Tuesday, June 18, 2019

Thoughts on TV: ‘Chef’ has been turned into a TV show


Looking for something fun and enjoyable to watch on TV one recent evening, my wife and I came upon The Chef Show, which reunites multi-talented producer/actor/director Jon Favreau with Los Angeles chef Roy Choi. It’s the latest foodie offering from Netflix, which in recent months has very nicely taken over food TV with Chef’s Table, which explores the discipline and culinary talent of world-renowned chefs such as Mashama Bailey and Dario Cecchini; Salt, Fat, Acid, Heat, based upon Samin Nosrat’s book of the same name in which she travels the world to explore how these principles fuel good food; David Chang’s Ugly Delicious, in which the James Beard Award-winning chef uses food to break down cultural barriers; and the Great British Baking Show.

The Chef Show is all about bonding over the joy of cooking – in a kitchen – with friends. Each episode takes place around a place to eat or cook without being like a travelogue. Favreau described it for Grub Street as a “dinner party in the back of the house” kind of atmosphere. The series took its name from the 2014 film, Chef, which starred Favreau as Carl Casper, a chef who opens a Cuban food truck with his son in Miami. Choi, of Kogi Korean BBQ food truck fame, was the film’s food consultant and created all of the dishes that were featured – including the deliciously mouth-watering Cubano and grilled cheese sandwiches.




After watching the first three episodes of The Chef Show – there are eight in all and it’s quite easy to binge watch – it becomes evident from the beginning that Favreau and Choi have developed a deep and wonderful rapport in the kitchen – built upon mutual respect for one another – and they share a similar taste in food. Each episode always welcomes banter between hosts – taking with each other without looking directly at the camera – and celebrity guests such as actress Gwyneth Paltrow, Avengers actor Tom Holland and Sin City director Robert Rodriguez.

What viewers get to enjoy in this documentary-style series is the showcasing of Choi’s technique and enthusiasm for the craft of cooking and Favreau’s interest in absorbing this knowledge and wisdom while keeping things light and funny. Choi is the master chef and Favreau is both his student and best buddy.

One of the funniest bits that delivers a big laugh – and, thankfully, it didn’t wind up on the cutting-room floor – shows Favreau attempting to make New Orleans-style beignets made famous at Cafe Du Monde. After making the dough by just adding water, then cutting it into individual squares, deep frying them, and showering them with powdered sugar, Choi bites into one of them. He throws the rest into the garbage. Favreau deadpans, “It’s not quite like there.” Looking for the right response, Choi pauses for a moment, then with a serious look on his face that turns into a big grin, he looks at Favreau and says, “I can tell they were a year old.” Both burst out laughing. Choi adds: “I didn’t want to say it on camera, but f••k it, this whole thing isn’t about lying.”




In a recent story about The Chef Show, Eater’s Greg Morabito wrote: “This new series allows the chef to showcase his obsession with technique and enthusiasm for the craft of cooking in ways that we’ve never seen on TV before. In every kitchen sequence, he drops culinary knowledge like an older brother handing you a mixtape of his favorite jams. Favreau, meanwhile, manages to keep the spirit light, even as he tackles new culinary challenges at the encouragement of his friend. Part of the fun is watching (Favreau) gradually increase his skill level and build more confidence in the kitchen.”

As Favreau told Grubstreet.com in a recent interview, “I’ve watched all these episodes a dozen times in the process of making and defining the show. Every little thing, a lot of care went into it. The animation, the way we talk, there’s recipes in it, the way the food is filmed. It’s just incredibly personal and something we both like a lot. It’s just really nice to share.

“It’s like you cooked a meal you want to eat, and now you’ve invited people. It’s mind-boggling to me that there’ll be someone sitting on the opposite end of the world watching the most personal, specific story. I’m really interested to see who connects to it because if they do, there’s nothing else like it that they’ll find about people in L.A. cooking and talking about Korean food. It’s such a specific thing about what Roy and I geek out about.

“Hopefully, there’s some humanity and personalness. And then people who like to cook and want to just go and show people who cook for real, and not try to present it any other way. And what it’s like to be there by the side of someone who is really great at what they do and learning from them. I wanted to show what that was like.”

Adds Choi: “It’s really honest and tender. It’s really funny, too.”

Indeed, it’s funny – an absolute delight.

Note: The Chef Show (eight episodes) debuted via Netflix on June 7.

Tuesday, June 11, 2019

From tennis prodigy to cricket and back again, Ashleigh Barty is now a Grand Slam champion


Ashleigh Barty went from being a tennis prodigy who briefly traded her racquet for a cricket bat to becoming a skilled tennis professional with a solid all-court game. Only 23 years-old, the native of Ipswich, Queensland, is now the queen of the red clay and the pride of Australia.

On Saturday, the affable and talented Barty triumphed over Marketa Vondrousova, 19, from the Czech Republic, 6-1, 6-3, to win her first Grand Slam title at the French Open while playing in her first Grand Slam final. She became the first Australian woman to win the French Open since Margaret Court in 1973.

“For the last fortnight, the stars have aligned for me. I have been able to play really good tennis when I’ve needed it,” said the No. 8 seed Barty during her post-match press conference.

“This is just incredible. I never dreamt that I’d be sitting here with this trophy here at the French Open. I mean, obviously, we have dreams and goals as children, but this is incredible.

“I just kept saying to myself, I may never get this opportunity ever again, so try and grab it with both hands.”

At just 5-feet-5-inches (1.66 m), Barty possesses an abundance of natural skills, lower body strength and tremendous hand-eye coordination. Her overall game is technically sound – and she trusts it. With Barty, her game includes a dynamic kick serve, plenty of topspin forehands, lots of slice, and for an element of surprise, a few timely and well-placed drop shots.

“It’s been a natural progression of becoming stronger, not growing any taller, but getting stronger and being able to trust myself and hit my spots on my serve,” explained Barty.

“My serve is a massive part of my game, and I try and think my way around the court. I know where opponents like to return, and if they shift their position, where they return. And I try and expose those spots as best that I can.”


Ashleigh Barty reacts to winning
her first Grand Slam title.
Throughout the Paris fortnight, it became apparent how Barty developed her talent into a game that’s full of artistry as well as movement and power.

Against the left-handed Vondrousova, whom she had already beaten twice, the beguiling Barty took control of the match early by winning points with her forehand, using her sliced backhand to force her opponent into committing errors (22 unforced errors), and hitting winners (27). Her adroit volley skills enabled her to win 15 of 20 points at the net. It seemed the was little Barty could do wrong.

“I felt like for me it was the perfect tennis match, considering the situation, the conditions. It was amazing,” said Barty.

It’s a testament to what Barty’s done in just three years after taking a gap year to step away from the sport after she struggled with the expectations she had set after being a tennis prodigy and winning the Wimbledon junior girls’ title at age 15. She was ranked in the WTA Top 50 in doubles when she left the sport.

“For me, I needed time to step away, to live a normal life, because this tennis life certainly isn’t normal. I think I needed time to grow as a person, to mature,” recalled Barty.

So, Barty took up professional cricket in Australia in 2015. Then, after missing the “one-on-one battle, the ebbs and flows, the emotions you get from winning and losing matches,” she came back to tennis.

“You can only get them when you are playing and when you put yourself out on the line and you become vulnerable and try and do things that no one thinks of,” said Barty.

“I think it was just a natural progression for me coming back to tennis. Certainly, it’s alway been a big part of my life. Tennis will always be a big part of my life.”

Starting from the bottom, ranked 623rd, she had to qualify just to get into main draws. Now, with her first Grand Slam title secured, she is now ranked No. 2 in the world, behind No. 1 Naomi Osaka. This year, she’s won tournaments on both a hard court (Miami) and clay (Roland Garros), and compiled a 33-6 win-loss record in all competitions (27-5 in WTA tour events).

“It’s about creating your own path, creating your own journey, and embracing it,” expressed Barty. “There’s no formula how to, you know, become a professional tennis player. It’s your own, it’s unique, your own journey, your own path, your own experiences.

“I think the best thing to do is learn from your mistakes, learn from every single experience that you have, whether it’s good or bad. That’s the only way to go about it, only way to grow as a person and as a player.”

Ashleigh Barty shares a hug with
Marketa Vondrousova after their French Open final.
Throughout Australia and the rest of the tennis world, fellow pros offered hardy congratulations via social media for the engaging Barty soon after she won her first Grand Slam championship. She heard from Hall of Fame great Evonne Goolagong Cawley, one of her idols, who like her is an indigenous Australian and won Roland Garros in 1971. Barty was touched when she lifted the Coupe Suzanne Lenglen and saw Cawley’s name inscribed on the trophy.

“What a wonderful result for Australia and how exciting that another Aboriginal has won at the French. I’m almost scared to say it but it’s now 48 years ago since I won my first Slam there too,” Cawley expressed via Tennis Australia.

“Tennis Australia and all lovers of tennis here and around the world will be delighted by the natural skills and flair Ash possesses.”

In sharing her personal narrative during her post-match press conference, Barty admitted that there’s no way she would have won the French Open title if she hadn’t taken a sabbatical from tennis. Now that she’s back, she credits her team – coach Craig Tyzzer and mentor and performance coach Ben Crowe – for helping her thrive.

“I’m not the only person out there. I have an extraordinary group of people around me,” said Barty. “I love working with them every single day. “They’re with me at the hardest times of my life, and there with me in some of the most amazing times. I think, for us, it’s a celebration of the journey we have been on for the last three years.”

Cover photo: courtesy of rolandgarros.com. Screenshot photos: courtesy of NBC Sports images.
An original version of this story appeared in Tennis TourTalk (www.Tennis-TourTalk.com).