Christmas 2022 is upon us. Once again, I would like to share a Christmas Day poem, this one by James Langston Hughes.
SHEPHERD’S SONG AT CHRISTMAS
By James Langston Hughes (1901-1967)
Look there at the star!
I, among the least,
Will arise and take
A journey to the East.
But what shall I bring
As a present for the King?
What shall I bring to the Manger?
I will bring a song,
A song that I will sing,
In the Manger.
Watch out for my flocks,
Do not let them stray.
I am going on a journey
Far, far away.
But what shall I bring
As a present for the Child?
What shall I bring to the Manger?
I will bring a lamb,
Gentle, meek, and mild,
A lamb for the Child
In the Manger.
I’m just a shepherd boy,
Very poor I am –
But I know there is
A King in Bethlehem.
What shall I bring
As a present just for Him?
What shall I bring to the Manger?
I will bring my heart
And give my heart to Him.
I will bring my heart
To the Manger.
Amen.
Wishing kind thoughts for a Merry Christmas. Although we are of many faiths, it is important that our common humanity allows us to share a season of peace and goodwill.
May each of you stay healthy in the days, weeks and months ahead.
While observing Stephen Curry throughout the NBA Finals, it’s easy to see and admire how the Golden State Warriors superstar guard values and loves his routine of beautiful basketball. However, as easy as it may seem to us on the surface, the 34-year-old Curry, who is in his 13th season in the NBA, has put in a lot of time and energy – hard work – to become the player he is.
In Game 4 Friday in Boston, Curry’s 43-point performance showed why he’s one of the best to ever play the sport. While the Warriors prepared for Game 5 of the NBA Finals series against the Boston Celtics in San Francisco Monday night – a game which Golden State won 104-94 to take a 3-2 series lead – it was interesting to learn from their head coach, Steve Kerr, that Curry and the Warriors once drew inspiration from a meeting the team had with tennis great Roger Federer five years ago in Shanghai, China.
Kerr told reporters that Curry was greatly inspired by how the 20-time Grand Slam champion Federer comported himself. What he learned from the Swiss icon centered around how the love of his routine helped to keep him motivated and to keep playing tennis.
As Kerr described the meeting, Federer was asked by one of the Warriors, Draymond Green, just how he managed to keep doing this for 20 years?
“And his answer was just simple, yet profound,” Kerr explained. “He said, ‘I love my daily ritual.’ He said, ‘I get up, make my kids breakfast, drop them off at school, go train and I’ve figured out the right training methods to keep me in the best position at my age. I love competing.’ He said, ‘But every single day, I put my head on the pillow at the end of the day and think, Man, what a great day.’
“So, I think of Steph a lot when I think of that story from Roger Federer. Very, very similar just sort of zest for life and just joy for the process.”
Like Federer, there’s a lot of work routine for Curry that includes time devoted to the training room, the weight room and, finally, the basketball court, where he practices taking shots from a variety of locations. If it seems like there’s a sense of clockwork, you’re right.
Kerr went on to describe in detail that for Curry, there’s a “sense of joy and energy within that work.
“He enjoys it so much. He loves the process. I that’s one of the things that ties all great athletes together, like talking about the superstar athletes, the Roger Federers of the world, the Steph Currys of the world. There’s a routine that not only is super-disciplined but it’s really enjoyed each day.
“There’s a passion that comes with it, and that’s what sustains it over time. When you love something like those guys do, you work at it, you get better and you just keep going.”
It should come as no surprise, then, that over the weekend Federer, 40, shared his goals for the remainder of the 2022 season. He’s been idle since last year’s Wimbledon and has undergone two surgeries on his right knee. Federer plans to resurface in September at the Laver Cup in London, then finish out the season at in October the Swiss Indoors in Basel. Beyond that, who knows?
“After Basel, the season is over anyway,” Federer told Swiss tennis journalist Simon Graf on Saturday. “It’s important for me to get fit again so that I can train fully. Once I’ve done that, I can choose how many tournaments I play and where. The Laver Cup is a good start, I don’t have to play five matches in six days.
“I will have to be able to do that in Basel. That’s why I have to prepare for it in practice. I’m curious myself what’s still to come. But I’m hopeful, I’ve come a long way. I’m not far away. The next three or four months will be extremely important.”
Asked by Graf if he wishes to return to the ATP Tour in 2023 at age 41, if his knee cooperates, Federer replied affirmatively. “Yes, definitely. How and where, I don’t know yet. But that would be the idea. Definitely.”
In the meantime, like Curry, Federer will continue sharing a zest for life and just joy for the process of routine.
Photos: Stephen Curry, courtesy of Golden State Warriors Twitter; Roger Federer, courtesy of Instagram.
Discovering new music provides me with much joy – a moment of zen, maybe? – and listening to good music is a blissful, aural pleasure. Today, there’s so many different avenues for discovery, including Spotify, NPR Music, and through binge-watching shows on Netflix – even conventional FM radio. Never underestimate the value of your Shazam app to help identify new sounds, too.
Whether you’re still digging out of a winter storm or have already escaped to a sunny, warm beach on a Caribbean island, here are five songs I’ve recently discovered – some through serendipity – that are worth adding to your playlist:
1. Zero 7 - “Aurora,” featuring vocalist José González.
Famous for their downbeat jazzy rhythms, Zero 7 returns with a new single, “Aurora,” featuring Swedish vocal contributor José González. I’ve been a longtime fan of this European electronica duo, which helped launch the solo careers of not only González, but also Sía and Tina Dico.
2. Hatchie - “Without A Blush”
Stereogum described Hatchie’s music as a “cosmic concoction of dream-pop and shoegaze.” I would have to agree. Born Harriette Pilbeam, the 25-year-old Australian singer/songwriter’s music has been influenced by Mazzy Star, the Cocteau Twins and the Cranberries. “Without A Blush” is from Hatchie’s forthcoming June 2019 album ‘Keepsake.’
3. Jungle - “Heavy, California”
London soul collective Jungle (Josh “J” Lloyd-Watson and Tom “T” McFarland) caught my attention with the groovy disco-funk rhythm of “Heavy, California” from their newest album ‘For Ever.’ It’s full of excitement and guided by a funky ‘70s rhythmic and bass soundtrack. The video for the song is a must see as it’s filled with some outstanding dance moves.
4. Jessica Pratt - “As The World Turns”
“As The World Turns,” by Los Angeles-based singer/songwriter Jessica Pratt is quiet and subtle, a great song to listen to while going on an evening walk or caught up in pensive thoughts. Her new album, ‘Quiet Signs,’ reflects a sense of quiet meditation and calm. NPR Music called Jessica Pratt’s music “cosmic brilliance.” Indeed, this is a very soothing listen after a hectic day.
5. Real Estate - “Darling”
It’s been said that the members of the Brooklyn-based group Real Estate look like a bunch of school teachers who decided to quit their day jobs and form a great indie band. After listening to “Darling” from their 2017 album ‘In Mind,’ their dream pop sound reminded me of great indie groups like Phoenix and Tame Impala.
Last week, Westminster Abbey commemorated the 65th anniversary of Queen Elizabeth’s reign with a dedication ceremony of “The Queen’s Window,” created by British pop art icon David Hockney. Measuring 28 feet by 12 feet, “The Queen’s Window” represents what the New York Times described as “a hawthorn, a thorny floral shrub, blooming in a joyous profusion of reds, blues, greens and yellows.”
In a video interview posted by the Abbey, Hockney said of the newly revealed window, “It’s celebratory.” He revealed that he crafted the trees to look as though “Champagne had been poured over bushes.”
What is remarkable is that Hockney reworked the design for the Abbey window from an earlier painting using a iPad, which has become one of his favorite tools for creating art in recent years. At age 81, he’s been known to use new technology quite extensively – such as cameras, photo copiers and fax machines – throughout his remarkable and colorful career. It has liberated Hockney as an artist and set him apart from others who rely solely on the use of traditional materials.
“For many years, I pondered how we should celebrate The Queen’s reign in the Abbey,” the Very Rev. Dr. John Hall, dean of the church, said, during the dedication of “The Queen’s Window” on Oct. 2, inside London’s Westminster Abbey. “A statue seemed wrong, though there are many from earlier centuries. We already have a portrait of Her Majesty in the Diamond Jubilee Galleries. A stained glass window seemed the obvious thing, and a great window was available, a double lancet surmounted by a circular oculus containing sexfoil tracery, on the west side of the North Transept, the only window there without stained glass.”
Hockney, whom I learned had never before designed stained glass, came to see the window and the next day sent Hall a draft design. The dean responded to Hockney in kind: “As I wished not herald or representational, but a country scene to honor someone we know to be a lover of the countryside, a design evocative of his work in East Yorkshire.”
As the “most celebrated living artist,” in the words of Hall, Hockney seemed a natural fit for creating “The Queen’s Window.” After all, his fame coincided with the queen’s reign. The dean has called Hockney’s work, “absolutely vibrant.” He was quoted by the New York Times as saying: “It’s very legible, so in that sense it’s very accessible, and I think people will be very excited by it.”
Hockney collaborated on “The Queen’s Window” with stained glass experts at Barley Studio in northern England. He’s happy with the final outcome.
Said Hockney: “I think it’s looking marvelous!”
Photograph: Courtesy of Google Images. Videos: Courtesy of Westminster Abbey.
Victorious / Roger Federer kisses the Norman Brookes Challenge Cup trophy Sunday night after winning the 2017 Australian Open men's singles championship for his 18th career Grand Slam title.
The Australian Open tennis fortnight down under in Melbourne, which wrapped up over the weekend first with the all-Williams women's final between Serena and Venus (won by Serena) and followed by the renewal of the great men's rivalry between Roger Federer and Rafael Nadal, was a very welcome respite for those of us here in the United States as we came to grips with a narcissistic president, who in his first week in office undermined many fundamental principles that shape our American democracy.
While the talk of Federer's stunning comeback – reaching the AO final after being out six months while recovering from a knee injury that required surgery – Nadal's return from a wrist injury was a welcome one, too. The Federer-Nadal final, which didn't exist on most fan's minds at the beginning of the tournament, left them feeling a bit giddy. Going the distance and playing five sets will do that.
There was a buzz of nostalgia in the air when Federer emerged victorious with a 6-4, 3-6, 6-1, 3-6, 6-3 win that was his 18th career Grand Slam title. The Swiss is the all-time men's leader and Nadal, tied with Pete Sampras, is a distant second with 14.
Nadal said it was a special thing for both him and Federer to be playing together in the final of a Grand Slam, especially after a couple of years of having problems.
"I am a positive person (so) I never say never because I worked very hard to be where I am," Nadal said after his almost-five hour semifinal victory over Grigor Dimitrov that began last Friday night and finished in the wee hours of Saturday morning, a day before the Federer match. "I really have been working very hard. ... I always had the confidence that if I am able to win some matches, then anything can happen."
If President Donald Trump thrives on his own culture of self-inflicted conflict and chaos, Nadal thrives on a raw emotion that's filled with clinched fists and screams of "Vamos!" However, unlike the American reality TV host-turn-populist commander in chief, Nadal possesses many fine and likable qualities. He's a positive person, polite, mannered and respectful on court – even in defeat. These are a few attributes our new president could benefit from learning from Nadal.
With the old guard on the rise Sunday night, the AO final marked the ninth time that the 35-year-old Federer – the oldest male finalist in 43 years – and Nadal, 30, played for a Grand Slam title. Before Sunday, Nadal had won six of the previous eight finals meetings. Remarkably, they had not met for a major championship since the 2011 French Open, in which Nadal won his sixth of nine titles at Roland Garros. Nadal has long dominated his lifetime series against Federer, 23-12. Although if you eliminate matches on clay in which Nadal has a huge edge, the series tally is now even, 10-10.
"Being honest, in these kinds of matches I won a lot of times against him. Today he beat me, and I just congratulate him," Nadal said.
As Sunday night's final neared its conclusion, it became evident while studying the body language and facial expressions of both Federer and Nadal that neither wanted to lose. After all, there's joy in winning. With joy, it makes the suffering during big matches so much the better – especially ones that go five sets. Federer went the distance in each of his final three AO matches, Nadal in his last two. In victory or defeat, Nadal always shows an indomitable spirit – and it was on display again for the Rod Laver Arena crowd and a worldwide TV audience to enjoy when he and the always gracious Federer, who are friends off the court and foes on it, met for the 35th time in their storied careers.
Federer was thrilled to be back in the spotlight of another Grand Slam final. "Yeah. It's real now," he said. ... "I never ever in my wildest dreams thought I'd come this far in Australia. But here I am.
"Against Rafa it's always epic. This one means a lot to me because he's caused me problems over the years."
When match point was decided by a replay review that was upheld, Federer pumped his arms above his head and leapt up and down with much delight. Both happy and relieved, emotions poured out of Federer. He admitted afterward that it was an awkward way to win.
"I'm out of words, said Federer, as he addressed Nadal during an on-court interview while clutching the champion's trophy. "I don't think either of us believed we'd be in the final here when we were at your academy five, six months ago. Here we stand in the finals.
"I'm happy for you. I would have been happy to lose to you. The comeback was perfect as it was. It's been a difficult last six months, let's be honest. I wasn't sure I was going to be here, but here I am. This was a wonderful run, and I can't be more happy to win tonight."
Pink Martini / The "little orchestra" that's inclusive, full of warmth and represents many human experiences.
Pink Martini is an internationally acclaimed "little orchestra" from Portland, Oregon, founded by a couple of Harvard classmates, pianist Thomas Lauderdale and vocalist China Forbes, that mixes glamour and sophisticated easy-listening music. Since 1994, the band that the Washington Post once called "utterly cosmopolitan yet utterly unpretentious," have amassed an impressive repertoire of festive songs drawn from around the globe, including many timeless classics and a few rarely heard chestnuts.
A typical Pink Martini show -- and I speak from experience have seen the band perform nine times over the past decade in a variety of California settings -- is both multilingual and multicultural, and at holiday time it's also multi-denominational. Above all, it's inclusive -- full of warmth -- and represents many human experiences.
Through the energy and creativity of their music, Pink Martini brings joy to the world in these troubled times -- something which should make all of us feel grateful and appreciative.
"We're very much an American band," said Lauderdale, "but we spend a lot of time abroad and therefore, have the incredible diplomatic opportunity to represent a broader, more inclusive America... the America which remains the most heterogeneously populated country in the world... composed of people of every country, every language, every religion."
Pink Martini has performed on concert stages and with symphony orchestras throughout Europe and Asia, as well as in Greece, Turkey, the Middle East, Northern Africa, Australia, New Zealand, South America and North America. I have seen them perform both as a "little orchestra" as well as in concert with the San Francisco Symphony Orchestra. When his schedule allows, NPR "All Things Considered" host Ari Shapiro, also a Portland native, joins Pink Martini as a guest vocalist.
Pink Martini's 'Joy to the World'
Last Monday in Livermore, about 30 miles inland from Oakland, my wife and I saw our most recent Pink Martini show. It was part of a two-week "Joy to the World" bus tour through northern and coastal California towns, including Arcata, Davis, Monterey, Redding, and Santa Barbara.
On this night, the 12-member band delighted their audience at the Livermore Valley Performing Arts Center's 507-seat Bankhead Theater by performing from their expansive catalog of pop, jazz, classical and holiday songs that were beautifully sung in Latin, Hebrew, Arabic, German, Turkish, Armenian, Spanish, Italian, French, Romanian, Croatian, Chinese, Japanese and, oh yes, English, too. There was a nice mixture of charm, elegance and humor throughout the band's two-hour performance.
In a recent interview with the Santa Barbara Independent, co-lead vocalist Storm Large said: "Every language expresses love, pain, joy or grief, in whatever song I'm singing, in whatever language, it's just a matter of being honest in the feeling I'm expressing." This was plainly evident when Large sang the very serious Romanian folk tune "Pâna când nu te iubeam" ("Until I Loved You") as well as a long-time favorite of mine, the spine-tingling Croatian song "Eu plavu zoru" ("At Blue Dawn"), accompanied by violinist Nicholas Crosa.
Pink Martini performs their "Joy to the World" holiday show in Livermore, California on Dec. 7.
Among the sacred and secular holiday songs which Pink Martini performed in Livermore were: "Little Drummer Boy," "We Three Kings," "A Snowglobe Christmas," "Talj, Talj," "La Vergine Degli Angeli," "O Holy Night," and "Have Yourself a Merry Little Christmas."
"Christmas music is so inherently joyful for me, as well as for the audience," said Large. "People just have so many good feelings around the holidays. It's a marvelous reason to sing."
Pink Martini's unique vision can be attributed to its inclusiveness of language, culture, and religion, musically. The band wants anyone and everyone to feel welcome at its shows and, if they are so encouraged, to jump up and dance. And many did dance in Livermore. The evening was complete with an encore performance of the band's signature tune "Brazil" in which many in the audience at Large's urging formed a conga line while others danced at their seats and in the aisles.
If you think about it, said Large, "It's really the perfect recipe for 'Peace on Earth and Good Will' we hear about so often during the holidays, but sadly have witnessed quite the opposite in the world of late."
Flavia Pennetta / Unlikely but refreshing rise to the top; going out a champion.
Yes, folks, fairytales do come true -- even in tennis.
One need only look at Flavia Pennetta's unlikely rise to the top in winning the 2015 U.S. Open women's singles championship last Saturday over her long-time friend and former childhood doubles partner, Roberta Vinci. It was a refreshing conclusion to what had been a tense and anxious two weeks of hard-court tennis that included Serena Williams' dream of winning all four Grand Slams (Australian, French, Wimbledon, U.S. Open) during the same calendar year crushed only 24 hours earlier by Vinci in an improbable three-set defeat. It came after Pennetta upset No. 2 seed Simona Halep in the other semifinal.
When the 23rd-seeded Penneta beat the unseeded Vinci 7-6 (4), 6-2 on Arthur Ashe Stadium in the first All-Italian U.S. Open, she became a first-time Grand Slam champion. It broke a string of four straight Grand Slams won by Williams. The Pennetta-Vinci match was a throwback to what tennis once was circa the 1970s: lots of serve and volley, one-handed backhands, drop volleys, angled shots and, best of all, no grunting.
Joy and jubilitation / Pennetta (right) is embraced by Vinci at the net.
As one might imagine, the scene at the net with Pannetta and Vinci turned into a celebration of unadulterated joy and jubilation. It showed on their faces. It showed in their body language, too, which included a long and embracing hug.
There were plenty of tears to go around for everyone to share.
Pennetta's triumph at the U.S. Open was witnessed by Italian Prime Minister Matteo Renzi, who flew across the Atlantic from Italy on short notice just to watch the final. He brought along Pennetta's fiancé, Fabio Fognini, himself a tennis pro, who earlier in the tournament banished Rafael Nadal in the third round before bowing in the next round. He had flown home to prepare for Italy's Davis Cup tie this weekend.
Roberta Vinci (left) and Flavia Pennetta / Happy together during the trophy presentation.
During the post-match awards presentation on the court, the 26th-ranked Pennetta (she rose to No. 8 with her U.S. Open triumph) shared a confession with the sell-out crowd.
"Before I started this tournament, like one month ago, I made a big decision in my life," she said. "This is the way I would like to say goodbye to tennis."
Pennetta, who at the tennis-old age of 33 years and 201 days, shockingly announced her retirement from tennis. She revealed her news to Vinci just prior to the trophy presentation while the two were seated on chairs together at court side sharing a moment of laughter.
Pennetta will finish her off her tennis commitments by playing in a few tournaments in Europe and Asia this fall, then call it a career year's end.
"I'm really happy," she admitted. "It's what all players think to want to do, going out with this kind of big trophy. ... I can't think to finish a better way."
So, just what does Pennetta plan to do with her life after tennis?
"I would like to have a family in the future," she said, during a post-match press conference, "but it's not something I would love to have right now." First is "to know who I am," away from tennis, "what I like to do" and "how is the life with Fabio going to be."
Photos: Courtesy of Google Images. Video: Courtesy of YouTube.
Chelsea Blues / Champions of the English Premier League.
What a week it's been to be an international -- and a local -- sports fan.
Let's see: Between the end to the marathon English Premier League football season in the U.K. and the start of the fortnight-plus French Open tennis championships in Paris on Sunday; the thrills and chills of the Stanley Cup in North American professional ice hockey; the slam dunk excitement of the NBA Conference Finals in American professional basketball; and the roar of the engines and the checkered flag of the Formula One Grand Prix of Monaco, there's been a little something for every sports fan to enjoy this week. Add to the mix, Major League Baseball with its pennant races taking shape here on my home soil, and there's just not enough hours in the day to watch everything being shown on TV or now made available for viewing via our smartphones.
But it's been fun trying.
Thanks to the difference in time zones between California where I reside and the rest of the world, it seems there's sporting events going on at all hours of the day and night. And, thanks to social media platforms like Facebook, I've been able to intelligently discuss international sports like English football with enthusiasts throughout the U.K. and beyond, and French Open tennis with like-minded friends throughout Europe and North Africa, from countries such as Belgium, Serbia, Algeria and Tunisia.
Recently, on my Facebook timeline, I posted:
"Congratulations to the Chelsea Blues on winning the 2014-15 English Premier League title. On Sunday, Chelsea closed out its championship season with a 3-1 victory over Sunderland at Stamford Bridge thanks to a pair of goals by Loic Remy. In the first half, Didier Drogba as carried off the field to a hero's welcome by his teammates after playing the first 30 minutes in his final Chelsea match. After the final whistle, Chelsea was presented with the Premier League trophy. The Blues won the EPL by eight points over Manchester City. Cheers."
A day later, a friend from Ivybridge, U.K., replied: "I'm amazed at your knowledge of Premier League football, Michael, especially Chelsea. I'm a lifelong supporter!"
As it turns out, I've been a Chelsea fan for about the past five years or so, thanks to some longtime sports fan friends of mine in Seattle, which is as much an international football hotbed as any city in the U.S. Additionally, I like the team's colors (royal blue); the charismatic personality of the club's manager, José Mourinho; and, I think their home pitch that's located in a borough west of London has a pretty cool name, Stamford Bridge. Plus, the Blues' roster has a nice mixture of international (Didier Drogba, Eden Hazard, Willian) and English-grown talent (John Terry).
As EPL matches have become more available on American TV -- here, they're broadcast on NBC Sports Network, making international football a weekend staple -- it's easier to follow the Blues and to watch other English teams, too. I think there are a lot of international football fans in the U.S. that follow the Premier League and I know others elsewhere in the world that are supporters -- a friend of mine in Morocco is a fan of Chelsea-rival Arsenal -- and, of course, interest also peaks during World Cup years, too.
Thanks to the EPL's increased exposure in America, watching Chelsea and other teams like Manchester United and Tottenham Hotspur has become a nice way to enjoy weekend breakfast for me. Being on the West Coast, matches start as early as 4:45 a.m. (where it's eight hours later in the U.K.) with most of the best matches shown at 7 a.m. and 9:30 a.m. my time.
World No. 1 Novak Djokovic / He's favored to win his first French Open championship.
Meanwhile, the nine-hour time difference between San Francisco and Paris means the French Open tennis begins airing on ESPN2 at 2 a.m. while much of the West Coast is still asleep when it's 11 a.m. at Roland Garros. Heck, on the East Coast it's only 5 a.m., which is still awfully early to be watching sport on TV. The second Grand Slam event of the calendar year is being broadcast over-the-air in the U.S. by ESPN2, TennisChannel and NBC and on mobile platforms via WatchESPN, so there's plenty of tennis available to watch around the clock, live and on replay. And, thanks to the Internet, I've been able to keep up with the French Open via ESPN. com, Sports Illustrated (SI.com), Sport360.com (an impressive world sports daily based in Abu Dhabi, U.A.E. that I recently became acquainted with thanks to their tennis coverage), and in print via The New York Times.
By all accounts, World No. 1 Novak Djokovic is the favorite to win his first French Open title that is played on red clay, which would complete a career Grand Slam for him. Speaking of tennis, I contribute to and participate in some tennis chat groups on Facebook. One is comprised mostly of European and North African fans, many who are supporters of Djokovic and Roger Federer; another that's worldwide and vocal and made up of passionate fans of Rafael Nadal, the nine-time French Open champion; and a third consisting of loyal fans of Tunisia's Malek Jaziri, the top Arab player in the world.
Stephen Curry of the Golden State Warriors / NBA MVP.
Closer to home, the NBA and NHL playoffs have been playing out day-by-day like a blockbuster motion picture drama the past month. On Tuesday night, LeBron James, nicknamed "the King," punched his ticket to the NBA Finals for a fifth straight year as he led the Cleveland Cavaliers to a four-game sweep of the Atlanta Hawks in a rout. Locally, I have a vested interest in our hometown pro basketball team, the Golden State Warriors, who simply have been the best in the NBA this season. They boast both the most valuable player of the league in Stephen Curry as well as one of the brightest coaching minds in the game in Steve Kerr.
The Warriors, who closed out their Western Conference Finals series against the Houston Rockets with a satisfying 104-90 victory at Oracle Arena in Oakland on Wednesday night, are just four victories away from winning their first NBA championship in 40 years.
When I wrote about Kerr and the Warriors in December, I noted that their early-season success was a work in progress that had the potential to become a best-seller. I still believe it, and the team has become the darlings of both the Bay Area and the basketball world. Beating "King" James in the NBA Finals would be a fitting ending to what has been a truly remarkable season.
No matter what the sport, enthusiastic sports fans are the common ingredient. Thanks to modern technology and social media that allows us to watch and follow sports 24/7, there is no better time than now to enjoy being an international -- and local -- sports fan.
Photos: Courtesy of Chelsea Football Club Facebook page; Roland Garros Facebook page, Golden State Warriors Facebook page.
Jesse Winchester / A songwriter with a sweet Southern heart.
Jesse Winchester was a songwriter with a sweet Southern heart. His songs were covered by an eclectic group of singers: Jimmy Buffett, Joan Baez, the Everly Brothers, Emmylou Harris and Elvis Costello, among many.
I was saddened by the news over the weekend that Winchester, Louisiana-born who was raised in northern Mississippi and the city of Memphis, Tenn., and established himself in Montréal after dodging the Vietnam War, had passed away at age 69. He died "peacefully" at his home in Charlottesville, Va. last Friday.
Word of Winchester's death spread prematurely on social media a week before he succumbed to cancer when singer Janis Ian posted this tribute on Facebook: "RIP Jesse Winchester. As underrated a singer as Chet Baker. As underrated a guitarist as Willie Nelson. A man who held the audience in the palm of his hand without moving an inch. One of the best songwriters on earth."
However, it was because of this that I reconnected with Winchester, whom I had the pleasure of seeing perform in a solo show in the early 1980s at the intimate, old Guthrie Theater in Minneapolis one winter's evening during my college youth. Through Facebook, I reminisced about the humility of Winchester and of his music, both on my page and through a college friend's page, too.
I read about Winchester's death in the New York Times while eating Saturday morning breakfast at home. Music critic Jon Pareles wrote a wonderful remembrance of Winchester, born James Ridout Winchester, which I encourage you to take the time to read.
Nothing But a Breeze
Winchester's 1977 album Nothing But a Breezeremains a favorite of mine and just last week, I listened to it from beginning to end, delighting in the singer's bonhomie and the joy of his sweet honey voice. Some of his best-known songs were: "Mississippi You're On My Mind," "The Brand New Tennessee Waltz," "Biloxi," and "Say What." While Winchester's songs were rooted in country, soul and gospel, his poetic lyrics reminisced about the South of his long-ago youth.
Earlier this week, PopMatters music columnist Colin McGuire wrote in tribute of Winchester: "There was something that separated him from his contemporaries, an amount of levity, an amount of intellect that brought his tales of heartbreak, innocence, youth and romance to life."
Because Winchester couldn't tour in the U.S. for many years while living in exile in Canada, few Americans knew about him. Yet, Winchester honed his songwriting skills and was nurtured by The Band's Robbie Robertson. It was while in Montréal that he found his poetic, musical voice, too.
Winchester finally returned to the U.S. to live over a decade ago, long after during the presidency of Jimmy Carter that he and other draft dodgers of the Vietnam War era were given amnesty in 1977.
The last time I saw Winchester perform was in 2009 on Elvis Costello's "Spectacle" TV show that aired in the U.S. on the Sundance Channel. He shared a New York City stage one evening with Costello and fellow singer/songwriter guitarists Neko Case, Sheryl Crow and Ron Sexsmith. His poignant song "Sham-A-Ling-Dong-Ding" brought Case to tears and humbled Costello. At the song's conclusion, the misty-eyed host remarked: "That's it, Jesse. The show's over. You finished me off. It happened at rehearsals and it happened now."
The revered Winchester, pitch-perfect and always accompanied by a lightly-plucked acoustic guitar, was one of the best at his craft of songwriting. He was a songwriter's songwriter and he will be sorely missed.
Bless his loving heart.
Photos of Jesse Winchester courtesy of Google Images. Video courtesy of YouTube.
All great music is a gift and thus an instrument of God.
~ Wynton Marsalis
Wynton Marsalis, the 52-year-old Grammy- and Pulitzer-winning trumpeter, who is the artistic director of Jazz at Lincoln Center, has created the beautiful and inspiring Abyssinian: A Gospel Celebration, a landmark collaboration of jazz, gospel, instrumentation and vocals, which unites secular and sacred music. While it is structured and progresses like a Roman Catholic or Anglican Mass, it's also rich in the African-American Baptist tradition, too.
"The theme of the Mass is that everyone has a place in the house of God," Marsalis said during a recent interview with the Boston Globe. "We're the most integrated nation ever, at least in the modern world that we know about. For our music to be, we have an identity but that identity is already universal. I try to find the core values that are so fundamental that they transcend ethnic identity. That doesn't mean I run from it. I embrace African-American culture and I love it and embrace it, but it is a part of a human identity. So, I'm always trying to make a larger human statement."
Damien Sneed, conductor of the Abyssinian Mass.
Recently, Marsalis took the Abyssinian Mass on a 16-city tour that included performances in Dallas, New Orleans, Kansas City, St. Louis, Augusta, Ga., and Washington, D.C, playing in both concert halls and churches. Last weekend, the 15-piece Jazz at Lincoln Center Orchestra along with the 70-voice Chorale Le Chateau, guided by the stylish and exuberant 34-year-old choral director Damien Sneed, who conducted the mass, returned to the "House of Swing" in New York City and presented Abyssinian: A Gospel Celebration before three sold-out audiences at the Rose Theater. It was broadcast online via a world-wide webcast.
In watching Saturday evening's demanding performance online in the comfort of my living room, I became riveted by Abyssinian's libretto, its celebratory joy and its profound message. The choir was full of spirit. The orchestra clearly was enjoying itself. And, the spirited sermonizing from the Reverend Dr. Calvin O. Butts, III, brought much charisma to the presentation. There was a whole lot of feeling in that show.
"The choir brings the fire and the choir brings the truth to the Abyssinian Mass," Sneed told NPR. "The choir brings the spirit, it's like the haaaaaa, the breadth of God."
Amen, amen, amen. O Father we go forth in Thy Holy Name.
Wynton Marsalis solos during the Abyssinian Mass.
Indeed, the music in Abyssinian: A Gospel Celebration is not just gospel and it's more than just jazz, too. There's also an element of classic music that resembles Handel's Messiah.
The work originally had its premiere in 2008 as a commission in honor of the 200th anniversary of Harlem's Abyssinian Baptist Church. It made its European debut in 2012 at London's Barbican Theatre.
In a recent interview with NPR's John Burnett that aired on Weekend Edition Saturday as part of its year-long series "Ecstatic Voices: Sacred Music in America," celebrating the diversity and richness of sacred music in the U.S., Marsalis explained how different kinds of music are related -- the universality of rhythm -- showing how a rolling 6/8 rhythm is found in both African and Anglican religious music. Tapping his fingers on a notebook and humming "a complicated pattern," Marsalis remarked how "in a slower tempo, it would be 'Greensleeves.'" He demonstrates by scat-singing the melody. "All the musics are related."
Some additional observations Burnett shared in his NPR story about Marsalis and the 17 movements that comprise the Abyssinian Mass:
"(It) digs deeply into what Marsalis would call 'the soil' of the black church: its shouts, its dirges, its spirituals, it hymns of praise. With this work, he celebrates the seminal influence the church has had on the music of black Americans, and the continuing pull it exerts on his own artistic and spiritual life.
"Marsalis used the joyful stylings of the African-American gospel tradition to deliver a musical message of universal humanity. He says he tried to put it all in there: God and Allah exultation and the blues, Saturday night and Sunday morning."
Glory to God in the Highest! Glory to God in the Highest!
After the tour's final show Sunday night in Boston's Symphony Hall, Marsalis took a moment to reflect on many positive things that stood out, which he chronicled on his Facebook page.
"When Chris Crenshaw started to sing the Benediction tonight, the choir began co-signing him, 'Come On Deacon, Preach brother! Make it plain.' He sang these words with a powerful clarity:
"Lord, from you all things. Though we are many in life and death, we are truly one. Just the calling of your Holy name releases us to perceive the oneness in all, of all. You have given us, through your word, the divine thought. And the divine thought IS the divine manifestation IS holy action."
For Marsalis, "that is the power of prayer in whatever religion, or none at all."
After the two-and-one-half hour online performance concluded Saturday evening, I realized I didn't want it to end. Listening to Abyssinian: A Gospel Celebration attentively, it brought out a lot of emotions and moods. It was very joyful and uplifting. It gave me pause to reflect upon what a blessing it was to be part of such a glorious experience and full-circle journey.
Amen.
You can watch the entire Abyssinian: A Gospel Celebration via: http://wyntonmarsalis.org/live/. Photographs courtesy of artsneworleans.org, NPR.org, kplu.org
Christmas tree at the Palace Hotel, San Francisco. (2008)
The season of Advent is upon us, and it marks the beginning of the Western Christian liturgical year. Advent is arguably the most easily recognizable season of the year. The signs of the Advent season are familiar: Christmas trees and decorations, both in homes and in public places, are in abundance in cities and townships from coast to coast in the U.S. and throughout much of the world.
It's hard to believe that Christmas Day is but three weeks from today as I write this post.
Advent commences on the fourth Sunday before Christmas. This year it began on December 2, and it's a season which is observed in many Western Christian churches across the world in preparation for the celebration of the Nativity of Jesus at Christmas. The term advent is an anglicized version of the Latin word adventus, which means "arrival" or "coming" -- anticipating the coming of Jesus.
This is a time of spiritual reflection and anticipation. As Advent begins, so, too, does the holiday season of music, found in both sacred hymns and carols and in secular songs.
An early feature of the celebration of the Christmas season, the rise in the importance and popularity of the carols can be attributed to the influence of Francis of Assisi. It should be noted that chants, litanies and hymns were written and sung in Latin and were used during the church liturgy, rather than popular songs. And, yet, today, whether sung in English, French, Latin or Italian -- or any other language for that matter -- these hymns ring out as beautiful sounds to our collective ears.
On the occasion of the arrival of this holiday season, my wife and I recently enjoyed a lovely evening with the San Francisco Symphony Orchestra as they welcomed Pink Martini in concert at Davies Symphony Hall in San Francisco. The "little orchestra" from Portland, Oregon, draws its inspiration from music from all over the world -- it crosses genres of classical, jazz and classic pop -- and its repertoire includes songs sung in English, Spanish, Italian, French, German, Japanese, Chinese, Turkish, Hebrew and Arabic.
During the band's two-hour, 20-song concert, Pink Martini performed the familiar "The Little Drummer Boy", "We Three Kings" and "Auld Lang Syne" in the spirit of the holiday season as well as a couple of their own original holiday songs, "Congratulations – A Happy New Year Song" and "A Snowglobe Christmas".
However, one holiday song which made an emotional impact with me was "La Vergine Degli Angeli", written by the Italian Romantic composer Giuseppe Verdi. The song title, which translates to "The Virgin of the Angels", was written for the operaLa forza del destino(The Force of Destiny), which had its debut in 1862. On this evening, "La Vergine Degli Angeli" was beautifully interpreted by Pink Martini vocalist China Forbes.
"La Vergine Degli Angeli" appears on Pink Martini's holiday music album 'Joy to the World' and I encourage each of you to listen for both its beautiful lyrics and passionate vocal quality.
"During this season," says San Francisco's Grace Cathedral on its website, "we wait and hope for the arrival of a state of perfect peace and harmony. We still live in a world where violence and injustice exist and so, throughout Advent, we slow down, and endeavor to live in a way as though these problems have all been washed away. Advent is also an active sort of waiting, in that we strive to do justice and to love our neighbors with renewed vigor. We try to seek out places where violence and iniquity exist, and step into them with peace and joy fully alive in our hearts."
May this be a season of peace and joy for all of us -- and, may we all take part in promoting the spirit of sharing peace and joy.
