On tennis: A few minutes with Sascha Zverev

In art and poetry, the German writer and poet Johann Wolfgang von Goethe once said, personality is everything. Perhaps, after watching Alexander Zverev last week, tennis should be added to that list, too.

The 21-year-old from Germany, born to Russian parents, with the rockstar appeal, sandy-blonde mop-top hair, and (as I learned from interviewing him) a wry sense of humor, is currently ranked No. 3 in the world, behind Rafael Nadal and Roger Federer, two of the best that the sport of tennis has ever produced. Once again, he’s picking up right where he left off last summer, as one of hottest hard-court players on the ATP World Tour with his sights focused on winning the U.S. Open later this month. The young and mature tennis wunderkind, affectionately known as Sascha, plays with great confidence and authority – not to mention possessing a powerful serve – and, always, with a keen instinct that’s well beyond his years. Although his play at times looks effortless, it’s always entertaining.

On Sunday, Zverev added his second career ATP 500 series championship to his C.V. (which also includes three Masters 1000 trophies) as he successfully defended his Citi Open crown with a straight-set victory over 19-year-old Australian upstart Alex de Minaur, 6-2, 6-4, in Washington, D.C. It was his 41st tour win of the season. Zverev dropped just one set in his five matches, and played with plenty of confidence and authority as he moved about the hard-court surface on the Stadium court at Rock Creek Park Tennis Center, where he was well liked by fans. In the final, Zverev took control of de Minaur from the outset, breaking his opponent in his first two service games. It prompted this comment from de Minaur afterward: “Today, he came out blazing and sort of was too good for me.”

The Citi Open title was the third tour-level title this year for the versatile Zverev to go with trophies he lifted earlier in Madrid and Munich on clay. He’s won nine ATP titles overall, but is still looking for his first Grand Slam triumph.

From observing him during the week against Malek Jaziri, his older brother Mischa, Kei Nishikori, Stefanos Tsitsipas and, finally, de Minaur, I couldn’t help but think that every time the tall (6-feet-6-inch, 1.98 m) and lean (189-pound, 86 kg) Zverev walked on the court, he painted word pictures with his tennis racquet while conquering all who came in his path. It’s worth noting that his ballet-like artistry on the tennis court was simply a thing of beauty that’s worth appreciating. Along with Tsitsipas and de Minaur, Zverev represents the future of men’s tennis.

As Zverev readies to defend his Masters 1000 Rogers Cup title in Toronto this week, beginning with a second-round matchup against the 116th-ranked Bradley Klahn of the United States, one thing that impressed me about him during his week-long stay in the nation’s capital city was how he handled himself during his daily press conferences. Sascha came across as both relaxed and charming – even showing a keen instinct like he does on the tennis court by being quick with his responses to reporter’s questions – and, he exuded a playful side of himself that not many get to witness. I sensed that Zverev enjoyed answering the media’s questions every day as he sat front and center on a raised platform before us, no matter how straight-forward, serious or light-hearted the questions might be. Each time, I came away feeling I learned something new about both sides of Zverev’s persona, as a highly successful tennis athlete and as someone whom many throughout the sporting world idolize.

Here’s a sampling of some of Zverev’s responses and witticisms:

• Asked about his pursuit of Nadal and Federer, the world’s No.1 and No. 2-ranked players: "I don’t think Roger’s too concerned about it. I think he’s somewhere in Switzerland right now enjoying, I don’t know, milk from his cow. From his own cow. ... I’ve said it a few times – Roger and Rafa are still the best out there right now. They are still winning Grand Slams. They are still winning the biggest titles. ... Saying that I’m at their level is something that wouldn’t be fair to them.”

• On handling the pressure of being the defending champion at the Citi Open and being ranked in the Top 5 in the world: “It’s means you come here, you know you have a few points to defend, and you still come out here to win. It’s feels great. It shows, I think, mental strength as well. I think it shows a little bit of maturity. ... It was a fantastic week for me.

“Last year was all just the beginning. This year I’m proving that I’m actually at this level, that I’m playing pretty consistent.”

• Asked after the semifinals, when it was pointed out by a reporter that at age 21 he was the “adult” on the court against the 19-year-old Tsitsipas, and the age of the other semifinalists were 19 and 20, he spit out: “I’m the only one who’s allowed to buy a drink here in the U.S., right?”

• When asked what it’s like being a role model, Zverev quipped: “Am I a role model for you? Well, you can grow a full beard and I can’t, so.”

• On playing his older brother Mischa, Sascha reflected: “I enjoyed the moment. We played great tennis. I think we both played close to our best. I just enjoyed it out there ... as much as I could. I hope everyone else did as well.

“I think knowing each other, that’s why the level was so high. You kind of knew an easy shot, he’s going to go there, I’m going to go there. ... We just had to enjoy the moment as much as we can and the level was pretty high. I played well, and I think Mischa played pretty well also. For us, it was more enjoyment.”

• On who might replace the Big Four of Federer, Nadal, Novak Djokovic and Andy Murray, an obvious but necessary question to ask the young World No. 3, Zverev didn’t hesitate when he said: “I think it’s natural that the higher you get in the rankings, the more people look at you, and the more people kind of want to play you and they want to play you at your best, and they want to beat you, no matter what.”

• On being surprised by the success he’s enjoyed at this early stage of his career, Zverev said: “I have put in a lot of work into becoming the player I am. I still am. Of course, I am happy every time I win, but I also know what it takes to be where I am.”

Photo: By Michael Dickens © 2018.

#NextGen star Zverev is so scary good, he's #NowGen

Sascha Zverev / The champion kisses the trophy.

The German writer and poet Johann Wolfgang von Goethe once said that personality is everything in art and poetry. Perhaps, it's possible to include tennis players like Sascha Zverev, too?"

The 20-year-old from Germany with the rockstar appeal and charming mop top hair-do, who is currently ranked at a career-high No. 8 in the Emirates ATP Rankings, Zverev has been his sport's hottest player. He's won four titles in 2017, including the Rome Masters. On Sunday, the ATP #NextGen star added his first ATP 500 crown to his C.V. with his steamrolling 6-4, 6-4 victory over Kevin Anderson in the final of the Citi Open in Washington, D.C. 

For an all too brief 69 minutes, Zverev played very focused and dominating tennis in dismantling Anderson. Coming into Washington, he'd won three titles in the past six months, including the Rome Masters over then-No. 2 Novak Djokovic. Now with his fourth 2017 crown secured, Zverev's total equals Rafael Nadal and trails only his idol, Roger Federer. 

"I don't know if this was my best tennis (today), but I got better and better every match I played," Zverev said after his victory over Anderson. "I'm just happy to win."

Alexander "Sascha" Zverev paints word pictures with his racquet and his ballet-like artistry on the court is a thing of beauty that's worth appreciating. He also inspires haiku poets:

His idol is Fed.
Like Roger, he's amazing.
He's Sascha Zverev!

Sasha Zverev faced no break points
in his final two matches.

Zverev, who improved his 2017 win-loss record to 41-13 and earlier in the week won his 100th career match, didn't leave any of the fans who packed the Stadium Court at the Rock Creek Park Tennis Center for the final feeling disappointed. The consistency and exactitude of both his right-handed forehands and two-fisted backhands were truly amazing and the payoff – $355,460 for winning not to mention the 500 ATP points he earned – indeed was handsome. Zverev hit 23 winners, committed just seven unforced errors, and he won 88% (30 of 34) of his first-serve points and 67% (10 of 15) on his second serve on the speedy hard-court surface.

A semifinalist last year at the Citi Open, the six-foot-six-inch Zverev broke Anderson once in each set, lost just nine points on his own serve, and he faced no break points for the second straight match. He dominated the baseline rallies throughout both sets.

To the 15th seed Anderson's credit, the tall (six-foot-eight-inch) and agile, 31-year-old South African fired eight aces and placed 70% of his booming first-serves in play, and he won 80% of his first-serve points. He also hit 27 winners, but committed 17 unforced errors. Against many others, those numbers would have been good enough for the 45th-ranked Anderson to capture the Citi Open or most any other ATP 500 title. On Sunday against Zverev, it wasn't – but not for a lack of trying. En route to the final, Anderson knocked off Malek Jaziri of Tunisia on Wednesday evening, then upset the tournament's top seed, World No. 7 Dominic Thiem of Austria late on Thursday night, following a lengthy rain delay. In the quarterfinals on Friday afternoon, he beat a surprising Yuki Bhambri of India, then looked impressive in his straight-set semifinal win over the last American standing, Jack Sock, on Saturday afternoon.

"The last few months have been tricky for me," Anderson said, during the trophy presentation. "This is my first final in a while. I congratulate Alex on a great week."

Anderson, who has been trying to get his career back on track after battling a variety of injuries last year, has now lost to Zverev in all three of their meetings, including a three-set loss in Washington two years ago when a teenaged Zverev was beginning to burst onto the World Tour scene.

Now, the young and mature tennis wunderkind affectionately known to all as Sascha is scary good – and he's still improving. He dropped just one set this week (against Australian Jordan Thompson) and made quick work of his other opponents before the final: American Tennys Sandgren, Daniil Medvedev of Russia, and World No. 9 Kei Nishikori from Japan. At times, his play looked effortless but it was always entertaining. Throughout the tournament, Zverev moved about the hard court surface with great confidence and authority, and he always played with a keen instinct well beyond his years.

Sascha Zverev on the TennisChannel set
discussing his Citi Open title. 

During a post-match interview with TennisChannel's Jim Courier, after he received the champion's trophy, Zverev gave props to the newest member of his team, former French Open champion Juan Carlos Ferrero. It was a decision to add Ferrero that Zverev made with the blessing of his father and longtime coach, Alexander Zverev, Sr. "He's a great guy to bring in and has brought a positive balance to our team," the junior Zverev said. "He's one of the smartest guys, a former World No. 1. He can teach me things, how to deal with pressure. We've just started, but we've done well so far."

The dividends are starting to show for Zverev. Now, not only is he in fourth place on the road to the this year's ATP Finals in London with 3,165 points, he's also far away the leader in the Race to Milan among the ATP's #NextGen players by 2,285 points over his nearest competitor, Karen Khachanov of Russia. Sascha's got a Masters 1000 and a 500 title under his belt this year, plus he made it to the second week of a Grand Slam, the fourth round of Wimbledon last month. What's next?

"The farthest I've been in a Grand Slam is fourth round. I would like to change that. I would like to go further and I still have to improve a lot. Honestly, that's my main goal," Zverev said. "I know that I have to keep working hard and keep improving my game to be able to go far in the big tournaments. I just want to keep improving and win these kind of tournaments."

In leading up to the U.S. Open later this month, the year's final Grand Slam, Zverev will be seeded fourth at this week's Rogers Cup in Montréal, and he will also be one of the top seeds at next week's Western & Southern Open in Cincinnati, both Masters 1000 events. The media and fan interest has only just begun.

"My goal is to qualify for London this year," Zverev said. "I know I'm playing good tennis at the moment. I can win big matches. It will be a dream come true to play in the O2 Arena against the best players in the world. Obviously, this is something that is quite special for every player. For me to qualify at the age of 20 will be something amazing."

Photos: Trophy photo courtesy of Citi Open and ATPWorldTour.com; interview photo courtesy of TennisChannel.com; Sascha Zverev serving photo by Michael Dickens © 2017.

Minnesota folksy appeal: A Prairie Home Companion, 2.0

New APHC host Chris Thile (left) and Nashville-man-about-town
Jack White share a music jam. 

The brilliant musician Chris Thile, tapped as the new host of public radio's "A Prairie Home Companion," made his debut last weekend. As the successor to creator Garrison Keillor, it will be Thile's task to maintain the radio show's Minnesota-folksy appeal while also drawing a younger audience.

Over the course of his first two-hour APHC, Thile gave props to all things Minnesotan in praising many of its sports teams – the Vikings, the Lynx, even the losing Twins – and also praised Prince and Bob Dylan, apple cider and autumn leaves.

During a recent interview with Rolling Stone, Thile (pronounced Thee-lee) admitted that with the upcoming presidential election that's less than three weeks away, everyone needs a means for escaping the rancor and madness that's been brought on by Donald Trump. "People out there need a break, man," he said. "Our fall has been hijacked by a presidential election. It's a very important election, and I will certainly be addressing that on the show, but hopefully I can provide people with a little bit of relief, too. Music and laughter: those are top-shelf forms of relief, I say."

During his debut show, Thile wasted little time taking jabs and poking fun at both major-party candidates, Trump and Hillary Clinton, while admitting that he, too, had once used an unsecured e-mail account and had not paid income taxes for 18 consecutive years – "after that I graduated high school."

The 36-year-old Thile, a Grammy Award-winning mandolin virtuoso, singer and songwriter who cut his chops in bluegrass music with the progressive acoustic trio Nickel Creek and the acoustic folk/progressive bluegrass quintet Punch Brothers, has the unenviable task of replacing the legendary and literate Keillor.

Mandolin virtuoso Chris Thile, shown at the 2015
Hardly Strictly Bluegrass Festival in San Francisco.
He wants to preserve the appeal of APHC, but
also "really blow the doors off on the musical front."

Thile made his first appearance on "A Prairie Home Companion" in 1996, at age 15, and he's been back numerous times – as a solo artist, with Nickel Creek, and with Punch Brothers. Twice in 2015 and on two occasions earlier this year, Thile was the show's guest host.

While the 2012 MacArthur Fellow not only wants to preserve the appeal of "A Prairie Home Companion," which made its public radio debut in 1974, Thile also has been charged with revising its structure and broadening its reach to a younger demographic (the average listener of APHC is 59 years-old). If his first show is any indicator, there will be less talk and more music.

Admitting that he wants to "really blow the doors off on the musical front," the music guests for the first weekend included "Nashville-man-about-town" Jack White, whom the New York Times Magazine once called "the coolest, weirdest, savviest rock star of our time," and Brooklyn-based hip jazz-soul vocal combo Lake Street Dive.

As for Thile's own music tastes, they range from Bach to Bill Monroe to hip-hop. So, anything seems possible and it's likely that Thile will welcome folksingers, jazz musicians, soul revivalists, roots-rockers and bluegrass bands. This week's guests include folk-based singer/songwriter Nathaniel Rateliff & The Night Sweats, evocative American singer/songwriter Anaïs Mitchell, and comedian John Hodgman, formerly of Comedy Central's The Daily Show.

"I want the show to be a home for the breadth of the good music being made in the world," Thile told Rolling Stone. "My musical output has been consistently acoustic, but my taste has not. I love everything. As long as it's good, I'm in."

While A Prairie Home Companion is a very well-known and established public radio brand whose name is easily recognized – both in Minnesota and beyond – indeed, Thile has big shoes to fill. Yet, I like his youthful energy and enthusiasm – it's different than Keillor's – not to mention he's a better singer. I think given a chance, he'll do just fine – especially in expanding the depth of the musical offerings. If Thile brings in a younger audience as it is hoped he will, that's a plus that I'm sure will please everyone.

Note: A Prairie Home Companion is broadcast live from the Fitzgerald Theater in Saint Paul, Minnesota, produced by American Public Media, and airs via National Public Radio (NPR) on Saturdays from 5-7 p.m. Central Time (10 p.m. GMT) – and at various other times – and selected shows are streamed live at www.prairiehome.org. APHC is available to listen via podcast, too.

Cover photo: Courtesy of twincities.com, Google Images.
Photo of Chris Thile at Hardly Strictly Bluegrass by Michael Dickens, © 2015.

A Tuesday Night Memo: A few thoughts on turning six

Michael Dickens / A selfie.

Hooray! A Tuesday Night Memo turns six today.

Here's some background about my blog:  I started writing A Tuesday Night Memo in January 2010 as a means of sharing musings about my life filled with music, sport, and urban travel, and to foster community with my friends, family and Facebook acquaintances while giving me an opportunity to hone my writing skills. People who know me well know that I'm passionate about music, sport, and urban travel. Additionally, I have used my blog as a vehicle for writing about art, food, fashion, religion and gardening. Sharing news and photos about our flower gardens at home always seem to generate great interest and enthusiasm. Perhaps, it's the pretty shapes and colors of our flowers that others find appealing?

Up to now, I have "blogged" 309 entries for A Tuesday Night Memo, which collectively have received over 63,000 page views. Among many subjects I have written about include: my appreciation of tennis champion Roger Federer, a history of the world as seen through 100 objects, classical music conductor Gustavo Dudamel, validating our travel through our photographs, Jerry Seinfeld's Internet comedy Comedians in Cars Getting Coffee, and a profile of Issues, my favorite news and magazine shop that's located in Oakland, Calif. I have included my interest in digital photography within my blog, which has enabled me to illustrate my posts with nice visuals to match the words I write.

The feedback you have given me after reading my blog posts is not only very much appreciated, but I also find it very useful. Most of it has been positive, but sometimes it's also been critical. Whether good or bad, I've found the feedback you provide to be a valuable learning tool. From time to time, I like to sneak a peek at my blog's statistics, which are the key indicators that show how many total "hits" my blog has received, which stories have been read the most, and what countries comprise the blog's readership. While modest, the numbers are nevertheless interesting.

Here are a few fun facts about A Tuesday Night Memo I thought you might enjoy:

* Since May 2010 (the earliest date data is available), my blog has been read in dozens of different countries, including the U.S., Canada, Mexico, France, Morocco, Turkey and Hong Kong -- even Brazil, India, Vietnam, and Australia. The top five countries reading my blog include the U.S, Germany, France, Russia, and the United Kingdom.

* The most widely-read blog entry in terms of "hits" was one I wrote back in December 2010 about "CNN International: Connecting the world," in which I explored the intelligent -- albeit sometimes irreverent -- manner that CNN International delivered the news and how it different from it's American cousin based in Atlanta, Ga. Other top "hits" include musings about the artist Pablo Picasso and the British comedian Ricky Gervais. Go figure!

Looking ahead, I hope to explore many different topics including:

* Connecting our world through digital music and media.
* My ongoing fascination with British television.
* What we can learn by visiting museums.

In the meantime, I've thoroughly enjoyed sharing my thoughts with you throughout the past six years, and I look forward to sharing my thoughts about another exciting year that awaits all of us.

Stay tuned.

This "Hamlet" needs to be seen and not just heard

National Theatre Live: Coming to a cinema near you. /
Benedict Cumberbatch in "Hamlet."

Ever wanted to experience the best of British theatre without having to trek to London? Now you can, thanks to National Theatre Live, where all the world's a stage even if the stage is on a big movie screen.

One night recently, my wife and I drove to the Century 14 cineplex in downtown Walnut Creek, Calif., about a half-hour's drive from our East Bay home, where we thrilled to an enjoyable evening of London West End theatre come alive on the big screen.

For just $20 a ticket, we were treated to the National Theatre Live's cinematic presentation of the critically-acclaimed "Hamlet," Lyndsey Turner's monumental Barbican production of the 1603 iconic William Shakespeare play about the melancholy prince of Denmark, that was broadcast to a global audience of more than 225,000 on 1,400 movie theater screens in 25 countries around the world.

I was one of those near quarter-million experiencing one of the greatest moments of theatre I had ever experienced. Yet, what I was watching was more a film than a play, but without any compromise to the live appeal of theatre.

That total represents the largest global audience for a live broadcast of any title in National Theatre Live history. Not to worry if you missed out on the excitement. Additional encores of "Hamlet" are scheduled to be shown in movie theaters later this month.

Since its debut in 2009, among the National Theatre Live presentations beamed to theaters include: "Frankenstein" with Benedict Cumberbatch and Jonny Lee Miller alternating between the title role and Dr. Jekyll; "King Lear," produced by Sam Mendes; and "A Streetcar Named Desire," which starred Gillian Anderson.

Throughout, "Hamlet" had plenty of "visual swagger" and, of course, there was an infinitely touching prince, played by Benedict Cumberbatch, whom U.S. audiences have grown to love from his portrayal of Sherlock Holmes in "Sherlock" on PBS's Masterpiece.

"If there's one good thing about the avalanche of hype surrounding the (Hamlet) production, it's that it made Shakespeare seem sexy. That's quite a feat," wrote Lyn Gardner in The Guardian, one of London's pre-eminent newspapers and news websites.

"The production has been accused by several critics of being overly cinematic, but its visual swagger,  with its indigo hues, comes into its own on the screen. It would be worrying if this production set a precedent for stage shows that are directed and designed with an eye to the live screening and a global audience rather than those seeing it in a theatre," added Gardner.

On the night we watched "Hamlet" -- October 15 -- the audience was comprised mostly of middle-aged suburban adults. There were the curious fans like us, who were eager to see Cumberbatch tackle the title role of Hamlet -- both as a prep-school misfit and as a toy soldier -- and to embrace and enjoy outstanding theatre. In addition to Cumberbatch, there were stellar performances given by Ciarán Hinds as Claudius and Sian Brooke as Ophelia.

The only thing missing that would have made our night more complete -- and something that makes attending West End theatre unique to an American -- was a vendor selling ice cream cups in the stalls during intermission.

Seeing National Theatre Live's "Hamlet" reinvented for a 21st Century audience reminded me of this: "Hamlet" needs to be seen and not just heard. And, seeing a larger-than-life Cumberbatch up-close and personal for three hours added up to one hell of a wonderful night of theatre on the big screen.

Photo: Courtesy of Google Images.

On pop culture: A great design that's always making a fashion statement

The Converse Chuck Taylor All-Star sneaker

In recent years, the colorful, unisex appeal of Converse Chuck Taylor All-Star sneakers has become quite noticeable, especially among teens and young, college-aged adults.

After all, great design never goes out of style. Sometimes, it just gets a little edgy and interactive.

I learned this first hand last week while perusing a Converse Store during a walk along Santa Monica's Third Street Promenade, which houses the largest collection of Converse footwear (which includes Chuck Taylor All-Star and their companion sneaker Jack Purcell) and apparel in the world.

Converse Chuck Taylor All-Star sneakers have come a long way since their basic black and white styles were once the elite footwear of choice for generations of basketball-playing Americans. Their popularity predates Adidas and Nike. In the 1970s, the iconic American punk rock band The Ramones gave the Converse brand a worldwide counterculture status. Other notables who've worn the Chuck Taylor All-Star brand include Kurt Cobain of grunge rock Nirvana fame and British actor David Tennant, the Tenth Doctor, in the BBC television science fiction series Dr. Who.

Today, thanks to their casual appearance and variety of bright and vivid colors, the Converse Chuck Taylor All-Star sneakers are a "must-have" for a new generation of sneaker wearers. While they are now known more for their vintage fashion appeal than their athletic use, there is still a "wow" factor and a casual sense of coolness attached to them.

At Converse's Third Street Promenade flagship store, you can even design your own creative, one-of-a-kind pair of All-Star kicks in what is billed as Converse Customization. Through the use of iPad technology and over 150 customization graphics, including collaborations with local Santa Monica artists, customers can channel their inner Jackson Pollack or Andy Warhol in expressing their own personal and artistic style -- from abstract expressionist to modern pop art.

The Converse Chuck Taylor All-Star sneakers remain a great design, always making a fashion statement.

Photograph of Converse Chuck Taylor All-Star sneakers by Michael Dickens, copyright 2013.