in their communities."

In an April 6 editorial, The Clarion-Ledger wrote: "Through the swish of  pen, (Governor Phil) Bryant signed away the rights of families, ignored the pleas of residents and businesses, and wrote another page in the state's history that future generations will be shocked – even embarrassed – to read. With a final stroke of that pen, Mississippi welcomed its latest Jim Crow law and displayed a sign for the world to see: Welcome to Mississippi. No gays allowed. Mississippi and its citizens deserve better than this unconscionable law."

In no time at all, Mississippi became the butt of jokes nationwide, as evidenced by a satirical Mississippi Anti-LGBT video released by the comedy website Funny or Die, which has already received 50,000 views on YouTube:




According to an article in the South Mississippi Sun-Herald newspaper over the weekend, Gulf Coast mayors seemed unanimous in their stance against H.B. 1523, saying it didn't reflect the residents of their respective South Mississippi cities. Each worries about the negative publicity and potential economic fallout that might hit the Coast. (On Monday, rock singer Bryan Adams pulled out of a concert scheduled for Thursday in Biloxi to protest the signing of H.B. 1523.)

Ocean Springs Mayor Connie Moran told the Sun-Herald she thought H.B. 1523 was unnecessary and bad legislation. "It is nothing more than codified discrimination," she said. "This just set us back to the 1960s. We're just moving from a sense of bigotry from race to sexual identity.

"Freedom of religious expression is every individual's right, but it has no place in government."

Memo to the Mississippi State Legislature and other supporters of H.B. 1523:  Folks, it's 2016 not 1966! Have you not learned from your past?

Fortunately, there's at least one voice of reason in Mississippi, despite all of the shambles happening at the state capitol. It belongs to independent bookseller Square Books, located on the town square in Oxford, the city which is home to the University of Mississippi. In business since 1979 – and widely known among readers as the hub of William Faulkner's "postage stamp of native soil," Yoknapatawpha – Square Books in its infancy hosted a variety of racially and culturally diverse authors including Toni Morrison, Allen Ginsberg and Alice Walker as well as Mississippians John Grisham, Richard Ford and Willie Morris.

Over the weekend on their Facebook page, the owners of Square Books posted a message that read: "In the wake of HB-1523, we at Square Books want to make sure you know that you are welcome here. Always. 'If you are anyone, from anywhere, we hope you will visit us, and we hope you may find something you would like to read.'"


Square Books gets it – that H.B. 1523 needs to be repealed. Now, let's hope that the state's governor and legislature get it, too. Sooner than later.

As Rev. Susan Russell, an Episcopal priest and activist from Pasadena, Calif., recently wrote on Huffington Post, "Let's get back to work making this a country where the pledge of 'liberty and justice for all' doesn't depend on your zip code. It's what we're all called to do."

Amen.



Wednesday, February 3, 2016

In support of English literacy and a love of learning


In support of English literacy /
Students benefiting from the Morocco Library Project.

During a recent walk through Town & Country Village, an upscale outdoor shopping mall in Palo Alto, California, near Stanford University, I crossed paths with a most interesting window display at independent bookseller Books, Inc., that immediately captured my attention.

Instead of witnessing a display of current New York Times best-selling books, I glimpsed a colorful collection of young adult books, including Song of Solomon by Toni Morrison, The Major Poetry of Ralph Waldo Emerson and The Great Gatsby by F. Scott Fitzgerald.

Books, Inc. window display /
Promoting awareness of the Morocco Library Project. 
In the center of the window display were a pair of signs. One read: Morocco Library Project. The other: Support the Morocco Library Project with Books Inc.! A similar display featuring children's literature awaited customers inside the bookstore, too.

What I learned is this: The Morocco Library Project is Americans and Moroccans building libraries together in support of English learners in Morocco. The group has a Facebook page and you can also find them via LinkedIn.

The mission of the Morocco Library Project is simple: It is designed to inspire and support English literacy and a love of learning in Morocco, and to build a lasting bridge of friendship and peace between East and West. In Morocco, most students learn to speak English as their third language -- yes, third -- after their native Arabic and French.

According to the organization's website, I learned: "We strive to work with underserved communities, where a single library will make a huge difference. For each location, we work with teachers to understand the particular need and to curate a collection of books and other materials for the students and community. The students do a lot of the work putting the library together. This is truly a partnership."

The Morocco Library Project launched its first project, the Erfoud Library, at the Lycée Moulay Rachid, in April 2015. It is located in the eastern part of the country near the Algerian border. I learned that this library supports highly motivated students from under-privileged families in an after-school program called English Access, and it's also open to other students in the area. While interest in learning English is rapidly growing, until recently, there were few resources to support it.

A love of learning /
Young students at the Erfoud Library in Morocco.
However, thanks to the effort of the Morocco Library Project, both in the U.S. and abroad, about 650 books for all ages and in a variety of genres, including art, geography, literature, nature, and science -- as well as Kindles, games, puzzles and an extensive collection of National Geographic magazines -- dot the colorful library. The collection includes about 100 children's books, too.

After a successful launch of the Erfoud Library last year, the Morocco Library Project is now starting new libraries in Taroudant and Essmara in the south, and in Tétouan in the north, for a girls' high school, the Lycée Khadija Oum El Mouminine, near Gibraltar. All are in underserved communities with students eager to study English.

Recently, Moroccan author Laila Lalami, who last year won the Arab American Book Award for her most recent novel The Moor's Account, donated autographed copies of her books to the Moroccan Library Project for distribution in its libraries.

Last month, the Minister of Education in Morocco launched a new nationwide program, CIRCLE (Club of Instructional Resources for Culture and Language Enhancement), and the Erfoud Library was selected as one of the first locations.

So, as you can see, good things are happening with this meaningful organization as they strive to turn collections of books into libraries.

The Morocco Library Project is funded entirely by donations from the public. To learn more about this worthwhile project and how to donate, visit their website: http://www.moroccolibraries.org.

Photos: Window display at Books, Inc. by Michael Dickens. Morocco Library Project photos courtesy of their website.

Tuesday, January 26, 2016

A Tuesday Night Memo: A few thoughts on turning six

Michael Dickens / A selfie.
Hooray! A Tuesday Night Memo turns six today.

Here's some background about my blog:  I started writing A Tuesday Night Memo in January 2010 as a means of sharing musings about my life filled with music, sport, and urban travel, and to foster community with my friends, family and Facebook acquaintances while giving me an opportunity to hone my writing skills. People who know me well know that I'm passionate about music, sport, and urban travel. Additionally, I have used my blog as a vehicle for writing about art, food, fashion, religion and gardening. Sharing news and photos about our flower gardens at home always seem to generate great interest and enthusiasm. Perhaps, it's the pretty shapes and colors of our flowers that others find appealing?

Up to now, I have "blogged" 309 entries for A Tuesday Night Memo, which collectively have received over 63,000 page views. Among many subjects I have written about include: my appreciation of tennis champion Roger Federer, a history of the world as seen through 100 objects, classical music conductor Gustavo Dudamel, validating our travel through our photographs, Jerry Seinfeld's Internet comedy Comedians in Cars Getting Coffee, and a profile of Issues, my favorite news and magazine shop that's located in Oakland, Calif. I have included my interest in digital photography within my blog, which has enabled me to illustrate my posts with nice visuals to match the words I write.

The feedback you have given me after reading my blog posts is not only very much appreciated, but I also find it very useful. Most of it has been positive, but sometimes it's also been critical. Whether good or bad, I've found the feedback you provide to be a valuable learning tool. From time to time, I like to sneak a peek at my blog's statistics, which are the key indicators that show how many total "hits" my blog has received, which stories have been read the most, and what countries comprise the blog's readership. While modest, the numbers are nevertheless interesting.

Here are a few fun facts about A Tuesday Night Memo I thought you might enjoy:

Since May 2010 (the earliest date data is available), my blog has been read in dozens of different countries, including the U.S., Canada, Mexico, France, Morocco, Turkey and Hong Kong -- even Brazil, India, Vietnam, and Australia. The top five countries reading my blog include the U.S, Germany, France, Russia, and the United Kingdom.

* The most widely-read blog entry in terms of "hits" was one I wrote back in December 2010 about "CNN International: Connecting the world," in which I explored the intelligent -- albeit sometimes irreverent -- manner that CNN International delivered the news and how it different from it's American cousin based in Atlanta, Ga. Other top "hits" include musings about the artist Pablo Picasso and the British comedian Ricky Gervais. Go figure!

Looking ahead, I hope to explore many different topics including:

* Connecting our world through digital music and media.
* My ongoing fascination with British television.
* What we can learn by visiting museums.

In the meantime, I've thoroughly enjoyed sharing my thoughts with you throughout the past six years, and I look forward to sharing my thoughts about another exciting year that awaits all of us.

Stay tuned.

Tuesday, November 3, 2015

Wendell Pierce: A soaring and eloquent voice speaks out about the redemptive and healing power of art

Wendell Pierce's memoir, 'The Wind in the Reeds:
A Storm, A Play, and the City That Would Not Be Broken'
is about the redemptive and healing power of art and
about New Orleans, a city he loves so dearly.

From his leading roles in HBO's The Wire and Treme to his feature film appearances in Selma, Ray and Waiting to Exhale, I've admired the work of the Tony Award-winning actor and producer Wendell Pierce for many years.

When I learned a few months ago that Pierce would be coming to the Bay Area to speak at the Jewish Community Center of San Francisco on October 30, I marked it on my calendar and bought tickets to this Arts & Ideas lecture. For more than an hour last Friday evening, Pierce spoke in both a soaring and eloquent tone of voice about the redemptive and healing power of art and about New Orleans, the city of his birthplace and the origin of his creativity. It is a city that he loves so dearly.

Pierce has written a new memoir, The Wind in the Reeds: A Storm, A Play, and the City That Would Not Be Broken, that is truly a page-turner.

'The Wind in the Reeds' is truly
a page-turner.
Both poignant and redemptive, in The Wind in the Reeds, Pierce tells the stories of his family, his city and his creative journey in the arts, and how they are all connected to one another. And, just as importantly, how they are "precious and worth saving, and how art has been critically important in revitalizing this unique American city."

On the back of the book's dust jacket, James McBride, author of The Color of Water and The Good Lord Bird, writes:

"This is more than a memoir. It's an adventure in history, encompassing the timeless elements that propelled this fourth-generation grandson of a slave into one of the most important dramatic actors of our age: family, art, truth, religion, and of course a mother's love. This is a story of sacrifice and blood struggle, of victory and selflessness, told with deep humility and grace by one of the most important American artists of our generation."

Pierce, 51, writes in his memoir: "We know who we are by the stories we tell about ourselves and our world. We know who we are through the family and community of whose stories we are a part.

"We make our stories. And our stories make us.

"I am not sure the stories of my family are art, exactly. After all, they came down to me not as objects to be admired for their beauty. Then again, they contain so much truth and goodness that they cannot help being beautiful as well. Their trials, their triumphs, the virtues that gave them the strength to overcome -- all of these things live in the stories my family shares as an inheritance that grows as we invest in it each successive generation.

"I draw creative strength from my roots buried deep in south Louisiana. Until the storm, I did not appreciate how much those roots were the veins connecting my heart to the body of historical experience that gave birth to the man I am today, and the man -- and the artist -- I am becoming every day."

Since Hurricane Katrina devastated his native New Orleans in 2005, Pierce has devoted much time and energy helping to rebuild the flood-ravaged Pontchartrain Park, a black middle-class neighborhood which became the first African-American post-war suburb, where was raised by his parents -- his father retired from the military and became a photographer and his mother was a school teacher. "In my family, we have a motto: Don't ever tell me you can't do something."

Throughout the evening, Pierce kept returning to the themes of a love of family and community in describing what brought him back to his roots and the need to do something positive to help in the city's recovery, to pick up the pieces. He so very much wanted to see his city to come back. So, he became a community rebuilder.

Wendell Pierce (right) performing in 'Waiting for Godot'.
The actor said it was a cathartic experience for him
and it reminded him of the power of art.
"It was an awakening."
"After Katrina, there were miles and miles of destruction and nothing there, nothing was right. And yet, we stagger onward rejoicing," said Pierce. One of the ways the actor helped his community rebuild -- and by extension his city -- was by performing in what became a legendary production of Waiting for Godot, which was staged in two of the neighborhoods that were most damaged by Hurricane Katrina. It became a chance for the city of New Orleans to come together and to celebrate "the human capacity for resilience."

In a recent NPR interview, Pierce said performing Waiting for Godot was a cathartic experience for him and it reminded him of the power of art. "It was an awakening. Waiting for Godot, this existential play about two men in this void with only a tree and a road, with no sense of who they are, where they've been, where they hope to do -- a real sense of desperation and loss, awaiting for something to help them something to guide them, to find who they are. They're waiting for Godot. They don't even know what or who Godot is.

"And it's in that moment that they come to the realization in this play that the power that they truly have is within themselves. And Vladimir says, 'At this place in this moment of time all mankind is us.  Let us do something while we have the chance.'"

In his book, Pierce writes of the "collaborative potential that art has to heal ourselves, our families and our communities." On Friday, Pierce reminded us of this, saying: "We reflect on who we are as a society and community. The legacy of New Orleans can be seen through the arts. Everything comes together as we deal with life."

Photo of Wendell Pierce at JCCSF Arts & Ideas: © Michael Dickens, 2015.
Photo of Wendell Pierce in 'Waiting for Godot': Courtesy of Google Images.

Tuesday, August 19, 2014

Jason Collins: Comfortable in his own identity and skin


Jason Collins in conversation at the Commonwealth Club /
"Now that I have this voice and platform, I want to speak out
for all of the of the gay athletes out there."

At 7-feet tall, Jason Collins easily stands out in a crowded room not only for his height but also for his skin color. Yet, it's his personality and intellect that draws your attention toward him.

Last year, Collins became the first openly gay active male athlete in major American professional sports when he came out in a highly publicized personal essay published in the May 6, 2013 issue of Sports Illustrated magazine.

"Depending on the situation," Collins laughs, "I'm not always the gay one. Sometimes, I'm just the tall one, or the black one. When I turn heads, is it because people know I'm gay, or is it because I'm a seven-foot-tall African-American man?"

Last week, speaking in front of an audience of nearly 600 young professionals at the Castro Theatre in San Francisco for the Commonwealth Club's InForumSF conversation series, Collins shared the stage with journalist Jose Antonio Vargas and spoke candidly for 75 minutes about his journey of self-discovery and self-acknowledgement, and how coming out of the closet in a machismo professional sport powered by super stars like LeBron James and Kobe Bryant has changed his life.

"I just spoke to a group of NBA rookies and I had to explain what LGBT (Lesbian Gay Bisexual Transgender) stood for." While some in the audience snickered at the ignorance of it all, it prompted Collins to speak up: "It's all about education and exposure. Some guys have had no education and exposure to the LGBT community."

After he came out in April 2013, Collins waited patiently for a phone call from an NBA team who was willing to take a chance on the 255-pound veteran center -- a consummate professional and veteran of six pro teams who's appeared in two NBA finals, and who just happened to be gay. Certainly, there was bound to be one team willing to take a chance on the free agent. Finally, the Brooklyn Nets contacted Collins last February and signed him to a contract for the back end of the 2013-14 season, where he averaged 1.1 points and 0.9 rebounds.

For much of his pro basketball career, Collins has worn number 34, the same number he wore in college. However, after being traded to Boston and later Washington, then signing with Brooklyn, he chose a different number. "I needed a jersey number to go with my new identity," Collins said. "I went with 98 for the year 1998: the year Matthew Shepard died and the year the Trevor Project was founded."

Despite the personal fulfillment he's achieved, Collins believes there's still a stigma of homophobia in the NBA. "I used to hear that kind of talk a lot in the locker room," he said. "Since I came out, I don't hear it at all. Of course, that might have something to do with it being a $25,000 fine now. I tell guys, you don't have to be politically correct -- you just have to find more creative ways of cutting each other down."

Collins says matter-of-factly, at least one unnamed player trash-talked him during a game after he came out. "Yeah, he's a knucklehead. My attitude about that is: I'm going to foul you. Hard."

While some have labeled the Stanford University graduate as the "big brother San Francisco never had," the polite and affable Collins admits that at times he still feels like the new kid in school, still getting comfortable with his new identity and celebrity. He credits a gay uncle for being his personal role model and said that he's garnered moral support from fellow Stanford alums like U.S. Rep. Joseph Kennedy III, who was his college roommate, and from Chelsea Clinton, the daughter of President Bill Clinton and Hillary Rodham Clinton, who was his classmate. He also gives props to prominent gay athletes like Martina Navratilova and Billie Jean King for being trailblazers as well as sharing their wisdom and advice with him.

Although he can laugh about it now, Collins confessed to the audience: "I didn't kiss a man until I was 34-years-old." On dating for the first time, he said: "Having my heart broken, something that most people go through for the first time in high school, didn't happen to me until I was 34. There was a lot of accelerated learning curve going on there. The Stanford student in me wants to say: 'Okay, we're going to master this.'"

Before he came out publicly, Collins had been in an eight-year relationship with fellow Stanford alumnus and former WNBA center Carolyn Moos. The two were engaged to be married, but Collins called off the wedding in 2009.

Looking back, Collins said coming out to his family was a positive experience filled with love and respect. He recalled his first conversation about being gay with somebody outside of his family circle happened when he told his long-time agent Arn Tellem. "I called my agent. Now, normally, when a player calls an agent after a trade, it's to fire him. But I said 'I've got something to tell you: I'm gay.' He said, 'Well, Jason, you can still play.'"

While there's still a competitive fire in him, Collins told the audience he's undecided about whether to play another season in the NBA. With a lucrative, multi-million dollar endorsement from Nike, Collins realizes he can be as much a positive impact off the court as on it by speaking out on issues like equality and education as well as sustainability and health and fitness. He has a positive story that's worth sharing with others.

"Now that I have this voice and platform, I want to speak out for all of the gay athletes out there," Collins said. Seemingly comfortable in his own identity and skin, Collins is reaching equality both on and off the court by becoming an ambassador for acceptance and peace. In April, Collins was featured on the cover of Time Magazine's "100 Most Influential People in the World."

Reflecting on his life as a professional basketball player, Collins said: "Thirteen years is a long career for an athlete. "I used to be able to jump and touch the top of the white square behind the hoop with ease. As the years go by, you watch your hand go lower and lower on that square. Father Time is undefeated against us all.

"I'm really grateful for my Stanford degree now. On the other hand, I can still dunk."

Editor's note: On November 19, Jason Collins announced his retirement from professional basketball after 13 seasons in the NBA.

Photograph of Jason Collins at the Commonwealth Club in San Francisco's Castro Theatre by Michael Dickens © 2014.

Tuesday, November 19, 2013

The little free library that's always open


Take a book, return a book ...  a simple guiding premise.

I had just bought the November Monocle, the bookish and dense global briefing on international affairs and culture, from my favorite magazine shop, Issues, where they were holding a copy for me. As I walked back to retrieve my car that was parked less than 50 yards away, I came upon a small, colorful structure that resembled a miniature one-room school house.

A closer look revealed something totally unexpected to me. What I saw was a Little Free Library in front of the residence at 38 Glen Avenue, just off Piedmont Avenue in Oakland.

The noted Roman statesman, lawyer, scholar and writer Cicero once opined: "To add a library to a house is to give that house a soul."

Although I'm not sure if this is what Cicero had in mind, after seeing this lovely and quaint rainbow-colored Little Free Library, built with repurposed wood and other materials, and filled with a few choice books and periodicals leaning against an interior wall, it left me wondering if this was the start of something new or a part of a larger movement.

So, I decided to find out more about Little Free Libraries.

Open morning, noon and night.
Did you know: Little Free Libraries are part of a U.S. and worldwide community movement offering free books housed in small containers -- some resembling wooden doll houses -- for members of the local community. According to a recent story in the Minneapolis Star Tribune, there are more than 12,000 Little Free Libraries around the world in countries such as Italy, Japan, Brazil and Ukraine -- even Pakistan. They have a website, http://www.freelibrary.org, and, they even have a dedicated Facebook page with more than 36,000 likes.

Other names for these little free libraries include: community book exchanges, book trading posts, pop-up libraries, and Noox (Neighbourhood bOOk eXchange). Anything that encourages people to read more is a good thing. Fostering a sense of community, reading for children, literacy for adults and libraries around the world adds up to a tremendous mission with a wonderful sense of purpose.

A friendly site in wintertime.
Even Hollywood has found a way to give a shout out to the movement's new-found popularity. Earlier this month, the new motion picture "The Book Thief", about a young girl's relationship with her foster parents, other residents of her neighborhood, and a Jewish fist-fighter who hides in her home during a period of heightened escalation in World War II, offered a special opportunity for Little Free Library stewards to spread the word about the importance of books by sharing photographs of their own little free libraries via Twitter and Instagram accompanied by the movie's hashtag #thebookthief.

The bottom line to this great community -- and worldwide concept -- is simple: Take a book, return a book ... as the sign says.

Oh, to have a hungry mind and to be able to nurture it!

To learn more about Little Free Libraries or to order a library, go to http://www.littlefreelibrary.org

Top photograph by Michael Dickens, copyright 2013. 
Other photographs courtesy of Google Images.

Tuesday, November 5, 2013

Reflections of a Happy Halloween


Chelsea Market, New York City, 2006 /
Still one of my favorite Halloween pum
pkins.

As a kid, there are some things you look forward to each year like Halloween. 


Last Thursday, over the course of two hours, the kids -- white, black, Asian, Hispanic -- were out in great numbers in our Oakland neighborhood, a microcosm of the city at large, full of enthusiasm and dressed in wonderful and creative -- even traditional -- costumes. 

Dressing up as a ghost or witch is still quite popular as well as going trick-or-treating decked out as a super hero like Batman, Spiderman or Superman. Darth Vader and Harry Potter still garner a lot of attention, thanks to their movie-star appeal, and both remain among my favorites. As a kid, I remember dressing up as an astronaut one year back when kids wanted to grow up to be astronauts and fly to the moon. 

This year, we were surprised when a girl and a boy, both about 11 or 12-years-old, came to our door, together, dressed as a carton of milk and a jar of pickles. Maybe, they were influenced just a little bit by Trader Joe's, one of our local grocery stores? I don't remember if the boy's label said soy, low fat or skim, but any of them would have been appropriate by Bay Area standards. Of course, it's always cute to see little kids dress up as lovely and cuddly tigers and dinosaurs, too. Whether homemade or store bought, imaginative costumes are what make Halloween a special occasion.

Lots of parental chaperones were present on this pleasant, autumn Halloween evening -- some in costume -- and we saw a few toting their pet dogs (a few in costume -- think "hot dog") and baby strollers for the littlest ones, too. Some kids were timid and shy, especially the youngest ones -- being coached by their parents, who were standing at the bottom step of our porch, to say "trick or treat", then "thank you" -- while others were very eager and outgoing. A group of five middle school-aged girls shouted out "trick or treat!" in unison as they came giggling up our walkway for all to hear loud and clear.

Halloween has definitely turned into a family event -- a sporting event, maybe? -- and this year, handing out 200 mini chocolate bar candies, as we did, was not enough! Credit the weather, which was nice and dry, and the San Francisco Giants for not being in the World Series like they were in 2010 when Halloween coincided with Game 4 against the Texas Rangers -- and the result is our neighborhood was quite lively with trick or treaters, more so than in most years. We could have easily given out 50 more candies.

As it turned out, we had about two dozen See's peppermint candies in reserve that we used as a fall back after our chocolate candies ran out, and when those candies were all doled out and there were still a handful of eager kids shouting "trick or treat" at our front door, we dragged out our piggy bank and gave out handfuls of nickels and dimes, determined not to leave anyone disappointed. And, surprisingly, the kids who received pocket change were just as happy and content with their "treat" as those who earlier in the evening received a Kit Kat, Twix or Milky Way candy bar.

Once the crowds had thinned, we turned out the lights, shut the front door, and took a walk through our neighborhood so we could admire Halloween decorations and absorb the evening's festive atmosphere, which included a lively and vocal pirate-themed house down the block from us that drew lots of curious attention. 

Finally, almost back to our front door, we were invited in by our neighbors across the cul-de-sac for a glass of Napa Valley red wine, a dessert of tasty baklava from a local Mediterranean bakery and good conversation about Halloweens past when our neighbor's children (one, who's now a college-aged freshman, and the other is a freshman in high school) used to dress up in the most creative and colorful costumes and go out trick or treating.

Looking back on this festive evening, less than a week after it all unfolded, left me in a happy, reflective mood. Indeed, it was a happy Halloween -- one of the most enjoyable evenings of the year -- and I look forward to the next one.