A slice of modern day life ... like an “Open Book”

Open Book host Scott Simon
with The Cactus League
author Emily Nemens

Modern day life as we know it slowed down back in mid-March. Sometimes, it's not always easy to remember what day of the week it is – there is a blur to them all after sheltering in place for eight months because of the coronavirus pandemic. Yet, I have found there are many wonderful and simple things in which to be thankful. For me, “Open Book” is something that is both simple and worth appreciating.

Each evening, I look forward to connecting via Twitter with NPR Weekend Edition Saturday host Scott Simon, who has invited us into his Washington, D.C. residence for a half-hour salon he calls “Open Book.” Each “Open Book” show commences at 6:15 p.m. EST (3:15 p.m. San Francisco, 11:15 p.m. London, 12:15 a.m. Paris), and Simon, a Chicago native and unabashed Cubs fan, craves our company and the questions we submit for his guests.

In any given week, Simon's visitors might include: Columbia University historian, author and Financial Times contributor Simon Schama, ESPN Outside the Lines host Jeremy Schaap, Paris Review editor and author of the novel The Cactus League Emily Nemens and Veep co-star/comedian Matt Walsh. Among his many guests have been: Moneyball author Michael Lewis, Baltimore Symphony Orchestra conductor Marin Alsop, American writer Terry Tempest Williams, sports writer and author Howard Bryant, and music writer and pop culture historian Greil Marcus.

On Open Book, Scott Simon
shares his love of reading and literature.

For me, “Open Book” is like an extension listening to Weekend Edition Saturday because there is the calming presence of Simon's voice and the idea that if you tune in, you’ll come away having acquired new knowledge and feel good about our world. On “Open Book,” Simon shares an anecdote or two about daily family life during the pandemic followed by reading a poem or a short story from the likes of Dorothy Parker, Terrance McNally, Shel Silverstein, E.B. White – maybe a haiku penned by his dog Daisy – then, there's a visit by a special guest. Finally, it’s followed by question and answer time that enables viewers to participate in the discussion. Recently, Simon has also been reading from his work-in-progress baseball novel, tentatively titled Wins, Losses and Saves, and asking viewers for their feedback.

Not only is Simon a master interviewer, he’s also a great listener. It all adds up to a scholarly conversation in the new normal. At the end of each show, Simon remembers to pay tribute to our everyday heroes: first responders, healthcare workers, postal carriers, food service workers and others who are doing their part to help keep “the trains” of everyday life running on schedule.

Scott Simon, host of Open Book.

Don’t worry if you’re busy at the appointed time to catch “Open Book” live. It immediately is available for replay on demand and previous episodes remain on Simon's Twitter account @nprscottsimon and are archived on his website, scottsimonbooks.com. So, it's actually possible to binge-watch “Open Book” while enjoying a coffee or tea, any time of the day or night.

While it's difficult to predict how long we will be shuttered by the coronavirus outbreak before it's safe to resume our normal daily comings and goings, I do hope Simon will consider continuing “Open Book.” If not nightly, then perhaps he can host “Open Book” at least once or twice a week. Thanks to Periscope and Twitter – and with able assistance from his wife Caroline and his oldest daughter Elise feeding him questions and helping with production – Simon has shown the simplicity of reaching so many of us with relative ease and he does so with much warmth.

Hopefully, if there’s a positive to come from the pandemic, it's that people will appreciate the gentler things of life, like “Open Book.” I know I have.

What day is it today?

Looking out my front door on Saturday morning.

What a difference a month makes. Indeed, as someone recently wrote, “Time looks different than it did a month ago.” No more commutes, allowing an extra hour of sleep on weekday mornings, no more Saturday morning grocery shopping – Thursday mornings at my local Trader Joe’s seem less crowded and hectic – and no baseball or any live sports of any kind to distract the rhythm of hurried lives. Instead, watching sports means watching classic replays of NCAA Final Fours or World Series.

By the way, what day is it today? I woke up this morning swearing it was Wednesday. It wasn’t, it was just Tuesday in Mount Rainier, Md.

Now, social distancing is likely to recognized as the buzz phrase of the year – and it’s only the beginning of April. Suddenly, my Google calendar is full of cancelled entries – from my Friday docents tours at the Library of Congress to hosting our Seattle friends last week to our own weekend mid-month theater trip we looked forward to in New York City. Lots of plans and hopes dashed – cancelled – because of the global coronavirus pandemic that’s spreading across the country like nothing I’ve ever experienced. No sense in buying concert, theater or baseball tickets or planning any travel until we know when our lives return to normal and it’s safe to do things that until last month we took for granted. By the way, what will the new normal be like anyway?

The past month has been filled with strange and scary times. Our narcissistic president has shown his incompetence, greed and his lack of empathy. He and his inept administration are in way over their heads. Decorum is not one of this president’s strong suits. Speaking of suits, would it pain this president to button his suit coat when he’s in front of the cameras, which lately seems to be every day since he can’t hold one of his “campaign rallies”?

Now, no matter how busy – or panicked – we might become, day by day, worrying about our health, our finances, our future, we look for diversions. Anything to avoid thinking about the coronavirus crisis and how POTUS wants to get us all killed. Fortunately, there are ways to break the monotony and find daily solace in our discretionary time while we stay at home “flattening the curve” in quarantine. For me, these simple pleasures include:

• Watching live or on demand Steve Nieve’s daily improvisation. Steve who? Steve Nieve. For those in the music know, The British-born Nieve, 62, is a longtime keyboard maestro who for more than 40 years has anchored Elvis Costello’s Attractions and Imposters bands. He’s an accomplished classical and jazz pianist, and each evening, he turns the naturally-lit living room of his and wife Muriel’s simple-but-colorful French home into a music salon for about half-an-hour on his Facebook page, Steve Nieve Page. Nieve plays, Muriel operates the smartphone camera (and sometimes shows images of their colorful backyard while she hums and sings along in her delightful French accent). They are joined by young singer Ajuq. Chances are good you’ll hear Nieve break out into some Costello faves like “Alison,” “Shipbuilding,” “The Long Honeymoon,” and “Useless Beauty.” These sessions will definitely make you smile.

• Watching live or on demand NPR Weekend Edition Saturday host Scott Simon’s nightly “Open Book” family get-together that he broadcasts via his Twitter page @nprscottsimon. Each evening, from his home in Washington, D.C., Simon talks about and reads from books and also FaceTimes with special guests. The art of conversation about literature and music lives on.

• Also on Twitter, former longtime ESPN SportsCenter anchor Keith Olbermann joins us from his New York City residence, sitting alone in his comfortable reading chair – sometimes joined by one of his dogs – and reads to us in his wonderful and distinctive voice. His nightly “Thurbercast” is both delightful and enjoyable. Like the others, you can catch the “Thurbercast” live or on demand on Olbermann’s Twitter page @KeithOlbermann.

• Finally, NPR Music has an abundance of Tiny Desk Concerts which you can link to through their website. Thanks to the pandemic, it’s be re-branded for now as Tiny Desk (Home) Concerts. One of the newest ones features Death Cab For Cutie’s frontman Ben Gibbard singing a newly-penned tune, “Life in Quarantine,” as well as “Me & Magdalena,” a tune Ben wrote for The Monkees’ Good Times album, and finally  “She’s Got a Problem,” an homage to songwriter and musician Adam Schlesinger of the band Fountains of Wayne, who passed away on April 1 from complications due to COVID-19.

There’s no right or wrong way to spent your hours and days and nights and weekends and weeks. Many different cultural organizations from coast-to-coast such as the Kennedy Center, Jazz at Lincoln Center and San Francisco’s de Young Museum of Fine Arts are offering music and conversations and virtual exhibition tours.

And, of course, what better time than now to binge-watch something you’ve been wanting to binge-watch? There’s lots to find perusing through streaming channels like Netflix and Acorn TV. I’m currently enjoying Ugly Delicious, New York chef David Chang’s original series for Netflix, in which he combines travel, cooking and history – three things I’m very fond of. Each episode highlights a single dish or concept, and he explores how it is made in different regions and how it evolves. Pretty cool, eh?

In the meantime, “Let people know you love them and wash your hands everybody. We’ll see you on the other side,” says Gibbard at the conclusion of his NPR Music Tiny Desk (Home) Concert.

 It kind of says it all, doesn’t it?

On books: In NPR host Scott Simon’s ‘Sunnyside Plaza,’ he reminds us why kindness starts from within

Scott Simon is one of America’s most admired writers and broadcasters. Every week, I make an appointment to listen to NPR’s Weekend Edition Saturday, which he hosts. I follow him on Twitter, along with a million others. So, when Simon writes, speaks or uses social media to convey what’s on his mind, I’m eager to be in the mix, and I have an appreciation for his respectful thoughts on topics that range from humor to serious matters.

Simon has already written eight books – from novels to memoirs – on a variety of subjects near and dear to him including baseball. 

He’s an unabashed Chicago Cubs fan and loyalist and his enthusiasm for our National Pastime easily rubs off on others. 

Last month, Simon’s recently-penned ninth book – a story he’s wanted to tell for years – was published by Little, Brown and Company. Sunnyside Plaza, a mystery aimed at young readers, is a “story of empowerment as a young woman decides to help solve a mystery of multiple suspicious deaths in her group home.” 

A deft storyteller who can make you both laugh and cry, Simon wrote the mystery of Sunnyside Plaza from his own past. After all, when he was in his teens, Simon took a job in an assisted living facility in Chicago, where he worked with people who had developmental disabilities. He drew upon those experiences there in writing his new book.

“It was more formative in my life, I think, than most any war I’ve covered, any political campaign I’ve covered, any reportorial experience I’ve had,” Simon said in a recent NPR interview. He explained how “it really opened my eyes into seeing the world differently.”

NPR Weekend Edition Saturday host Scott Simon

Recently, my path crossed with Simon’s on his book tour, where he spoke about Sunnyside Plaza before an attentive audience at the American Library Association mid-winter conference in Philadelphia. 

In describing the kinds of individuals he came across in the group home, Simon explained that there were “people who have joy and amazing ingenuity just to get through the day, people with great spirit who see past the superficial differences we often see. Once I saw past it, it opened my eyes. It taught something to me.”

On this particular day in Philadelphia and in interviews, Simon speaks about how his personal experiences of working in the group home shaped his thinking and writing about it. In his familiar, midwestern polite tone of voice, he says that he purposefully avoids using specific terms to describe the people living at Sunnyside Plaza because he doesn’t want to get tangled up in an issue of language. Instead, as he suggests, “I want readers to see them as people, not put a label on them at any point in the book.” 

Since its publication, Sunnyside Plaza has drawn much critical praise, both in print reviews and from peers. For instance, The Wall Street Journal wrote: “A wise, humane book from NPR’s Scott Simon tells a mystery from the point of view of a 19-year-old resident of a group home for people with intellectual disabilities. Mr. Simon’s respect and affection on every page of this gentle mystery narrated by Sally Miyake, a 19-year-old resident of a group home.” Meanwhile, Jerry Spinnelli, the Newbery winning author of Maniac Magee and The Warden’s Daughter, says: “Sunnyside Plaza is a light in the shadows that illuminates the humanity in us all. It’s a book as special as its characters. A treasure.”

A question that Simon is often asked on his book tour centers on why he’s decided to leap from his role as a highly-respected journalist into writing novels. On his personal website, scottsimonbooks.com, he notes: “I wanted to challenge myself. And I thought I might have something to offer. I’ve been blessed with a rich reporting career that’s often veered between the imperative, like covering wars, and the inane, like learning how to tango (within the same week, I reported the war in Kosovo, and went swimming in Beverly Hills with Esther Williams). One refreshed my perspective for the other. So, I hope I can use my experiences to put details, feeling, and a certain humor into my fiction. And I hope I can apply some old reporting muscles to try to imagine new lives.”

Photo credits: Sunnyside Plaza dust cover courtesy of Amazon.com. Scott Simon photo courtesy of americanlibrariesmagazine.org. 

Because none of us is as smart as all of us

Podcasts are a genre of narrative audio that have taken off in recent years. There are plenty of podcasts devoted to politics, sports, fashion and music. Search long enough and you will find podcasts devoted to topics like knitting and English football, too. While some podcasts lack polish, others sound like NPR programs. One thing they definitely are is portable.

One of my new favorites is "Make Me Smart with Kai and Molly," a podcast that's about the economy, technology and culture. It's motto is: "Because none of us is as smart as all of us."

"Make Me Smart with Kai and Molly" is hosted by Marketplace's Kai Ryssdal and Molly Wood, and they use their collective expertise "to connect the dots on the topics they know best, and get help from listeners and experts about the ones they want to know better."

Prior to its launch last month, here's what Kai and Molly wrote on the podcast's website: "Here's what we think when we say 'smart.' Facts and figures? Sure, but not enough. Analysis and opinion? Absolutely, but still not quite there. Understanding, historical context, research and connecting individual stories as pieces of a larger whole? Now we're talking.

"We want to focus on analysis and understanding, not on headlines and talking points. And we each have our own expertise, but we know we're not always going to be the smartest people in the room.

"You have your own smarts. And together, we can all get just a little bit smarter."

"Make Me Smart with Kai and Molly" releases a new episode each week on Tuesday – it can be downloaded via iTunes or you can listen to it on the podcast's website – and the most recent one, "Reputation in the Age of the Protest Economy," made its debut on Feb. 21. It featured a conversation with Sallie Krawcheck, founder and CEO of Ellevest, an investment platform for women.

On the podcast's website, www.marketplace.org/topics/make-me-smart, to draw in listeners for a recent latest episode, "It's the Economy, Cupid," it teased: "Time to take a look at a big thing that's getting lost in the first four weeks of the Trump administration. Hint: It's the economy. Other highlights: a cameo by David Frum, senior writer for The Atlantic, answering the show's "Make Me Smart" question: "What's something that you thought you once knew, but turns out you were wrong about?" Later in the same episode, Kai and Molly talked with Eric Bickel and Michael Weis of the Quantify Louisville blog. What they do is to take publicly available data from the city of Louisville, Kentucky, then look for stories hidden in the data. How cool is that! Bickel and Weis spoke about specific ways in which to judge the value of any given statistic.

On earlier episodes, Kai and Molly talked with Columbia University law professor Tim Wu, author of the book The Attention Merchants, who coined the phrase network neutrality, "which is the principle that internet service providers should enable equal access to all content and applications, and not favor one source of content over another." Also, they spoke to Scott Phoenix, co-founder of Vicarious, a company that is trying to build a new kind of artificial intelligence, and to Autodesk CEO Carl Bass.

"Our ultimate goal at Marketplace is to raise the economic intelligence of the country," Ryssdal said prior to the podcast's launch. "Right now it's especially important that we work together to identify and understand what's truly newsworthy. This is exactly what 'Make Me Smart' does."

Adds Woods: "'Make Me Smart' is really a passion project for both of us. It's taking what Kai and I already do at Marketplace and putting it into a new format that allows us to go beyond what we can do on air. This podcast will let us press pause on what's newsworthy and dive even deeper into the topics that people not only want, but need to hear about."

Photo: Courtesy of Marketplace and American Public Media.

Minnesota folksy appeal: A Prairie Home Companion, 2.0

New APHC host Chris Thile (left) and Nashville-man-about-town
Jack White share a music jam. 

The brilliant musician Chris Thile, tapped as the new host of public radio's "A Prairie Home Companion," made his debut last weekend. As the successor to creator Garrison Keillor, it will be Thile's task to maintain the radio show's Minnesota-folksy appeal while also drawing a younger audience.

Over the course of his first two-hour APHC, Thile gave props to all things Minnesotan in praising many of its sports teams – the Vikings, the Lynx, even the losing Twins – and also praised Prince and Bob Dylan, apple cider and autumn leaves.

During a recent interview with Rolling Stone, Thile (pronounced Thee-lee) admitted that with the upcoming presidential election that's less than three weeks away, everyone needs a means for escaping the rancor and madness that's been brought on by Donald Trump. "People out there need a break, man," he said. "Our fall has been hijacked by a presidential election. It's a very important election, and I will certainly be addressing that on the show, but hopefully I can provide people with a little bit of relief, too. Music and laughter: those are top-shelf forms of relief, I say."

During his debut show, Thile wasted little time taking jabs and poking fun at both major-party candidates, Trump and Hillary Clinton, while admitting that he, too, had once used an unsecured e-mail account and had not paid income taxes for 18 consecutive years – "after that I graduated high school."

The 36-year-old Thile, a Grammy Award-winning mandolin virtuoso, singer and songwriter who cut his chops in bluegrass music with the progressive acoustic trio Nickel Creek and the acoustic folk/progressive bluegrass quintet Punch Brothers, has the unenviable task of replacing the legendary and literate Keillor.

Mandolin virtuoso Chris Thile, shown at the 2015
Hardly Strictly Bluegrass Festival in San Francisco.
He wants to preserve the appeal of APHC, but
also "really blow the doors off on the musical front."

Thile made his first appearance on "A Prairie Home Companion" in 1996, at age 15, and he's been back numerous times – as a solo artist, with Nickel Creek, and with Punch Brothers. Twice in 2015 and on two occasions earlier this year, Thile was the show's guest host.

While the 2012 MacArthur Fellow not only wants to preserve the appeal of "A Prairie Home Companion," which made its public radio debut in 1974, Thile also has been charged with revising its structure and broadening its reach to a younger demographic (the average listener of APHC is 59 years-old). If his first show is any indicator, there will be less talk and more music.

Admitting that he wants to "really blow the doors off on the musical front," the music guests for the first weekend included "Nashville-man-about-town" Jack White, whom the New York Times Magazine once called "the coolest, weirdest, savviest rock star of our time," and Brooklyn-based hip jazz-soul vocal combo Lake Street Dive.

As for Thile's own music tastes, they range from Bach to Bill Monroe to hip-hop. So, anything seems possible and it's likely that Thile will welcome folksingers, jazz musicians, soul revivalists, roots-rockers and bluegrass bands. This week's guests include folk-based singer/songwriter Nathaniel Rateliff & The Night Sweats, evocative American singer/songwriter Anaïs Mitchell, and comedian John Hodgman, formerly of Comedy Central's The Daily Show.

"I want the show to be a home for the breadth of the good music being made in the world," Thile told Rolling Stone. "My musical output has been consistently acoustic, but my taste has not. I love everything. As long as it's good, I'm in."

While A Prairie Home Companion is a very well-known and established public radio brand whose name is easily recognized – both in Minnesota and beyond – indeed, Thile has big shoes to fill. Yet, I like his youthful energy and enthusiasm – it's different than Keillor's – not to mention he's a better singer. I think given a chance, he'll do just fine – especially in expanding the depth of the musical offerings. If Thile brings in a younger audience as it is hoped he will, that's a plus that I'm sure will please everyone.

Note: A Prairie Home Companion is broadcast live from the Fitzgerald Theater in Saint Paul, Minnesota, produced by American Public Media, and airs via National Public Radio (NPR) on Saturdays from 5-7 p.m. Central Time (10 p.m. GMT) – and at various other times – and selected shows are streamed live at www.prairiehome.org. APHC is available to listen via podcast, too.

Cover photo: Courtesy of twincities.com, Google Images.
Photo of Chris Thile at Hardly Strictly Bluegrass by Michael Dickens, © 2015.

Forever 21: Remembering Yusor Mohammed Abu-Salha and her voice full of hope

Ibtihaj Muhammad /
Muslim American
Olympic fencer. 

American Muslims make extraordinary contributions to our country every day. One needs only to look at Wednesday's New York Times to learn the story of Ibtihaj Muhammad, a 30-year-old female fencer, who will represent the U.S. at the Summer Olympics in Rio de Janeiro and is believed to be the first American Olympian in any sport to compete while wearing a hijab. She was among a select group of prominent American Muslims invited to a round-table discussion with President Obama last week before his speech at an American mosque in Baltimore. It was the Mr. Obama's first visit as president to an American mosque. 

Meanwhile, it's been a year since three young students, who were American Muslims, were shot to death in Chapel Hill, N.C., in a brutal crime. Despite the barriers broken by Mr. Obama and Ms. Muhammad, by and large, American Muslims across my country remain worried and afraid. Their concerns include Islamophobia, mass incarceration and anti-Muslim rhetoric.

Last year, one of the slain students, Yusor Mohammed Abu-Salha, participated in an NPR StoryCorps oral history project with her third-grade elementary school teacher. The interview resurfaced in the days following Yusor's tragic death and showed a kind and caring individual with a beautiful voice so full of hope. I'm not ashamed to say that listening to the interview brought me to tears then as it does now.

http://storycorps.org/listen/yusor-abu-salha-and-mussarut-jabeen/ 

Read on as I share a repost of my Feb. 24, 2015 "A Tuesday Night Memo" blog post.

Deah Shaddy Barakat (23), Yusor Mohammed Abu-Salha (21), and
Razan Mohammed Abu-Salha (19) /
They were Americans just like you and me.

American Muslims make extraordinary contributions to our country every day and, yet, we are left asking ourselves why three young university students, who were American Muslims, were shot to death in Chapel Hill, N.C., earlier this month.

It has left many American Muslims across my country worried and afraid.

This brutal crime that took the lives of these kind, young and exemplary citizens -- a husband, his newlywed wife and her sister -- came just weeks after other recent anti-Muslim attacks in Europe that were carried out in an apparent response to the January murders (committed by Muslim extremists) of Charlie Hebdo journalists in Paris.

Teacher and student /
Mussarut Jabeen (L) and Yusor Mohammed
Abu-Salha together in happier times.

"Growing up in America has been such a blessing," said one of the slain students, Yusor Mohammed Abu-Salha, during a 2014 NPR StoryCorps oral history project interview that resurfaced days after her death. Accompanied to the StoryCorps booth in Raleigh, N.C. along with her third-grade elementary school teacher, Mussarut Jabeen, Abu-Salha explained: "Although in some ways, I stand out because of the hijab, there's still so many ways that I feel so embedded in the fabric that is our culture. Here, we're all one ... Open, compassionate ... That's the beautiful thing here ... It doesn't matter where you come from. There're so many different people from so many different places of different backgrounds and religions. But here we're all one -- one culture."

Among my many Muslim friends from the North Africa countries of Tunisia, Morocco and Algeria, whom I've become acquainted with over the past several years via Facebook, they are united by their faith and share in mourning the lives of their American Muslim sisters and brother half a world and many time zones away, too. They insist -- and I agree -- that no one should ever be targeted because of who they are, what they look like, or how they worship. 

Yet, I'm left wondering and I'm sure others are thinking: How do you convey a message of tolerance throughout a large country like mine that's comprised of so many different religious faiths and political attitudes, especially when certain cross-sections of the American public -- including certain American media organizations -- are not showing tolerance themselves and, worse, come across as Islamophobic? 

My Muslim friends are human and compassionate -- and they share many of the same hopes and feelings just like you and me. None of them are religious fanatics. However, they are very worried about the escalation of deadly violence shown by Muslim extremists, who seem to have taken their Islamic faith hostage through acts of terrorism across the world.

Through dozens of conversations covering countless hours, thanks to my open-mindedness and being a good listener, many of my Muslim friends have shared in confidence with me things they might not ordinarily be comfortable in sharing with their friends or family. So, I can attest to their honesty, their compassion, their sense of wanting to have a better life than their parents and to pass along a better life to their children. Sound familiar? First and foremost, together, we've worked hard to build a sense of trust and, also, to share the love of our friendship. 

Yusor Mohammed Abu-Salha /
On the occasion of her 2014 graduation
 from her beloved North Carolina State
University in Raleigh, N.C.

I invite each of you to try reaching out to connect with a Muslim or somebody of a different religious faith than your own -- and truly get to know them and to learn about their faith. Take off your blinders and try to establish a dialogue and build trust. You'll feel better for making the effort.

During their StoryCorps interview, Jabeen recalled: "I remember Yusor as a little girl when she was in third grade. She had this sense of giving that really makes her different from other children."

In December 2014, Yusor graduated from North Carolina State University in Raleigh, N.C. 

In closing, Jabeen said: "I would like people to know and remember (Yusor) as a practicing Muslim, as a daughter and, above all, as a good human being. You know, when we write our comments on report cards, we say they exceeded our expectations. She exceeded our expectations."

Now, I hope you will take a few moments of your time to pause and listen to the voice of Yusor Mohammed Abu-Salha from her entire StoryCorps interview: 

http://storycorps.org/listen/yusor-abu-salha-and-mussarut-jabeen/ 

I'm not ashamed to say that listening to Yusor's beautiful and loving voice -- so full of life and hope less than a year ago -- brought me to tears.

Photos: Courtesy of Facebook, StoryCorps.org, Google Images. 

Pink Martini: The "little orchestra" that's bringing joy to the world in these troubled times

Pink Martini / The "little orchestra" that's inclusive, full of warmth and
represents many human experiences.

Pink Martini is an internationally acclaimed "little orchestra" from Portland, Oregon, founded by a couple of Harvard classmates, pianist Thomas Lauderdale and vocalist China Forbes, that mixes glamour and sophisticated easy-listening music. Since 1994, the band that the Washington Post once called "utterly cosmopolitan yet utterly unpretentious," have amassed an impressive repertoire of festive songs drawn from around the globe, including many timeless classics and a few rarely heard chestnuts.

A typical Pink Martini show -- and I speak from experience have seen the band perform nine times over the past decade in a variety of California settings -- is both multilingual and multicultural, and at holiday time it's also multi-denominational. Above all, it's inclusive -- full of warmth -- and represents many human experiences.

Through the energy and creativity of their music, Pink Martini brings joy to the world in these troubled times -- something which should make all of us feel grateful and appreciative.

"We're very much an American band," said Lauderdale, "but we spend a lot of time abroad and therefore, have the incredible diplomatic opportunity to represent a broader, more inclusive America... the America which remains the most heterogeneously populated country in the world... composed of people of every country, every language, every religion."

Pink Martini has performed on concert stages and with symphony orchestras throughout Europe and Asia, as well as in Greece, Turkey, the Middle East, Northern Africa, Australia, New Zealand, South America and North America. I have seen them perform both as a "little orchestra" as well as in concert with the San Francisco Symphony Orchestra. When his schedule allows, NPR "All Things Considered" host Ari Shapiro, also a Portland native, joins Pink Martini as a guest vocalist.

Pink Martini's 'Joy to the World'

Last Monday in Livermore, about 30 miles inland from Oakland, my wife and I saw our most recent Pink Martini show. It was part of a two-week "Joy to the World" bus tour through northern and coastal California towns, including Arcata, Davis, Monterey, Redding, and Santa Barbara.

On this night, the 12-member band delighted their audience at the Livermore Valley Performing Arts Center's 507-seat Bankhead Theater by performing from their expansive catalog of pop, jazz, classical and holiday songs that were beautifully sung in Latin, Hebrew, Arabic, German, Turkish, Armenian, Spanish, Italian, French, Romanian, Croatian, Chinese, Japanese and, oh yes, English, too. There was a nice mixture of charm, elegance and humor throughout the band's two-hour performance.

In a recent interview with the Santa Barbara Independent, co-lead vocalist Storm Large said: "Every language expresses love, pain, joy or grief, in whatever song I'm singing, in whatever language, it's just a matter of being honest in the feeling I'm expressing." This was plainly evident when Large sang the very serious Romanian folk tune "Pâna când nu te iubeam" ("Until I Loved You") as well as a long-time favorite of mine, the spine-tingling Croatian song "Eu plavu zoru" ("At Blue Dawn"), accompanied by violinist Nicholas Crosa.

Pink Martini performs their "Joy to the World" holiday
show in Livermore, California on Dec. 7.

Among the sacred and secular holiday songs which Pink Martini performed in Livermore were: "Little Drummer Boy," "We Three Kings," "A Snowglobe Christmas," "Talj, Talj," "La Vergine Degli Angeli," "O Holy Night," and "Have Yourself a Merry Little Christmas."

"Christmas music is so inherently joyful for me, as well as for the audience," said Large. "People just have so many good feelings around the holidays. It's a marvelous reason to sing."

Pink Martini's unique vision can be attributed to its inclusiveness of language, culture, and religion, musically. The band wants anyone and everyone to feel welcome at its shows and, if they are so encouraged, to jump up and dance. And many did dance in Livermore. The evening was complete  with an encore performance of the band's signature tune "Brazil" in which many in the audience at Large's urging formed a conga line while others danced at their seats and in the aisles.

If you think about it, said Large, "It's really the perfect recipe for 'Peace on Earth and Good Will' we hear about so often during the holidays, but sadly have witnessed quite the opposite in the world of late."

Note ~ Hear Pink Martini's "Joy to the World: A Holiday Spectacular" that's airing this month via NPR:

http://www.npr.org/2015/12/09/458905971/pink-martinis-joy-to-the-world-a-holiday-spectacular

Laughing out loud: Remembering Tom Magliozzi

Click and Clack, the Tappet Brothers / For 25 years, brothers
Ray and Tom Magliozzi hosted NPR's Car Talk together.

During a 1999 commencement speech to the graduates of M.I.T., Ray Magliozzi, the longtime co-host of NPR's Car Talk with his older brother Tom, shared this bit of wisdom and advice: "I just want to encourage you to never get so involved in your work, whatever it is, that you forget to have fun."

What great advice that each of us should heed, no matter our age. Simply, have fun.

At the same M.I.T. commencement, Tom Magliozzi shared his research that he claimed provided evidence that “being unencumbered by the thought process” leads to greater happiness.

Each week for 25 years, through some 1,200 hour-long episodes each beginning with mandolinist David Grisman's bluegrassy theme song, "Dawggy Mountain Breakdown," Tom and Ray Magliozzi (pronounced mal-YOT-zee) shared not only their happiness, but also a lovable crankiness, plenty of good self-deprecating humor and a whole lot of uncontrollable laughter with their nationwide NPR (National Public Radio) audience that numbered in the millions here in the United States.

Come Saturday morning, we turned on our radios religiously and were treated to a good soul cleansing. 

While the premise of their radio show, Car Talk, was about cars and mechanical repairs, the warmth and humor exuded by Tom and Ray -- not to mention their expert advice about the importance of cars and an appreciation of life -- was timeless and enduring. 

"Click and Clack, the Tappet Brothers" as the personable Magliozzi brothers were nicknamed, became like family to us and we trusted them and they welcomed us into their "home" via the radio each week for an enjoyable hour of banter and good jokes. From it all came a lot of memorable one-liners like their signature "Don't drive like my brother," spoken by each at the end of each Car Talk show in a distinguishable Boston accent. The affectionate Magliozzi brothers grew up in a large Italian family in East Cambridge, Mass., and both graduated from M.I.T.

Tom Magliozzi / Enjoying a
good laugh.

On November 3, Tom Magliozzi, 77, passed away from complications from Alzheimer's disease. He died at his home outside Boston.

In a letter to public radio listeners of Car Talk, Ray Magliozzi wrote of his brother: "We can be happy that he lived the life he wanted to live; goofing off a lot, talking to you guys every week, and primarily, laughing his ass off."

Although Tom and Ray (who is 12 years younger) stopped making original episodes of Car Talk in 2012, we are fortunate to have "classic" episodes of Car Talk we can listen to each weekend via NPR and through podcasts, too. The show and its infectious laughter lives on. 

In a remembrance of Tom Magliozzi that aired on NPR's All Things Considered last week, Car Talk's executive producer, Doug Berman, said that when it came to cars, the brothers really did know what they were talking about. Yet, it's not why people listened to the show. "I think it has very little to do with cars," said Berman. "It's the guys' personalities. And Tom especially -- really a genius. With a great, facile mind. And he's mischievous. He likes to prod people into honesty."

Magliozzi's NPR colleague, Peter Sagal, host of NPR's weekly news quiz Wait Wait ... Don't Tell Me!, writing for Time, said that laughter "was Tom's great gift. All that raucous, distinctive laughter -- who knew you could laugh with a Boston accent? -- was genuine. Whether he was laughing at his brother or a caller with a car problem or his own silly jokes, his pleasure was too immense to be kept private. Everybody knows that Car Talk wasn't about cars. It was about Tommy Magliozzi and his little brother Ray, as they continued their life-long refusal to take each other, themselves, or anything else seriously. And by sheer force of will the self-regarding gray edifice known as public radio eventually did the same."

Sagal added: "Tom was opinionated, passionate, and occasionally profane, but very much the man he seemed to be on the air. He leaves behind his brother and a large family, but also millions of listeners he convinced -- if only for an hour a week -- to just relax and enjoy themselves as much as he did."

While we all share in the sadness of Tom Magliozzi's passing, just like we do when there's a death in our own family, one thing's certain: While he was alive, standing tall, bearded and friendly, Ray's big brother never forgot to have fun.

We should all be so fortunate. 

God rest ye merry gentleman, Tom Magliozzi.

Photos: Ray and Tom Magliozzi, together, courtesy of Google images; Tom Magliozzi, courtesy of Car Talk Facebook page.

Laura Mvula: Singing to the moon with a beautiful heart, soul and voice

On her debut album, Sing to the Moon, the British singer/songwriter Laura Mvula not only taps into the sound of vintage '60s soul, she really stands out in the spotlight.

I learned of Mvula only last month when I heard Morning Becomes Eclectic host Jason Bentley rave about her music, which unconventionally pairs neo-soul with orchestral pop, and her voice, calling her a "revelation."

Soon, thereafter, NPR profiled the chanteuse, noting that her songs "sound like the whole world at once.

"Equally adept at radiating joy ("Like the Morning Dew"), articulating a socially conscious mission statement ("That's Alright"), and singing sweet ballads (the harp-infused "Can't Live With the World"), Mvula radiates the world confidence of a singer twice her age," wrote NPR's Stephen Thompson.

Mvula, 26, grew up in Birmingham, England as "a regular girl" in a musical family. She has two younger siblings who play in her touring band, which includes strings and horns. She is a classically-trained singer, who graduated from the Birmingham Conservatoire, and has sung in acapella choirs.

Mvula sings with a voice that is as distinctive as it is different. Think about the first time you heard Adele or Amy Winehouse or, for those of you old enough to remember, Nina Simone. How do I best describe Mvula's fantastic voice? Well, it is breathtakingly amazing ~ there's a neo-soul mentality to it, influenced by Erykah Badu and Lauryn Hill ~ and Mvula's gentle-but-powerful song lyrics are heartfelt. And, there are those infectious vocal harmonies found in many of her songs, such as "Like the Morning Dew," the first track on Sing to the Moon, that would do the Beach Boys proud.

Recently, Mvula gave her U.S. radio debut as she performed live on the Morning Becomes Eclectic show, which originates from public radio station KCRW-FM (Monday-Friday from 9 a.m.-noon Pacific Time / 4-7 p.m. GMT) in Santa Monica, Calif., and is simulcast worldwide via KCRW.com. For a limited time, KCRW offering a free download of the magnificent "Sing to the Moon."

"I love the version of "Sing to the Moon" that appears on Laura Mvula's debut album, but when I heard her perform it live at KCRW it became an intimate story performed so delicately that it's heartbreaking," KCRW host Anne Litt wrote on the station's website. "During her interview for Morning Becomes Eclectic, she revealed that this song was inspired by an autobiography of a 1950's jazz singer called Adelaide Hall whose father told her to 'sing to the moon, and the stars will shine.' "

Indeed, Sing to the Moon is a celebration of Laura Mvula's beautiful and soulful voice. The stars are shining tonight.

* * * 

Sing to the Moon is currently available digitally via iTunes and Amazon.com, and the CD and vinyl version debuts on May 14.

To see videos from the Sing to the Moon album, go to : http://www.lauramvula.com/video.

Video of "Sing to the Moon" courtesy of KCRW.com.