Showing posts with label spirit. Show all posts
Showing posts with label spirit. Show all posts

Tuesday, December 8, 2020

On books: Jon Meacham’s ‘The Soul of America: The Battle for Our Better Angels’ is still timely reading


Jon Meacham is a Pulitzer Prize-winning historian and presidential biographer whose voice has become a familiar and reassuring one on MSNBC during the Trump Era. He’s a contributing writer to The New York Times Book Review, a contributing editor to Time magazine, and a former Editor-in-Chief of Newsweek. Meacham holds the Carolyn T. And Robert M. Rogers Endowed Chair in American Presidency at Vanderbilt University.

In writing about presidents as varied as Abraham Lincoln and George Herbert Walker Bush, Meacham has noted that “both called on us to choose the right over the convenient, to hope rather than to fear and to heed not our worse impulses but our best instincts.”

In Meacham’s 2018 best-selling book, The Soul of America: The Battle for Our Better Angels, a brilliant and fascinating – if not timely work – which I have found good reading during this pandemic-interrupted year, we are reminded that from our country’s very beginnings, the United States has, in the words of American historian and law professor Annette Gordon-Reed, “struggled to deliver on the promise of the Declaration of Independence and to make our Union ‘more perfect.’ Race has often been at the heart of those struggles, and The Soul of America persuasively argues that the resilient spirit of those who fought throughout our history to overcome that seemingly intractable problem is still with us. It is that spirit that gives us cause to be hopeful in the face of doubts about our country’s future.”

Meacham writes with both clarity and purpose throughout The Soul of America and explains how our current “Trumpian” climate of partisan fury is not new. He explores other contentious periods of our nation’s history – from the Civil War to World War I to the fight for women’s rights to Lyndon Johnson’s crusade against Jim Crow – to show how presidents and ordinary citizens have united to defeat “the forces of anger, intolerance, and extremism.”

Through each of these periods of our nation’s history, Meacham explains, our national life “has been shaped by the contest to lead the country to look forward rather than back, to assert hope over fear – a struggle that continues even now.” As Meacham once explained to Trevor Noah on The Daily Show when he was promoting the book two years ago, “every era is a battle between our best impulses and our worst impulses.”

Careful students of history will be familiar with some of these stories, but as Meacham notes, “if we have learned anything in recent years – years in which the president of the United States has taken pride in his deliberate lack of acquaintance with the most essential historical elements of his office – it is that even the most basic facts of our common past repay attention. ‘Eternal vigilance,’ it has been long said, ‘is the price of liberty’ and a consciousness about what has worked – and what hasn’t – in previous eras is surely a useful form of such vigilance.”

Historian Ken Burns, no stranger to the study of our nation’s past, summed his thoughts about The Soul of America by saying, “Rather than curse the darkness, Jon Meacham, with his usual eloquence and surpassing knowledge of our history, has offered us all the sublime and calming reassurance that, as threatening as so much of the present moment seems, Americans have weathered such storms before and come out on the other side with fresh and progressive horizons. This is a beautifully expressed and convincing prayer to summon our own ‘better angels’ to meet the obvious challenges of today.”

Meacham concludes The Soul of America by writing, “For all of our darker impulses, for all of our shortcomings, and for all of the dreams denied and deferred, the experiment begun so long ago, carried out so imperfectly, is worth the fight. There is, in fact, no struggle more important, and none nobler, than the one we wage in the serve of those better angels who, however besieged, are always ready for battle.”

A footnote: In October, HBO debuted a documentary, “The Soul of America,” based upon Meacham’s 2018 book of the same name. Here is a an interview Meacham gave on NBC’s “The Today Show” to discuss the documentary.







Tuesday, May 22, 2018

The 2018 French Open: Creating beautiful poster art through capturing the simple bounce of a tennis ball


Roland Garros and modern art have enjoyed a long, steady and tasteful relationship. It's a very French thing. In a sport where a player's instinct and spontaneous movement creates beautiful art out of work during every rally – especially on a terre battue canvas – the annual French Open poster is seen as a colorful and fascinating part of the Roland Garros experience. 

Each year since 1980, the grounds at Roland Garros in the 16th arrondissement of Paris have displayed bright and imaginative posters that truly embody the spirit and excitement of the French Open. After all, if tennis is seen as art – and why not? – then, its athletes are truly artists who have traded paint brushes for tennis rackets.

In an earlier era, Les Quatre Mousquetaires (Jacques Brugnon, Jean Borotra, Henri Cochet and René Lacoste) were prestigious French tennis players who dominated the sport in the second half of the 1920s and early '30s and were known for their dashing grace and athleticism. They became national icons in France – their success in winning the 1927 Davis Cup against the United States helped lead to the building of the Roland Garros venue at Porte d'Auteuil – and the French Open men's championship trophy was named the Coupe des Mousquetaires in honor of the quartet. 

Today, one need only think of World No. 1 Rafael Nadal, the undisputed king of clay, whose Picasso-like artistry as he glides across Court Philippe Chatrier – brushing his racquet against a tennis ball – is truly a bold and dynamic thing to admire. He's won 10 French Open singles titles, most of any athlete – male or female – which has endeared him to the French and tennis fans worldwide.

The quintessential Björn Borg's hair
as captured by Eduardo Arroyo in 1981.

Among the artists who have created French Open poster art since its inception are: Eduardo Arroyo, whose 1981 Pop Art image of Björn Borg's hair captured a quintessential quality of 1980s tennis; Joan Miró, one the most prominent influences on the development of both Surrealism and 20th-century art, who created the 1991 poster; documentary filmmaker and painter Jean-Michel Meurice, whose 1996 poster was inspired by the red clay and white lines of the Roland Garros courts; jazz drummer and composer Daniel Humair, who conveyed a musical rhythm to capture the pulse of the French Open in his 2004 poster; and Du Zhenjun, who in 2015 became the first Chinese artist selected to design a French Open poster. His training in traditional Chinese painting and calligraphy is reflected in his work.

Jazz drummer and composer Daniel Humair
conveyed a musical rhythm to capture
the pulse of the French Open in 2004.

For this year's French Open, Paris-born Fabienne Verdier was commissioned to create the poster for the 2018 tournament, which begins Sunday. Born in 1962, Verdier is the fourth woman selected to design the official Roland Garros poster, following in the footsteps of Jane Hammond (2003), Kate Shepherd (2007) and Nalini Malani (2010). She's also the first French artist, too. 

"For me, Roland Garros evokes those first warm days that herald the arrival of summer in Paris, when the intense light of May and June makes the ochre day sparkle," said Verdier, in an interview recently posted on French Open website rolandgarros.com. "As the sun races across the sky, the courts turn from amber to tobacco, from saffron to sepia, from ochre to red, from sienna to brown. During every rally, the balls collect this multicolored dust and, like comets, leave enchanting lines of energy in their wake."


In creating the 2018 French Open poster, Verdier chose to focus on the simple bounce of a tennis ball. In a split-second moment, she perfectly captures "that moment of truth in which the ball, after hitting the clay, sets off on one of many possible trajectories. The ball's movement gives off incredible energy."

Verdier describes her abstract impression this way: "I tried to portray the lightning speed of the player's movements. The energy that they transmit to the ball in a movement full of spontaneity, vitality, power, precision and slide. And I imagined one of those unexpected bounces that take the opponent by surprise and force them, in the following rally, to surpass themselves once again in order to get one step closer to victory in Paris."

To view the entire collection of French Open art posters: www.rolandgarros.com
Fabienne Verdier video courtesy of YouTube.com
French Open poster art courtesy of www.rolandgarros.com

Tuesday, April 22, 2014

Celebrating the vitality of poetry


It's time to channel your inner bard /
Thursday is National Poem in Your Pocket Day.

The seventh national Poem in Your Pocket Day is Thursday, and I'm ready to celebrate.

April is National Poetry Month across America. It's a great opportunity to become acquainted -- or re-acquainted -- with poetry, and to celebrate poetry and its vital place in American culture.

Since 2008, the Academy of American Poets have encouraged individuals throughout the country to join in the Poem in Your Pocket Day and channel their inner bard. According to the Academy of American Poets' website: "We hope to increase the visibility and availability of poetry in popular culture while acknowledging and celebrating poetry's ability to sustain itself in the many places where it is practiced and appreciated."

Such as in the wonderful environment of a delightful independent bookseller, located in a vibrant neighborhood, that happens to be near one of the nation's top public universities.

As it happened, last Friday my wife and I walked into Mrs. Dalloway's Literary & Garden Arts Bookshop on College Avenue in Berkeley's Elmwood neighborhood, near the University of California, to browse at books after dining nearby. In a prominent display in the center of the shop was a basket displaying hundreds of beautifully written "pocket poems" printed on nice stationary that could easily tuck into one's pocket to share with friends and family.

What a clever idea -- and these "pocket poems," feature many different San Francisco Bay Area poets, including: Maxine Chernoff, Brian Komel Dempster, Alice Jones, Hugh Martin, David Meltzer, Randall Potts, giovanni singleton, Tess Taylor and Alli Warren.

Also, Jennifer Elise Foerster, whose "pocket poem" contribution is entitled "Flight." I picked hers at random from the basket and look forward to reciting it on April 24.

Flight

As a child I tossed
all my imaginary friends
out the window of a fast moving train
because I wanted to feel my fist
break open as I freed them,
as each of their bodies
whipped against the siding,
their insides: snow
dispersing into wind,
their little heads rolling
across the yellow plains.

Because I believed they would return.
But non have since.
Not even the ones I didn't love.

Mrs. Dalloway's has encouraged its customers to come by their bookshop and pick up a "pocket poem" anytime during the month and share it on the seventh national Poem in Your Pocket Day. Bookstores, libraries, schools and parks throughout the country will be participating in pocket poem readings. This year, the celebration is carrying over to social media, too. Twitter users can use the hashtag #pocketpoem to share a favorite poem with their followers.

Indeed, the idea behind Poem in Your Pocket Day is a simple one, and anyone can create their own pocket poem. Here's how: Select a poem you love during National Poetry Month, then carry it with you and share it on Thursday, April 24 with friends and family -- even co-workers, too.

"Flight": From Leaving Tulsa by Jennifer Foerster ©2013 The Arizona Board of Regents. Pocket Poem reprinted by permission of the University of Arizona Press.
Pocket poem illustration by Michael Dickens ©2012.

Tuesday, December 24, 2013

Merry Christmas 2013: Carols everywhere






Merry Christmas from A Tuesday Night Memo.



Christmas Time is Here

Christmas time is here
Happiness and cheer
Fun for all that children call
Their favorite time of the year.

Snowflakes in the air
Carols everywhere
Olden times and ancient rhymes
Of love and dreams to share.

Sleigh bells in the air
Beauty everywhere
Yuletide by the fireside
And joyful memories there.

Christmas time is here
Families drawing near
Oh, that we could always see
Such spirit through the year.



Lyrics by Brian McKnight © Universal Music Publishing Group. Sony/ATV Music Publishing LLC.
Original instrumental version written by Lee Mendelson and Vince Guaraldi for the 1965 TV special A Charlie Brown Christmas.
Photograph of Christmas tree ornament by Michael Dickens, at the Fairmont Hotel, San Francisco, Calif. © 2013.

Tuesday, November 12, 2013

Under optimistic skies


Sharing the beauty of nature / A First Prize rose
from our backyard garden.

Ralph Waldo Emerson, the American essayist, lecturer, preacher and poet, who led the Transcendentalist movement of the mid-19th century, was an optimist about a lot of things in life, such as the goodness of human nature, the goodness of the universe as a whole, and about our ability to know the truth. 

Emerson's intellect embodied the finest spirit and highest ideals of his age. Often, I look to the clarity of his words when in need of a boost in my own spirits. We could all do well to follow his wisdom in these gloomy times.

“Write it on your heart
that every day is the best day in the year.
He is rich who owns the day, and no one owns the day
who allows it to be invaded with fret and anxiety.

Finish every day and be done with it.
You have done what you could.
Some blunders and absurdities, no doubt crept in.
Forget them as soon as you can, tomorrow is a new day;
begin it well and serenely, with too high a spirit
to be cumbered with your old nonsense.

This new day is too dear,
with its hopes and invitations,
to waste a moment on the yesterdays.” 

~ Ralph Waldo Emerson, Collected Poems and Translations

Tuesday, December 25, 2012

Merry Christmas 2012: Peace, hope, love.


The simple beauty of a Christmas tree ornament.

A Merry Christmas message for 2012:
May the spirit of Christmas bring you peace,
The gladness of Christmas give you hope,
The warmth of Christmas grant you love.

Tuesday, December 4, 2012

With peace and joy fully alive in our hearts


Christmas tree at the Palace Hotel, San Francisco.
(2008)

The season of Advent is upon us, and it marks the beginning of the Western Christian liturgical year. Advent is arguably the most easily recognizable season of the year. The signs of the Advent season are familiar: Christmas trees and decorations, both in homes and in public places, are in abundance in cities and townships from coast to coast in the U.S. and throughout much of the world.

It's hard to believe that Christmas Day is but three weeks from today as I write this post.

Advent commences on the fourth Sunday before Christmas. This year it began on December 2, and it's a season which is observed in many Western Christian churches across the world in preparation for the celebration of the Nativity of Jesus at Christmas. The term advent is an anglicized version of the Latin word adventus, which means "arrival" or "coming" -- anticipating the coming of Jesus.

This is a time of spiritual reflection and anticipation. As Advent begins, so, too, does the holiday season of music, found in both sacred hymns and carols and in secular songs.

An early feature of the celebration of the Christmas season, the rise in the importance and popularity of the carols can be attributed to the influence of Francis of Assisi. It should be noted that chants, litanies and hymns were written and sung in Latin and were used during the church liturgy, rather than popular songs. And, yet, today, whether sung in English, French, Latin or Italian -- or any other language for that matter -- these hymns ring out as beautiful sounds to our collective ears.

On the occasion of the arrival of this holiday season, my wife and I recently enjoyed a lovely evening with the San Francisco Symphony Orchestra as they welcomed Pink Martini in concert at Davies Symphony Hall in San Francisco. The "little orchestra" from Portland, Oregon, draws its inspiration from music from all over the world -- it crosses genres of classical, jazz and classic pop -- and its repertoire includes songs sung in English, Spanish, Italian, French, German, Japanese, Chinese, Turkish, Hebrew and Arabic.

During the band's two-hour, 20-song concert, Pink Martini performed the familiar "The Little Drummer Boy", "We Three Kings" and "Auld Lang Syne" in the spirit of the holiday season as well as a couple of their own original holiday songs, "Congratulations – A Happy New Year Song" and "A Snowglobe Christmas". 

However, one holiday song which made an emotional impact with me was "La Vergine Degli Angeli", written by the Italian Romantic composer Giuseppe Verdi. The song title, which translates to "The Virgin of the Angels", was written for the opera La forza del destino (The Force of Destiny), which had its debut in 1862. On this evening, "La Vergine Degli Angeli" was beautifully interpreted by Pink Martini vocalist China Forbes.

"La Vergine Degli Angeli" appears on Pink Martini's holiday music album 'Joy to the World' and I encourage each of you to listen for both its beautiful lyrics and passionate vocal quality.


La vergine degli angeli

La vergine degli angeli
Mi copra del suo manto
E me protegga vigile
Di dio l'angelo santo
La vergine degli angeli
E me protegga me protegga
L'angiol di dio
E me protegga
L'angiol di dio
Me protegga
E me protegga

The Virgin of the Angels

The Virgin of the Angels
Covers me with her mantle,
And protects me vigilantly
Sacred angel of God.
The Virgin of the Angels
And/She protects me, protects me,
The angel of god
And/She protects me
The angel of god protects me.
And protects me.

There are lessons we can learn during Advent. 

"During this season," says San Francisco's Grace Cathedral on its website, "we wait and hope for the arrival of a state of perfect peace and harmony. We still live in a world where violence and injustice exist and so, throughout Advent, we slow down, and endeavor to live in a way as though these problems have all been washed away. Advent is also an active sort of waiting, in that we strive to do justice and to love our neighbors with renewed vigor.  We try to seek out places where violence and iniquity exist, and step into them with peace and joy fully alive in our hearts." 

May this be a season of peace and joy for all of us -- and, may we all take part in promoting the spirit of sharing peace and joy.

To hear the entire Pink Martini 'Joy to the World' holiday music CD: http://youtu.be/RcIUz9jop5E

1. White Christmas
2. White Christmas (part II) featuring Saori Yuki
3. Shchedryk (Ukrainian Bell Carol)
4. Santa Baby
5. Elohai, N’tzor
6. Little Drummer Boy
7. Congratulations – A Happy New Year Song
8. Do You Hear What I Hear?
9. La Vergine Degli Angeli
10. We Three Kings
11. A Snowglobe Christmas
12. Ocho Kandelikas (Eight Little Candles)
13. Silent Night
14. Auld Lang Syne 

Christmas tree at the Palace Hotel, San Francisco, by Michael Dickens.
Copyright 2008. All rights reserved.

Tuesday, June 26, 2012

A sacred space for the 21st century is upon us: Its name is the Cathedral of Christ the Light.


Drawing upon the tradition of light as a
sacred phenomenon.

Imagine a 21st century sacred space built with modest materials ~ primarily wood, glass and concrete ~ that draws on the tradition of light as a sacred phenomenon, and during daytime hours is lit entirely by natural daylight. There is such a sacred space.

The Cathedral of Christ the Light is the cathedral of the Roman Catholic Diocese of Oakland, Calif. It is the seat of the Bishop of Oakland and it is also a pivotal point of worship for Catholics throughout the city of Oakland as well as Alameda County.

The cathedral's name is a departure from the Catholic tradition of naming cathedrals after Mary the Mother of God or a patron saint.

Cathedral of Christ the Light /
Reflections of a city and of its cathedral.
Built in 2008 and bordering the city's Lake Merritt, the Cathedral of Christ the Light replaced the Cathedral of Saint Francis de Sales, which was irreparably damaged in the Loma Prieta earthquake of 1989 that shook the Bay Area.

"It is a spiritual font that inspires and unites our richly diverse diocese in its mission to sanctify, educate and serve," says Reverend Raymond Sacca, rector of The Cathedral of Christ the Light, on its website http://www.ctlcathedral.org/. "Whenever I enter the cathedral, I find myself drawn beyond the worries and distractions of the day into the majestic, yet serene, presence of Christ whose compassion and peace lift up my spirit."

An amazing structure with a wooden /
glass skin that creates an interior
full of light.
It is inviting to experience Mass in this sacred, light-infused Modernist space. It is also a welcoming space for listening to a concert of uplifting music or sitting quietly for a few minutes in a pew simply to enjoy and admire the sanctuary.

The architectural firm Skidmore, Owings & Merrill LLP designed the sacred space that is The Cathedral of Christ the Light, calling it "an amazing structure with a wooden/glass skin that creates an interior full of light." Ground was broken on May 21, 2005 and was consecrated and dedicated on September 25, 2008. It was built on a site of 2.5 acres and the cathedral structure itself consumes 20,996 square meters. The exterior of the sanctuary is 118-feet high and has seating for 1,350 people.

The main Cathedral superstructure, which is located at the busy Oakland intersection of Grand Avenue and Harrison Street, across from Lake Merritt, is unlike any I have ever seen. I've driven by the cathedral hundreds of times and its beauty never ceases to amaze me. 

According to the architect, the superstructure consists of a "hybrid structural system of reinforced concrete, pre-fabricated glued laminated wood timber members, high-strength structural steel rods paired with glued laminated wood compression struts, and a steel friction-pendulum seismic base isolation system. The superstructure is supported atop an eighteen-foot-high mausoleum substructure of reinforced concrete extending to a reinforced concrete mat foundation."

21st century thinking / The lightest ecological
 footprint was always a core design objective. 

"As its name suggests, the Cathedral draws on the tradition of light as a sacred phenomenon," says the architectural website Archdaily.com ~ http://www.archdaily.com. "Through its poetic introduction, indirect daylight ennobles modest materials ~ primarily wood, glass, and concrete. With the exception of evening activities, the Cathedral is lit entirely by daylight to create an extraordinary level of luminosity."

What is impressive to the casual observer is learning that the lightest ecological footprint was always a core design objective. Also, it is encouraging to find out that through a highly innovative use of renewable materials, the building minimizes the use of energy and natural resources.

Indeed, the Cathedral of Christ the Light is a sacred space with a 21st century sensibility.

To read more about The Cathedral of Christ the Light, please see:

To view a colorful pictorial of The Cathedral of Christ the Light, please see:

To read an article from Architectural Record about the cathedral, please see:
http://archrecord.construction.com/projects/portfolio/archives/0901cathedral-1.asp

All photographs by Michael Dickens, copyright 2012. All rights reserved.