The Two Popes: An unconventional buddy film

The Two Popes, director Fernando Meirelles’ (City of God) intimate story about one of the most dramatic transitions of power within the Catholic Church in the last 2,000 years, stars Jonathan Pryce as Cardinal Jorge Bergoglio and Academy Award-winning Anthony Hopkins as Pope Benedict XVI. It’s a biographical drama written by Anthony McCarten (The Theory of Everything), based on his 2017 play The Pope, and inspired by true ecclesiastical events.

The film debuted at the Telluride Film Festival last August and was also screened at the Toronto International Film Festival in September. It’s scheduled for a limited U.S. release on November 27 and opens in the U.K. on November 29. Digital screening on Netflix begins December 20. Bryce Dessner of the band The National scored the soundtrack for the film.

Behind Vatican walls, this 125-minute film in English with a variety of subtitles (Latin, Spanish, Italian, French, Portuguese and German) portrays two very different men caught up in a struggle between tradition and progress, between guilt and forgiveness – and how each confront their past in order that they may find a common theological ground amidst political turmoil in the Catholic Church in which to forge a future for more than a billion worldwide followers.

We learn of the popular Argentinian Cardinal Bergoglio, a lover of both international football and tango – the future Pope Francis – who requests permission from Pope Benedict in 2012 to retire, doubting his ability to remain a “salesman” for Catholic values. This is happening at a time when the introspective Pope Benedict is facing scandal and self-doubt. So, he summons the man who is his harshest critic – and future successor – to come to Rome “to reveal a secret that would shake the foundations of the Catholic Church.”

While the film is historic fiction and focuses on a series of serious conversations about human understanding and fallibility – and through flashbacks, we learn much about Bergoglio’s Jesuit background and how he became a beloved figure in Argentina – there are moments of humor and surprise, none better than two popes sharing a pizza and a Fanta inside the Vatican while debating the future direction of the Catholic Church. Topical social and cultural subjects such as homosexuality, abortion, divorce, sexual abuse among priests, climate change and economic inequality are discussed – sometimes heatedly – between the two pontiffs.

Looking back, it didn’t bother me that much of what we see in this relevant film – the conversations between Benedict and Francis – is purely speculative and may not have actually happened, such as one the two share in a helicopter ride together.

Pope Benedict: “What is that plant?”
Cardinal Bergoglio: ”It’s oregano. Your gardener gave it to me.”
Pope Benedict: ”You’re very popular”
Cardinal Bergoglio: ”I just try to be myself.”
Pope Benedict: ”When I try to be myself, people don’t like me very much.”

Sure, Benedict was portrayed in the film as physically ailing and tired – “I cannot play this role anymore” – unable “to hear the voice of God.” While he is shown having a cordial relationship with the younger, more energetic and thoughtful bishop throughout the film, did he really pick Cardinal Bergoglio to be his chosen successor? Probably not. However, the friendship that is forged between the two seems genuine and both Hopkins and Pryce give tremendous acting performances in their respective roles. The visual direction (think Saint Peter’s Basilica and Square) is so very beautiful and stunning, especially the staging of the papal conclaves inside the Sistine Chapel that take place in the selection of both Pope Benedict and Pope Francis.

“Being Pope, you must remember you are not God,” Hopkins reminds Pryce. “You are only human.”

As one film critic recently suggested, “Like us, our spiritual leaders can be haunted by doubt and questions of belief. But it’s our humanity and differences that bring everybody together, sometimes over a World Cup match and beer.”

Credits: Cover photo – Courtesy Netflix. Videos – Courtesy YouTube.

Beyond black and white: searching for a new equality

Kareem Abdul-Jabbar / A great American thinker.

Growing up in the valley suburbs of Los Angeles in the 1960s, one of my childhood heroes was Kareem Abdul-Jabbar. Back then, as Lew Alcindor (his birth name before he changed it after converting to Islam), he was the dominating force in men's collegiate basketball in leading UCLA to three consecutive NCAA championships. I've always been fascinated by Kareem, not only as an athlete but as a human being because he's shown himself to be so much more than a basketball player. He's also a great American thinker.

Kareem Abdul-Jabbar's new book
focuses on many paramount issues
facing our society, including:
racism, war, death, love, hope

My current reading project is Abdul-Jabbar's latest book, Writings On the Wall: Searching For a New Equality Beyond Black and White. Co-authored with Raymond Obstfeld and published this fall, it's an insightful book that's full of wisdom and conviction and a must read as we transition from eight years of steady and thoughtful leadership by Barack Obama to the chaos-induced "post-truth" presidency of Donald Trump. In Writings On the Wall, Abdul-Jabbar explores how today's America "is a fractured society, sharply divided along the lines of race, gender, religion, political party and economic class." The book is filled with plenty of fresh reporting and serious thinking.

Writings On the Wall focuses on many paramount issues facing our society: racism, abuse of women, why politicians attack the media, war, growing old, death, love, hope. He approaches these issues with both insight and passion and draws upon his life experiences not only as superstar athlete but also as a scholar, celebrity, parent, education advocate, journalist, charity organizer, African-American and a Muslim.

U.S. Senator Bill Bradley, himself a former NBA basketball player, Rhodes Scholar and author, wrote that Abdul-Jabbar "brings his unusual and unique life story to bear on the issues of our day and adds insight for all of us in the process."

Kareem Abdul-Jabbar used his trademark
"sky hook" shot to help win six NBA
championships during his 20-year
Hall of Fame career. 

Abdul-Jabbar is the NBA's all-time leading scorer and a Basketball Hall of Fame inductee. In retirement, he has been an activist and an in-demand speaker, a basketball coach and the author of nine books for adults and three for children, including What Color Is My World?, which garnered the author the NAACP Image Award for Best Children's Book.

As an essayist for such publications as the Washington Post and TIME magazine, Abdul-Jabbar has written on a wide range of subjects, including race, politics, aging and popular culture.

In 2012, he was selected as a U.S. Cultural Ambassador. Last month, he received the Presidential Medal of Freedom in a White House ceremony.

"My real passion for history is in using it as a critical guide to our future, both personal and cultural," writes Abdul-Jabbar.

"History illuminates the safest path in front of us by revealing the pitfalls of the past. It is a secular bible of cautionary and inspiring stories that distills the wisdom of thousands of years of human endeavor into practical lessons about humanity's morals, politics and personal relationships. It is the ultimate self-help book. And right now, given the political and social turmoil in America, we need all the help we can get."

Abdul-Jabbar integrates a lot of popular-culture references in illustrating his ideas. He's a fan of the many artistic ways that our society chooses to communicate both its darkest fears and its brightest hopes. "Pop culture visualizes the public discourse in myriad ways: through music, movies, TV shows, poetry, comic books, literary novels, plays, YouTube, graffiti and new forms of expression that come along every day," he writes. "It provides the embraceable melody of our cultural song – it doesn't matter how profound the words of the song are if no one wants to listen. Whether Tarantino or Truffaut, all points of view and creative presentations have a place. Popular culture is a language that bridges generations, economic statuses and ethnic backgrounds. It provides a common heritage-in-the-making that brings our diverse community closer."

Kareem Abdul-Jabbar spoke during the 2016
Democratic National Convention.

Why did he write this book? "For me, there would be no point in writing a book like this unless I had some hope that it might help improve life for Americans," writes Abdul-Jabbar. "I don't imagine anything grand, just that some contentious issues might be clarified, that some people might hear a reasonable voice that isn't from the same background as others they listen to.

"Maybe they will become a little more understanding. Mostly, I hope to expand the discussion about what America is and what it means to be an American. Not with waving flags and sentimental speeches but with a return to exploring the document that defines who we are and what we stand for: the U.S. Constitution."

With his book, Writings on the Wall, Kareem Abdul-Jabbar
hopes "to shine a flashlight on the path back to the
Age of Reason and the ideals of the U.S. Constitution."

What does he hope to gain? "Many Americans, as evidenced by the 2016 presidential campaign, abandoned these founding principles of reason to voice their fear, anger, frustration and rage. They openly and proudly expressed their racial bigotry, religious intolerance and misogyny as if the past 100 years of history of incremental social progress had never happened.

"Without even knowing it, they have dragged the American flag through the mud by rejecting all the principles it represents. As cartoonist Walt Kelly said in Pogo: 'We have met the enemy and he is us.' With this book, I hope to shine a flashlight on the path back to the Age of Reason and the ideals of the U.S. Constitution."

Will it work? Abdul-Jabbar is hopeful. "Each generation has to confront these challenging ideas and find ways to incorporate them into their personal belief systems as they go about their daily lives. ... I hope people choose to answer the call and together we ring about the miracle and wonder."

That, I believe, is an American dream worth dreaming.

Laughing out loud: Remembering Tom Magliozzi

Click and Clack, the Tappet Brothers / For 25 years, brothers
Ray and Tom Magliozzi hosted NPR's Car Talk together.

During a 1999 commencement speech to the graduates of M.I.T., Ray Magliozzi, the longtime co-host of NPR's Car Talk with his older brother Tom, shared this bit of wisdom and advice: "I just want to encourage you to never get so involved in your work, whatever it is, that you forget to have fun."

What great advice that each of us should heed, no matter our age. Simply, have fun.

At the same M.I.T. commencement, Tom Magliozzi shared his research that he claimed provided evidence that “being unencumbered by the thought process” leads to greater happiness.

Each week for 25 years, through some 1,200 hour-long episodes each beginning with mandolinist David Grisman's bluegrassy theme song, "Dawggy Mountain Breakdown," Tom and Ray Magliozzi (pronounced mal-YOT-zee) shared not only their happiness, but also a lovable crankiness, plenty of good self-deprecating humor and a whole lot of uncontrollable laughter with their nationwide NPR (National Public Radio) audience that numbered in the millions here in the United States.

Come Saturday morning, we turned on our radios religiously and were treated to a good soul cleansing. 

While the premise of their radio show, Car Talk, was about cars and mechanical repairs, the warmth and humor exuded by Tom and Ray -- not to mention their expert advice about the importance of cars and an appreciation of life -- was timeless and enduring. 

"Click and Clack, the Tappet Brothers" as the personable Magliozzi brothers were nicknamed, became like family to us and we trusted them and they welcomed us into their "home" via the radio each week for an enjoyable hour of banter and good jokes. From it all came a lot of memorable one-liners like their signature "Don't drive like my brother," spoken by each at the end of each Car Talk show in a distinguishable Boston accent. The affectionate Magliozzi brothers grew up in a large Italian family in East Cambridge, Mass., and both graduated from M.I.T.

Tom Magliozzi / Enjoying a
good laugh.

On November 3, Tom Magliozzi, 77, passed away from complications from Alzheimer's disease. He died at his home outside Boston.

In a letter to public radio listeners of Car Talk, Ray Magliozzi wrote of his brother: "We can be happy that he lived the life he wanted to live; goofing off a lot, talking to you guys every week, and primarily, laughing his ass off."

Although Tom and Ray (who is 12 years younger) stopped making original episodes of Car Talk in 2012, we are fortunate to have "classic" episodes of Car Talk we can listen to each weekend via NPR and through podcasts, too. The show and its infectious laughter lives on. 

In a remembrance of Tom Magliozzi that aired on NPR's All Things Considered last week, Car Talk's executive producer, Doug Berman, said that when it came to cars, the brothers really did know what they were talking about. Yet, it's not why people listened to the show. "I think it has very little to do with cars," said Berman. "It's the guys' personalities. And Tom especially -- really a genius. With a great, facile mind. And he's mischievous. He likes to prod people into honesty."

Magliozzi's NPR colleague, Peter Sagal, host of NPR's weekly news quiz Wait Wait ... Don't Tell Me!, writing for Time, said that laughter "was Tom's great gift. All that raucous, distinctive laughter -- who knew you could laugh with a Boston accent? -- was genuine. Whether he was laughing at his brother or a caller with a car problem or his own silly jokes, his pleasure was too immense to be kept private. Everybody knows that Car Talk wasn't about cars. It was about Tommy Magliozzi and his little brother Ray, as they continued their life-long refusal to take each other, themselves, or anything else seriously. And by sheer force of will the self-regarding gray edifice known as public radio eventually did the same."

Sagal added: "Tom was opinionated, passionate, and occasionally profane, but very much the man he seemed to be on the air. He leaves behind his brother and a large family, but also millions of listeners he convinced -- if only for an hour a week -- to just relax and enjoy themselves as much as he did."

While we all share in the sadness of Tom Magliozzi's passing, just like we do when there's a death in our own family, one thing's certain: While he was alive, standing tall, bearded and friendly, Ray's big brother never forgot to have fun.

We should all be so fortunate. 

God rest ye merry gentleman, Tom Magliozzi.

Photos: Ray and Tom Magliozzi, together, courtesy of Google images; Tom Magliozzi, courtesy of Car Talk Facebook page.

A debut and a time for sharing wisdom

Welcome to my blog, A Tuesday Night Memo, musings about a life filled with music, sport and urban travel. While it is still Tuesday in the Western Hemisphere as I write my first post, I do not plan to limit my blogging to Tuesdays only ~ so, feel free to return to this space often.

As many of you who know me personally or who have gotten to know me through Facebook over the past year realize, I am an avid reader ~ newspapers and periodicals, books and blogs ~ with a "hungry mind" for gaining new insight, knowledge and wisdom. Sometimes, it's found through sport, in music, from politics, on the stage, at a cathedral or, simply, from enjoying a glass of fine wine.

As we are nearly one month into the new new decade, still busy setting personal goals and hoping to make good on New Year's resolutions, I would like to share with you a pearl of wisdom from the late Jim Valvano. You remember him, don't you?

Jimmy V, as he was known to most in the sporting world, coached underdog North Carolina State to a basketball national championship in 1983. The stage for delivering this pearl of wisdom was not a basketball arena, but rather came on a theater stage where Valvano gave an acceptance speech in receiving the Arthur Ashe Humanitarian Award on March 4, 1993 at the ESPYs ~ a mere 8 weeks before he died of cancer at age 47. His words of wisdom and courage carried a lot of weight back then and now, nearly 17 years later, they maintain a relevance and passion we can all appreciate. I know I do. If you're undecided about what your New Year's resolution should be, maybe this one's for you.

"To me, there are three things we all should do every day," Valvano said. "We should do this every day of our lives. Number one is laugh. You should laugh every day. Number two is think. You should spend some time in thought. And number three is, you should have your emotions moved to tears, could be happiness or joy. But think about it. If you laugh, you think, and you cry, that's a full day. That's a heck of a day. You do that seven days a week, you're going to have something special."

Cheers for a safe, healthy and happy 2010!