Showing posts with label treasure. Show all posts
Showing posts with label treasure. Show all posts

Tuesday, February 11, 2020

On books: In NPR host Scott Simon’s ‘Sunnyside Plaza,’ he reminds us why kindness starts from within

Scott Simon is one of America’s most admired writers and broadcasters. Every week, I make an appointment to listen to NPR’s Weekend Edition Saturday, which he hosts. I follow him on Twitter, along with a million others. So, when Simon writes, speaks or uses social media to convey what’s on his mind, I’m eager to be in the mix, and I have an appreciation for his respectful thoughts on topics that range from humor to serious matters.

Simon has already written eight books – from novels to memoirs – on a variety of subjects near and dear to him including baseball. 

He’s an unabashed Chicago Cubs fan and loyalist and his enthusiasm for our National Pastime easily rubs off on others. 

Last month, Simon’s recently-penned ninth book – a story he’s wanted to tell for years – was published by Little, Brown and Company. Sunnyside Plaza, a mystery aimed at young readers, is a “story of empowerment as a young woman decides to help solve a mystery of multiple suspicious deaths in her group home.” 

A deft storyteller who can make you both laugh and cry, Simon wrote the mystery of Sunnyside Plaza from his own past. After all, when he was in his teens, Simon took a job in an assisted living facility in Chicago, where he worked with people who had developmental disabilities. He drew upon those experiences there in writing his new book.

“It was more formative in my life, I think, than most any war I’ve covered, any political campaign I’ve covered, any reportorial experience I’ve had,” Simon said in a recent NPR interview. He explained how “it really opened my eyes into seeing the world differently.”

NPR Weekend Edition Saturday host Scott Simon
Recently, my path crossed with Simon’s on his book tour, where he spoke about Sunnyside Plaza before an attentive audience at the American Library Association mid-winter conference in Philadelphia. 

In describing the kinds of individuals he came across in the group home, Simon explained that there were “people who have joy and amazing ingenuity just to get through the day, people with great spirit who see past the superficial differences we often see. Once I saw past it, it opened my eyes. It taught something to me.”

On this particular day in Philadelphia and in interviews, Simon speaks about how his personal experiences of working in the group home shaped his thinking and writing about it. In his familiar, midwestern polite tone of voice, he says that he purposefully avoids using specific terms to describe the people living at Sunnyside Plaza because he doesn’t want to get tangled up in an issue of language. Instead, as he suggests, “I want readers to see them as people, not put a label on them at any point in the book.” 

Since its publication, Sunnyside Plaza has drawn much critical praise, both in print reviews and from peers. For instance, The Wall Street Journal wrote: “A wise, humane book from NPR’s Scott Simon tells a mystery from the point of view of a 19-year-old resident of a group home for people with intellectual disabilities. Mr. Simon’s respect and affection on every page of this gentle mystery narrated by Sally Miyake, a 19-year-old resident of a group home.” Meanwhile, Jerry Spinnelli, the Newbery winning author of Maniac Magee and The Warden’s Daughter, says: “Sunnyside Plaza is a light in the shadows that illuminates the humanity in us all. It’s a book as special as its characters. A treasure.”

A question that Simon is often asked on his book tour centers on why he’s decided to leap from his role as a highly-respected journalist into writing novels. On his personal website, scottsimonbooks.com, he notes: “I wanted to challenge myself. And I thought I might have something to offer. I’ve been blessed with a rich reporting career that’s often veered between the imperative, like covering wars, and the inane, like learning how to tango (within the same week, I reported the war in Kosovo, and went swimming in Beverly Hills with Esther Williams). One refreshed my perspective for the other. So, I hope I can use my experiences to put details, feeling, and a certain humor into my fiction. And I hope I can apply some old reporting muscles to try to imagine new lives.”

Photo credits: Sunnyside Plaza dust cover courtesy of Amazon.com. Scott Simon photo courtesy of americanlibrariesmagazine.org. 

Thursday, November 19, 2015

Remembering Allen Toussaint: A great and good man

Allen Toussaint / A great and good man.

Over the past week, I've been reading many of the wonderful tributes that have been shared about legendary New Orleans musician and producer Allen Toussant, 77, who passed away earlier this month following a concert he performed in Madrid, Spain. It's given me a chance to reflect upon his music legacy.

A native of New Orleans, Toussaint was known equally for his masterful work as a pianist, composer, arranger and producer. Throughout his storied career, he embodied the traditions of New Orleans R&B music and was one of his city's most prolific and influential songwriters and producers.

David Simon, who created the HBO series The Wire and Treme, called Toussaint a "gentle, giving soul and one of the finest composers who ever created American music."

Toussaint could both compose and arrange music, and his piano-playing style was both imaginative and distinctive. As it happened, many of Toussaint's songs became familiar through versions by other musicians, including: "Working in the Coal Mine", "Ride Your Pony", "Fortune Teller", "Play Something Sweet (Brickyard Blues)", "Southern Nights", "Everything I Do Gonna Be Funky", "I'll Take a Melody", "Get Out of My Life, Woman", and "Mother-in-Law".

As a producer, Toussaint's credits include Dr. John's hit "Right Place, Wrong Time" and Labelle's "Lady Marmalade." Additionally, Toussaint contributed horn arrangements for the rock group The Band's 1972 'Rock of Ages' concert album, which is where I remember hearing of Toussaint for the first time. I liked what I heard.

"The horn arrangements he wrote for The Band became a staple of our sound from the Academy of Music/Rock of Ages concerts to The Last Waltz,"said Robbie Robertson, guitarist for The Band, in remembering Toussaint last week on his Facebook page. "He was not only a brilliant songwriter, record producer, piano man, arranger and performer; he was also one of the finest gentlemen I have ever known. I had the honor of inducting Allen into the Rock and Roll Hall of Fame and I couldn't find enough kind words to express how strongly I felt about him and his music."

Personally, I had the joyful experience of seeing Toussaint perform in concert twice: first, at the Paramount Theatre in Oakland, California, on June 20, 2006, as part of a tour he did with Elvis Costello in support of an album they collaborated on following Hurricane Katrina called 'The River in Reverse'; second, in a solo show he gave on May 11, 2007, at the Herbst Theatre in San Francisco. Both were extremely joyful occasions, and I'm grateful for having had the chance to see Toussaint perform live.

On his Facebook page, Costello spoke eloquently of Toussaint: "I have been so lucky to spend even this little time with Allen Toussaint. Allen was unfailingly gracious, elegant and musically curious.

"We last shared the stage at the Civic Center in New Orleans in February of this year. As always, he was thoughtful, bringing a late Mardi Gras gift for my wife (the jazz musician Diana Krall) and asking after the well-being of my sons and my mother, who he had once visited on a trip around Merseyside.

"He signed off every note and phone call the same way; 'Looking Forward'.

"I will miss him very much."

In his recently-published memoir, Unfaithful Music & Disappearing Ink, Costello devoted an entire chapter to his friendship with Toussaint and the recording of 'The River in Reverse' album. It is defintely worth a few minutes of your time to read:

http://www.elviscostello.com/news/the-river-in-reverse/775

A day after learning of Toussaint's death, I listened to 'The River in Reverse', an album which came about following the devastation of New Orleans by Hurricane Katrina in 2005. One of my favorite songs from this album is "Ascension Day." I came across a lovely video for "Ascension Day," which features inspired vocals by Costello and the soulful -- and at times rollicking -- but always harmonic playing by Toussaint on piano.



Allen Toussaint was a great and good man, who left this world much too soon. The world has lost a musical treasure that can never be replaced. Fortunately, his music and recordings live on. Like Elvis Costello and many others, I will miss him very dearly.

God rest your soul, Allen.

Learn more about Allen Toussaint:

Photo: Courtesy of WWNO/Google images. 
Video: Courtesy of YouTube.

Wednesday, October 7, 2015

Hardly Strictly Bluegrass: The wonderful sounds of autumn return to San Francisco's Golden Gate Park


Hardly Strictly Bluegrass / One of the premiere music festivals
in the country -- and it's free, too!

The first weekend of October holds a special significance for my wife and me because it's Hardly Strictly Bluegrass weekend. What has become one of the premier music festivals in the country over the past 15 years has become an annual highlight of our San Francisco cultural calendar.

Oh, by the way, did I mention Hardly Strictly is free, too?

There's no place better to be in San Francisco on a gorgeous, beautiful autumn weekend than in Golden Gate Park at the Hardly Strictly Bluegrass Festival, the late Warren Hellman's gift to The City. Although the Bay Area billionaire investment banker and benefactor -- himself a spirited banjo player and a lover of bluegrass music -- died in 2011, he left an endowment to ensure its existence for many years to come. There are no corporate sponsors.

Larger than life / Likeness of Warren Hellman
looks out over the Banjo Stage at Hardly Strictly Bluegrass.
In 2012, one of the meadows used for Hardly Strictly Bluegrass was renamed Hellman Hollow to honor Hellman's memory. On the Banjo Stage at Hellman Hollow, a giant likeness of Hellman's smiling face is included on the stage's backdrop scrim-curtain.

Last weekend, the 15th edition of Hardly Strictly Bluegrass returned to the western half of Golden Gate Park spread out over seven stages with its usual eclectic mix of talent -- over 100 live acts -- including Punch Brothers, Gillian Welch, Ry Cooder, Boz Scaggs, Joe Jackson, T Bone Burnett, Los Lobos, Neko Case, the Blind Boys of Alabama, Steve Earle and perennial closer Emmylou Harris.

Americana singer Lera Lynn / Her music has been
featured in the HBO series "True Detective".
For the estimated three-quarters of a million of music lovers who were expected to descend upon the Park over the festival's three days, filling the lawns, crowding into the hills and even dotting a few treetops, HSB 15 offered a little something for everyone's music palette: traditional bluegrass (Cinch Mountain Boys), progressive bluegrass (Punch Brothers), country (LeeAnn Womack), folk (Laura Marling), Americana (Felice Brothers), and roots rock (Steve Earle). Add to the mix some English pop and soul (Joe Jackson and Paul Weller), American Chicano rock (Los Lobos) and Celtic rock (Flogging Molly) and it all added up to a treasure trove of great music riches at this year's festival.

My wife and I ventured out from our East Bay home across the Bay via BART and rode the N Judah Muni Metro train out to 19th Avenue and walked a mile or so to the Park for the first two days of Hardly Strictly Bluegrass -- and we were thrilled by what we heard. On Friday, we arrived early afternoon in time to camp out on the Marx Meadow grounds in front of the Rooster Stage to enjoy the pleasing sounds of the Felice Brothers and Laura Marling.

Chris Thile of Punch Brothers / Spirited and spontaneous.
Then, we sprinted across the grounds to catch the exciting Punch Brothers, led by the very spirited mandolinist Chris Thile, who lit up the Banjo Stage with their progressive bluegrass sound. How best to describe them? I'll defer to The Times of London, which once described the Punch Brothers' sound as "bluegrass instrumentation and spontaneity in the strictures of modern classical" as well as "American country-classical chamber music." Included in their set list was "Passepied" by classical composer Claude Debussy, which was warmly received by the overflow crowd, and they closed with a medley of "Magnet/Alone, Together" by the Strokes.

I later learned that there's a wonderful story behind the band's name. It comes from a critical line of an earworm jingle in the Mark Twain short story "A Literary Nightmare." In it, the chorus of the jingle consists of two lines, "Punch, brother, punch with care, punch in the presence of the passenjare," that are said to be the mantra of railroad conductors.

An American rocker / T Bone Burnett sang protect songs.
Finally, we arrived at the Swan Stage in Lindley Meadow by late afternoon to catch the beginning of a tremendous set of Dylanesque "protest" rock by the innovative American songwriter-producer T Bone Burnett. He was a guitarist in Bob Dylan's Rolling Thunder Revue band of the 1970s and later went on to unparalleled acclaim for his work with artists like Elvis Costello and for producing the Grammy Award-winning "O Brother, Where Art Thou?" soundtrack. Soon, the sun faded out over the nearby Pacific Ocean, and it was time to return home.

On Saturday, we eagerly returned and camped out on the far end of Lindley Meadow at the Towers of Gold Stage, the western-most stage on the festival grounds for much of the afternoon, listening to Lera Lynn, whose work has been featured on HBO's True Detective crime drama series while awaiting for Joe Jackson and Boz Scaggs to take the stage. Toting a picnic basket full of food and beverages, we unfurled a large beach towel on the Lindley Meadow grounds and soaked up some sunshine and good sounds.

Fast forward / Joe Jackson still steppin' out in song.
"Thank you music lovers," Jackson said early during his set of rich and rewarding old faves ("It's Different For Girls", "Is She Really Going Out With Him?" and "Sunday Papers") and new songs ("If It Wasn't For You" and "Ode To Joy") from his first new studio album in seven years, "Fast Forward," which was released a day before his Hardly Strictly Bluegrass appearance.

"We're soldiering on. We learned 40 songs for this tour. If I f*ck up the words, blame the sun!" the ever-restless Jackson joked.

In his defense, Jackson was blinded by the bright sun, despite wearing shades, and his ability to rely upon an iPad that contained song lyrics propped up on his grand piano was all but stymied. Still, the dapper Jackson remained a good sport through it all, and his 50-minute, 10-song set was much enjoyed and appreciated by all.

Boz Scaggs / Having a lot of fun with music, more than ever.
Later, it was time to enjoy the legendary guitarist and vocalist Boz Scaggs, whose hour-long set showed a willingness to wander in several musical directions, including rock, jazz, soul and tango. As Scaggs closed with his mega-hit "Lido Shuffle," the sun began to fade just a bit on what was a lovely afternoon of music that passed much too quickly.

On our way out of the festival, we paused for a few minutes on the periphery of the Banjo Stage grounds to catch a few songs by iconic roots rockers Steve Earle & the Dukes.

As much as we would have liked coming back for a third day of Hardly Strictly Bluegrass on Sunday, we were both musically and physically spent. But it felt good. Instead, from the comforts of home, we caught portions of sets by Neko Case, Los Lobos and DeVotchKa via the Hardly Strictly Bluegrass live stream to whet our music appetite.

Paul Weller / His ever-changing moods.
Year after year, the HSB festival organizers out-do themselves and make it one of the most outstanding -- and uniquely satisfying -- music festivals in the country. It keeps getting bigger and better without becoming commercial.

We look forward to returning next year and doing it all over again.

To see a complete list of artists who performed at the 2015 Hardly Strictly Bluegrass Festival as well as to link to the webcast archive of selected performances:

http://www.hardlystrictlybluegrass.com/2015/

All photographs © Michael Dickens, 2015.