Showing posts with label stage. Show all posts
Showing posts with label stage. Show all posts

Tuesday, February 6, 2018

Social media maelstrom: Did FCA really use MLK's words about the value of service to sell Ram trucks? Yes.



Each year, there's no bigger stage than the Super Bowl for advertisers – and Super Bowl LII was no different. While the tone of some of this year's messages aimed for laughter and nostalgia – not to mention philanthropy in an age of Trumpian tax cuts – one advertisement in particular drew much online criticism.

During the second quarter of Sunday night's Super Bowl game between the New England Patriots and the Philadelphia Eagles, American car maker Fiat Chrysler Automobiles (FCA) turned to a sermon given 50 years ago by Rev. Martin Luther King Jr. about the value of service and used it as the voice-over to sell Ram trucks.

If there's a wince award to be given – based upon the impact or backlash it made on social media – this would be the winner.

The use of Dr. King's sermon, entitled "The Drum Major Instinct," was part of a five-ad campaign by FCA that also included a classic scene from "Jurassic Park" featuring actor Jeff Goldblum and Queen's much-overused anthem "We Will Rock You" to market its Jeep and Ram brands. At a combined 240 seconds, FCA tied Anheiser-Busch for second-most ad time during this year's Super Bowl, which was broadcast by NBC across the the U.S. and reached an estimated 103.4 million TV viewers, the smallest Super Bowl audience since 2009. Each 30-second Super Bowl commercial cost advertisers about $5 million.

According to AdAge, FCA's global chief marketing officer Olivier Francois is "fond of calling on historical figures and movie and music stars backed by montages of vehicles and everyday people. He has a tendency to source ideas from a wide array of agencies, often making last-minute decisions on the winners."

In "Built to Serve," which was created by Chicago-based boutique agency Highdive, it made use of an MLK speech delivered 50 years ago to the day (Feb. 4, 1968) at Ebenezer Baptist Church in Atlanta – his last major speech before he was assassinated on April 4, 1968 – in which the civil rights icon declared "everybody can be great" because everybody can serve. Throughout the ad spot, there are "26 powerful images of those serving others" – "everyday people," including a farmer, a barber, a fisherman, a teacher, students in a classroom and members of the military. There's even a firefighter lifting a child over his shoulder.

"But recognize that he who is greatest among you shall be your servant," MLK is heard (but not seen) saying, "That's the new definition of greatness. By giving that definition of greatness, it means that everybody can be great. You don't have to know about Plato and Aristotle to serve."

The ad reaches its conclusion with a message that to serve "you only need a heart full of grace. Soul generated by love." Then, the last image shown on screen is of the Ram slogan "Built to Serve."

While some liked the ad, calling it "wonderful" and "continuing on your legacy of 'on brand' storytelling," it also drew polarizing reactions, such as "who knew MLK was talking about pickup trucks this whole time" and "MLK wanted equal rights and for me to buy a Dodge Ram." A story about the Ram ad online in Huffington Post suggests "People were, understandably, not very happy with the company's attempt to profit off of one of history's greatest social just advocates."

In today's lead editorial in The New York Times, entitled "Dr. King's Words Turned Upside Down," it wrote: "Ostensibly, the Ram commercial was an appeal for people to serve. But who's kidding whom? The goal was to sell trucks, with Dr. King as pitchman."

Mind you, FCA has often relied upon using message-driven Super Bowl ads to touch on the state of the American economy and farming industry, featuring appearances or off-camera voice-overs by well-known cultural figures like Eminem, Oprah Winfrey, Bob Dylan, Clint Eastwood and Paul Harvey. These were all critically acclaimed and memorable.

However, now, one need only point toward the irony of the NFL's attempt to monetize MLK's activism while at the same time it systematically colludes against Colin Kaepernick, a black quarterback, and his protests of police brutality and systematic racism.

"Black people can't kneel and play football, but MLK should be used to sell trucks during the Super Bowl," tweeted writer and comedian Akilah Hughes. "Unbelievable."

In an interview with The New York Times published in its Monday print editions, Tim Calkins, a Northwestern University Kellogg School of Management marketing professor, said of FCA's "Built to Serve" ad: "It's the wrong mistake to make given everything that's going on in the U.S. right now. There's so much emotion right now around race in this country that this was a high-risk move, and clearly it's not going over very well.

"I think it was well intentioned, but they're going to have a lot of explaining to do," said Mr. Calkins.

Indeed, especially when you add to the disconnect that MLK's sermon touched on the danger of overspending on items like cars – not to mention people "are so often taken by advertisers."

One thing I learned from looking over a variety of social media in researching this commentary is that many viewers felt that FCA's "Built to Serve" ad, which was meant to inspire about the power of service, cooperation and community, was distasteful because it used the words and voice of a civil rights icon to advertise trucks.

Did FCA cross the line when it used MLK's voice as a means to sell trucks during its 60-second advertisement for the 2019 Ram 1500? I think it did, especially when you consider that the Black Lives Matter movement still march in the streets and NFL players are criticized for taking a knee during the National Anthem in silent protest against racism and policy brutality. I found it insulting to the memory of the revered civil rights leader.

However, if you were to ask Eric D. Tidwell, managing director of Intellectual Properties Management, the licensor of the MLK estate, you would get a different answer from mine.

In a statement released at the height of the backlash Sunday night, the King Estate said it had reviewed FCA's ad before it aired to make sure it met its standards and "found that the overall message of the ad embodied Dr. King's philosophy that true greatness is achieved by serving others.

"Thus we decided to be a part of Ram's 'Built to Serve' Super Bowl program."

Meanwhile, FCA, the parent company of Ram, defended its ad and released a statement Sunday night. It said it was "honored to have the privilege of working with the Estate of Martin Luther King Jr. to celebrate those words during the largest TV viewing event annually," and added "Estate representatives were a very important part of the creative process every step of the way."

Fine, but as The New York Times concluded about the "sheer crassness"exhibited by FCA in using MLK's voice and message to sell its Ram product and further its ideals – and I am in agreement – "He did not ask to be a huckster for a line of trucks."

Tuesday, October 20, 2015

This "Hamlet" needs to be seen and not just heard


National Theatre Live: Coming to a cinema near you. /
Benedict Cumberbatch in "Hamlet."

Ever wanted to experience the best of British theatre without having to trek to London? Now you can, thanks to National Theatre Live, where all the world's a stage even if the stage is on a big movie screen.

One night recently, my wife and I drove to the Century 14 cineplex in downtown Walnut Creek, Calif., about a half-hour's drive from our East Bay home, where we thrilled to an enjoyable evening of London West End theatre come alive on the big screen.

For just $20 a ticket, we were treated to the National Theatre Live's cinematic presentation of the critically-acclaimed "Hamlet," Lyndsey Turner's monumental Barbican production of the 1603 iconic William Shakespeare play about the melancholy prince of Denmark, that was broadcast to a global audience of more than 225,000 on 1,400 movie theater screens in 25 countries around the world.

I was one of those near quarter-million experiencing one of the greatest moments of theatre I had ever experienced. Yet, what I was watching was more a film than a play, but without any compromise to the live appeal of theatre.

That total represents the largest global audience for a live broadcast of any title in National Theatre Live history. Not to worry if you missed out on the excitement. Additional encores of "Hamlet" are scheduled to be shown in movie theaters later this month.

Since its debut in 2009, among the National Theatre Live presentations beamed to theaters include: "Frankenstein" with Benedict Cumberbatch and Jonny Lee Miller alternating between the title role and Dr. Jekyll; "King Lear," produced by Sam Mendes; and "A Streetcar Named Desire," which starred Gillian Anderson.

Throughout, "Hamlet" had plenty of "visual swagger" and, of course, there was an infinitely touching prince, played by Benedict Cumberbatch, whom U.S. audiences have grown to love from his portrayal of Sherlock Holmes in "Sherlock" on PBS's Masterpiece.

"If there's one good thing about the avalanche of hype surrounding the (Hamlet) production, it's that it made Shakespeare seem sexy. That's quite a feat," wrote Lyn Gardner in The Guardian, one of London's pre-eminent newspapers and news websites.

"The production has been accused by several critics of being overly cinematic, but its visual swagger,  with its indigo hues, comes into its own on the screen. It would be worrying if this production set a precedent for stage shows that are directed and designed with an eye to the live screening and a global audience rather than those seeing it in a theatre," added Gardner.

On the night we watched "Hamlet" -- October 15 -- the audience was comprised mostly of middle-aged suburban adults. There were the curious fans like us, who were eager to see Cumberbatch tackle the title role of Hamlet -- both as a prep-school misfit and as a toy soldier -- and to embrace and enjoy outstanding theatre. In addition to Cumberbatch, there were stellar performances given by Ciarán Hinds as Claudius and Sian Brooke as Ophelia.

The only thing missing that would have made our night more complete -- and something that makes attending West End theatre unique to an American -- was a vendor selling ice cream cups in the stalls during intermission.

Seeing National Theatre Live's "Hamlet" reinvented for a 21st Century audience reminded me of this: "Hamlet" needs to be seen and not just heard. And, seeing a larger-than-life Cumberbatch up-close and personal for three hours added up to one hell of a wonderful night of theatre on the big screen.

Photo: Courtesy of Google Images.