 |
In the Shadow of Statues, which
was published March 20, is
on the New York Times
Bestseller List.
|
"These statues are not just stone and metal. They were erected purposefully to send a strong message to all who walked in their shadows about who was still in charge."
– Mitch Landrieu, from
In the Shadow of Statues
New Orleans is one of the great multicultural cities in the world. It is also a racially divided city that has dealt with its fair share of poverty and urban violence. In spite of all of its troubles, the Big Easy remains a beloved cultural treasure to everyone who visits thanks to its rich tradition of funky jazz music and the beauty and grace of its amazing food.
Enter Mitch Landrieu, the mayor of New Orleans since 2010, who has been an important catalyst in helping his city rebuild from the devastation of Hurricane Katrina. As the son of a former state legislator and mayor of New Orleans – who was a huge force in the integration of that city in the 1960s and 1970s – and the brother of a former U.S. senator from Louisiana, Landrieu grew up with a progressive education in the racially divided Crescent City among America's lingering Confederate monuments.
At a time when the issue of racism has become resurgent "with seemingly tacit approval from the highest levels of government and when too many Americans have a misplaced nostalgia for a time and place that never existed," Landrieu has written
In the Shadow of Statues – a book that's a must read.
In the Shadow of Statues is equal parts memoir, history, and a "prescription for finally confronting America's most painful legacy." As a white southerner confronting his city's past history, Landrieu contributes a very strong voice to our national conversation about race in America today by taking on many difficult issues related to it, including slavery and inequality.
In praising
In the Shadow of Statues, Walter Isaacson, author of
Leonardo da Vinci and
Steve Jobs, writes: "With a balance of humility and conviction, he recounts his path to a more profound understanding of racial justice and explains how this journey led him to remove the Confederate monuments in New Orleans. It's an important book for everyone in America to read, because it shows how intellectual honesty can lead to moral clarity."
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Mitch Landrieu at Politics & Prose Bookstore
in Washington, D.C. last week. |
Last week, my wife and I attended a standing room-only book event at Politics & Prose Bookstore in northwest Washington, D.C., featuring a conversation between Landrieu and Jeffrey Goldberg, editor in chief of
The Atlantic, before a thoughtful and engaging audience
, that was followed by a 30-minute Q & A period
and a book signing.
"There's a difference between remembering and revering history," said Landrieu, who addressed the people of New Orleans in May 2017 about his decision to take down and remove four Confederate monuments, including the statue of the famous southern Confederate general Robert E. Lee. The affected statues represent a mere four-year period of U.S. history, from 1861-65, but a searing one, too. While Landrieu said that the decision to remove the monuments was a difficult one, it was a right one, too. It was about eradicating history.
"We were on the wrong side of history," Landrieu told the Politics & Prose audience very matter-of-factly. "These statues were erected to send a strong message to all who walked in their shadows about who was still in charge. For decades, these statues have cast a long shadow on society, particularly African-Americans."
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Lee Circle before the Confederate monument
of Robert E. Lee was removed in 2017. |
Landrieu says
In the Shadow of Statues is an invitation to stand and sit in other people's shoes. He recalled for his Politics & Prose audience a conversation he once shared with his dear friend, the famous jazz musician and educator – and New Orleans native son – Wynton Marsalis, who helped him see the truth about the city's exclusionary attitudes. "'Hey, man,'" Landrieu recalled the trumpeter saying to him. "'You should take the statue of Robert E. Lee down. Do you know how it got there and who put it up?'"
In the book, Landrieu expands on his conversation with Marsalis.
"I don't like the fact that Lee Circle is named Lee Circle."
"Why is that?"
"Let me help you see it through my eyes. Who is he? What does he represent? And in that most prominent space in the city of New Orleans, does that space reflect who we are, who we want to be, or who we are?"
Suddenly, Landrieu was listening.
Later in their conversation, according to the mayor, Marsalis added, "'Did you know Louis Armstrong left the city and never came back because of that statue? He did not even want to be buried in his hometown. You ever think about what Robert E. Lee means to someone black?'"
Landrieu emphasized that there's a difference between remembrance of history and reverence of it. "I think there are a lot of people who are struggling with the notion that the South fought for a cause that was reviled," he said. When you make sense of it, monuments are usually reserved for winners not losers. The Confederate monuments celebrated the losing side of the Civil War.
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| New Orleans Mayor Mitch Landrieu |
As Landrieu remarked back during his May 2017 speech, "For America and New Orleans, it has been a long, winding road, marked by great tragedy and great triumph. But we cannot be afraid of our truth."
And, as Landrieu writes, "Here is the essential truth: We are better together than we are apart.
"Indivisibility is our essence."
Near the end of his conversation at Politics & Prose, Landrieu said, "If we are going to move forward as a country, we must confront the issue of race head on. Our diversity is what makes this country great.
"We need to understand our history. We need to tell the whole story."
Photo credits: Book cover courtesy of Amazon.com. Politics & Prose audience courtesy of @PoliticsProse Twitter. Robert E. Lee statue courtesy of New Orleans Advocate. Mitch Landrieu courtesy of Cheryl Gerber.
