Showing posts with label experience. Show all posts
Showing posts with label experience. Show all posts

Tuesday, February 12, 2019

Thoughts on travel: Leaving your baggage behind

Rick Steves /
PBS travel host,
writer and activist
During my recent visit to Seattle while attending the American Library Assocation’s mid-winter conference, I sat in on an engaging and informative lecture by Rick Steves. He’s the longtime PBS travel host, writer and activist, who spoke about the need to understand our fellow human beings in other countries.

During his lively one-hour conversation, Steves emphasized the importance of traveling outside our comfort zone in order to learn about other people and cultures. One of his goals, I learned, has been to inspire and equip Americans to venture beyond Orlando’s Disney World. The Washington native was clearly a man on a mission on this Sunday morning. He was preaching to the choir – and it gave him its undivided attention.

Certainly, Steves is one who is not afraid to travel. In fact, for decades, he’s been crafting European tour experiences for Americans. By his estimation, he’s spent about a third of his adult life traveling throughout Europe. However, it was following the 9/11 tragedy in 2001 that Steves began to view politics as inextricable from travel.

“A life of travel can be a catalyst of peace,” Steves told his Seattle audience. He’s got a book out to back up his talk, ‘Travel As a Political Act,’ which is in its third edition (Hackett Book Group, 2018).

“When someone tells me to have a safe trip, I’m inclined to say, ‘Well, have a safe trip at home,’” said Steves. Despite Europe being statistically safer than the U.S., he noted that “Our country has never been more fearful.

“Fear is for people who don’t get out very much. The flip side of fear is understanding, and we gain understanding when we travel.”

Rick Steves signing
copies of his book,
‘Travel as a Political Act.’
Steves spoke of the importance that travelers need to get out of their comfort zone and show empathy for the rest of the world. “I’m into reality and humanity,” he said. “There’s a lot of baggage we are clueless to. We need to know about other country’s baggage. It’s important to understand baggage.”

If you think about it, and certainly Steves emphasized it, when you meet people along your travels – and take the time to discover their interests – it fosters an understanding of others and of the world at large.

“You go to France and step into a cheese shop, and it’s a festival of mold. The cheesemonger is evangelical,” said Steves. It’s one of many times that he drew laughter. “In Ireland, I enjoy the sensation that I’m understanding a foreign language. Forget your schedule, this is why you’re there. Get into a conversation.

“Europe knows how to work hard, but it knows how to play, too.”

He added, “You travel and realize the American dream is great, but it’s not unpatriotic to recognize there are other dreams.”

Tuesday, October 16, 2018

Thoughts on TV: NBA's LeBron James is unfiltered on HBO’s The Shop – In the barbershop you can’t lie.



Imagine watching an unfiltered conversation and debate featuring four-time NBA most valuable player LeBron James and other big names from sports and entertainment.

It’s all happening down at The Shop, which debuted as a periodic series this summer on HBO. James’s latest off-the-court vehicle gives viewers a “one-of-a-kind barbershop experience, which for many provides a sanctuary for free-flowing and spirited discussions.” It’s really good TV, folks. What’s not to like about seeing James and his friends sipping on some wine and dropping a few swear words while offering viewers a side of themselves that we rarely get to see?

The idea behind this open-forum series, a collaboration between James and Maverick Carter’s digital media company, Uninterrupted, is to visit barbershops around the country and gather groups of distinguished individuals – athletes who want to be entertainers and entertainers who envy athletes – who are free to speak honestly on sports, music, pop culture, race, current events, business and other “culturally relevant” topics. The half-hour program is unscripted and features a no holds barred attitude. Sure, there's the upfront adult language disclaimer at the start of each episode. Yet, it’s not as if we’ve never heard an occasional F-bomb dropped in the course of mature and frank conversation between mature adults.


Episode 2 of The Shop premiered last Friday night on HBO, and among those joining James were the hip-hop artist Drake, who opened up about the struggle to retire gracefully, the rules of hip-hop, and his on-going feud with Kanye West.

“I think maybe one of my biggest concerns in my career is just to figure out how to exit gracefully,” Drake admits during the broadcast. “I’ve watched people overstay their welcome, and I just don’t ever want to be that guy that’s addicted to the feeling of victory, addicted to the emotion of people digesting something that they love, and get to the point I’m just feeding them something and they’re just like, ‘Yeah.’”

Says James: “I’d rather fail being who I am than fail being somebody they want me to be.”

At The Shop / 
(L-R) Maverick Carter, LeBron James, Drake.

Both Drake and James shared thoughts about their evolving approaches to fatherhood and how each were influenced by their relationships with their parents. Joining in the conversation were pro basketball stars Ben Simmons of the Philadelphia 76ers, WNBA All-Star Elena Della Donne of the Washington Mystics, Indiana Pacers guard Victor Oladipo and NBA rookie Mo Bamba of the Orlando Magic, who spoke about their “rapidly evolving” careers.

The current episode follows up on last month’s candidly raw Episode 1, which established the show’s parameters, and featured former Daily Show host and Emmy and Peabody Award-winner Jon Stewart, rap icon Snoop Dogg, New York Giants wide receiver Odell Beckham Jr., Golden State Warriors star Draymond Green and WNBA most valuable player Candace Parker "deconstructing their success," as one critic wrote.

“Anyone who has been in a real barbershop, like the ones where I grew up, knows why this show can be so incredible,” said James, 33, a native of Akron, Ohio. “The Shop is exactly why we created Uninterrupted. I’m really excited HBO believed our idea and is helping us create something special.”



Photos: Courtesy of HBO Sports.
Videos: Courtesy of YouTube.com.


Tuesday, March 21, 2017

A New Orleans diary: Why food matters in the Big Easy

Domilise's / Nothing fancy or elaborate.
Just one of the best meals in the Big Easy.

New Orleans takes its food seriously – gumbo, red beans and rice, and beignets come to mind – and it's been said that you can't come to the Big Easy and not eat a po-boy sandwich. So, why not try the best – even if it's made to order in a hard-to-find location up river from the French Quarter, where parking is difficult at best and getting a table (there are only five) or a seat at the bar (there's about 10 of them) is a matter of good timing. Yet, despite all of these obstacles, the locals swear by this hole in the wall kind of place.

Domilise's Po-Boy and Bar consists of a single-room bar
and dining area with five tables and about 10 bar seats.
Such it was on a recent Friday afternoon while visiting New Orleans that my wife and I dropped in at Domilise's Po-Boy and Bar, tucked away at 5240 Annunciation Street (corner Bellecastle), and treated ourselves to a po-boy sandwich for lunch. We had an hour to kill before we had to be on the highway headed west toward Lafayette in the Acadiana region of Louisiana to attend our nephew's wedding celebration.

We first visited Domilise's back in 2001 – pre Hurricane Katrina – and it was an enjoyable experience. So it was on our next visit to New Orleans earlier this month, we knew we wanted to revisit Domilise's.

Domilise's Po-Boy and Bar is an Uptown New Orleans restaurant known for its po-boy sandwiches. For the uninitiated, a po-boy is a traditional Louisiana sandwich served on baguette-like New Orleans French bread that's known for its fluffy center and crispy crust. The restaurant was founded in the 1930s by the Domilise family, who I learned lived in the house above the single-room bar/dining area. It was run by Sam and Dorothy "Miss Dot" Domilise for more than 75 years until her death in 2013. Although it was closed during Hurricane Katrina, since reopening Domilise's has been more popular than ever – acclaimed by many, including CNN's Anderson Cooper as well as Anthony Bourdain, who once filmed a spot on location for his Travel Channel program No Reservations.

My Domilise's meal /
A delicious ham and Swiss po-boy,
Zapp's New Orleans kettle-style chips,
Barq's root beer.
During our recent visit, my po-boy of choice a ham and Swiss cheese dressed with spicy Cajun mustard, shredded lettuce and pickles while my wife opted for a turkey dressed all the way. Both were made with love by the sweet ladies who manned the kitchen. The reasonably priced menu is full of excellent choices, including shrimp, oyster, catfish, roast beef and sausage, and come in two sizes: small and large. The small was plenty large for my appetite. Along with my fabulous po-boy, I complemented my "meal" with a bag of Zapp's New Orleans kettle-style potato chips and a bottle of Barq's root beer.

We sat at the bar sipping on our sodas and munching our chips – and soaking up the vibrant atmosphere – while our po-boys were being prepared with TLC, waiting for a table to open up. By the time our order was called, a table materialized by the back entrance. Nothing fancy, but plenty of space to spread out and enjoy our delicious – albeit sometimes messy – po-boys. Looking around as we ate, I couldn't help but notice we were likely the only tourists mixed among a crowded room full of white- and blue-collar locals who swear by this place for a great meal.

Domilise's Po-Boy & Bar /
Uptown at the corner of Annunciation and Bellecastle.
As Tom Piazza points out in his insightful 2006 book Why New Orleans Matters, "the real neighborhood places, tucked away usually in some unlikely corner of a residential street, animate the day-to-day grass roots culinary life of the city. There is nothing fancy or elaborate about these places to say the least, but also nothing humdrum or mass-produced, or even lackluster ... It is a point of honor to make food that tastes good – I don't think a New Orleanian would even understand the concept of turning out blah food so you could just eat and run.

"You can go into the most unassuming place – say, Domilise's, a sandwich shop with a hand-lettered sign in a very modest corner house a block from the river in a residential uptown neighborhood – and get a meal that you will remember for the rest of your days. Or at least for the rest of the day."

Indeed, you see food is a part of the rhythm and life of New Orleans, and it doesn't get much better than this. There's a reason that Domilise's is one of the best at what they do.

Photos: Cover photo courtesy of Google Images. All other photos by Michael Dickens © 2017.

Wednesday, March 1, 2017

Stitches West: So much yarn and fiber = so much fun


Skeins and skeins of colorful yarn / The scene outside the Yarnover Truck,
a mobile yarn boutique, on Saturday morning at Stitches West. 

Last Saturday, my wife Jodi and I attended the 2017 Stitches West yarn and fiber exhibition in Santa Clara, Calif., where we connected with many of our fiber friends. When you're the husband of a knitter, like I've been going on nearly 20 years, you set aside the last weekend in February for the fiber arts – and embrace the creative experience.

Ball So Hard /
Neighborhood Fiber Company's slogan.
I've been Jodi's regular companion – and I'm proud to be her yarn enabler, too – at this annual gathering for more years than I can remember. Together, we've seen it grow into one of the West Coast's premiere fiber arts events.

Although husbands and boyfriends makeup a very small percentage of the ever-growing yarn and fiber crowd at Stitches West, I attend willingly and feel uninhibited, totally at ease. If you've ever been tempted by the fiber arts, whether it be knitting, crocheting or spinning, the Stitches West marketplace is the place to go see. After all, there's so much yarn and fiber, which can only mean one thing: So much fun.

Upon entering the Marketplace Hall, which we did when the doors opened at 10 a.m. on Saturday, knitters and their enablers are easily tempted by row upon row of booths filled with colorful and luscious yarn and gorgeous fiber that's not only attractive to look at, it's also lovely to touch, too. It's the place to plan the perfect sweater, find fiber friends, and gain new perspectives – even take an engaging class.

Miss Babs Hand-Dyed Yarns & Fibers /
Inspired by nature.
Our first stop of the day inside the Marketplace Hall was at Miss Babs Hand-Dyed Yarns & Fibers, whose booth is always an inspiration for lovely designs and colorful fibers. Miss Babs is Babs Ausherman, a hard-working, insightful fiber artist and online retailer of hand-dyed yarn and fiber and patterns based in Mountain City, Tenn. I've learned that she was raised in a family of creative types and entrepreneurs – and she believes that a good day's work is good for the soul.

I've had the pleasure to visit and talk with Miss Babs each of the past several years when she comes to California. I appreciate her sharp wit, artistic and creative flair, and her thoughtfulness. From her, I've learned that color ideas come from everywhere – especially when they're inspired by nature.

A Verb For Keeping Warm /
Beautifully decorated and inviting for knitters.
From there, it was on to see our dear friends Kristine Vejar and Adrienne Rodriguez, whose naturally-dyed A Verb For Keeping Warm yarn and fiber have made their bricks-and-mortar shop a haven for knitters and fiber artists close to home in Oakland. Their booth each year is always beautifully decorated and inviting. As always, whenever we drop by the AVFKW booth, it's abuzz with newly designed and naturally dyed yarn and fiber, and plenty of knitters perusing the yarn and fiber as well as patterns and project bags.

We also paid a nice visit to Neighborhood Fiber Co., based in Baltimore, whose uniquely hand-dyed yarn is inspired by urban landscapes.

After a leisurely lunch with a couple of fiber friends, it was time to renew our friendship with Robin Senour, a glasswork artist from Berkeley, whose witty Sacred Laughter artwork and philosophy ("Bring more art into your life") we admire and adore. On Saturday, we bought out tenth piece of Sacred Laughter, a badger from Senour's "Wind and the Willows" fairy tale collection. Over the years, we've made many friends among the yarn and fiber vendors and artisans at Stitches West – and it's always nice to be recognized like an old friend by them.

After one last pass through the aisles, where we renewed our acquaintance with Kira Dulaney of Kira K Designs – she shared with me the great news that she had just completed creating her 100th pattern in 10 years – and we also met the good folks from The Knitting Tree, L.A., it was time to make full circle by returning to Miss Babs to purchase some skeins of lovely and colorful yarn and say goodbye until next year.

Looking back, as my appreciation of the fiber arts continues to grow, I will always enjoy making time to explore the creative process and to find out what inspires these remarkable fiber artists.

Tuesday, December 6, 2016

Projecting an identity through fashion in flight

Everyday is a fashion show and the world is your runway. – Coco Chanel


Qantas c. 1986 /
Design by YSL
During a recent visit to the International Terminal at San Francisco International Airport, everywhere I looked there were colorful displays showcasing a history of airline uniforms worn by airline passenger-service and safety professionals – once called stewardesses and hostesses, and more recently flight attendants. This distinct type of fashionable attire – from haute couture to comfortable mix and match – has become a part of our popular culture. As I looked over the uniforms and learned more about them, I realized that not only have I been flying as an airline passenger for many years, but it made me nostalgic for travel when flying from destination to destination was fun and exciting instead of a stressful exercise in navigating from Point A to Point B.

Pan American c. 1975
Design by Edith Head
In Fashion in Flight: A History of Airline Uniform Design, on display in SFO's International Terminal Main Hall and the Aviation Museum & Library through January 2017, the seventy uniforms that comprise the exhibition date from 1930 to 2016 and include the work of a veritable who's who of more than thirty designers, including: Bill Blass, Piere Cardin, Oleg Cassini, Halston, Edith Head, Ralph Lauren, Valentino and Yves Saint Laurent. The long list of their clients includes past and present U.S. airlines such as American, Braniff, Continental, Delta, TWA and United, as well as international carriers Aeroméxico, Air France, Cathay Pacific, Japan Airlines, Qantas and Virgin Atlantic.

The vibrant and colorful outfits and accessories in Fashion in Flight are designed to not only "signify a distinct role in the workplace," but they also project a sense of identity for each airline – and they reflect prevailing fashions of the times, too. Through the years as airline fashion evolves and hemlines lift up and touch down, the passenger cabin has become a different kind of fashion runway.

Fashion statement /
United Airlines c. 1968 by Jean Louis.
If style is primarily a matter of instinct, as the American fashion designer Bill Blass suggests, then decade by decade, one notices a transformation from the tailored-suit look of the late 1930s to WWII's military influence, from postwar Paris haute couture to stylish New York designs – even interstellar chic as the 60s space age takes off. With the age of jet travel booming, bringing with it highly expressive uniforms, flight attendant fashion takes center stage. By the late 1970s, I learned, "pluralism and neo-traditionalism are seen emerging" and continuing into the '90s.

Finally, the business-like look of uniforms we see today – especially on U.S.-based carriers such as American, Delta and United – "have allowed greater contrast and noticeability for airlines that continue to engage celebrated designers in order to present contemporary fashion as an important part of the air travel experience."

Cover photo: Braniff International Airways hostess in uniform by Emilio Pucci c. 1965.
Cover photo and United Airlines photo: Courtesy of San Francisco Airport Commission, www.flysfo.com
Qantas and Pan American photos by Michael Dickens © 2016.







Tuesday, June 5, 2012

You've Got Starbucks!


A cafe mocha during my lunch at Le Pain Quotidien in Brussels.

Recently, while channel surfing, I caught a few minutes of the movie "You've Got Mail", the 1998 American romantic comedy film directed by Nora Ephron that stars Tom Hanks and Meg Ryan. It's based on the play "Parfumerie" by Miklós László and tells the story of two e-mailing lovers completely unaware that their sweetheart is, indeed, a person with whom they share a degree of animosity.  The adaptation of "You've Got Mail" traces its lineage back to the 1940 film "The Shop Around the Corner" by Ernst Lubitsch.  There's even a bit of Jane Austen's "Pride and Prejudice" found in the relationship between the characters portrayed by Hanks and Ryan.

While watching "You've Got Mail", I couldn't help but delight in the scene that illustrated America's growing infatuation for Starbucks coffee in the late 1990s, as voiced over by Hanks' character, Joe Fox, whose family owned a chain of mega-bookstores similar to Barnes & Noble:

The original Starbucks, located
at Pike Place Market in Seattle,
as seen in my 2009 photo.
"The whole purpose of places like Starbucks is for people with no decision-making ability whatsoever to make six decisions just to buy one cup of coffee.  Short, tall, light, dark, caf, decaf, low-fat, non-fat, etc.  So people who don't know what the hell they're doing or who on earth they are can, for only $2.95, get not just a cup of coffee but an absolutely defining sense of self: Tall. Decaf. Cappuccino."

Perhaps, like Fox Books in the movie, Starbucks has tried hard ~ maybe too hard ~ to promote a sense of self. What they seemingly have created is a pseudo sense of friendliness and hip atmosphere in their stores and cafés, both in America and globally, in countries which they have penetrated the coffee marketplace. Sometimes, it's truly embraced, like I saw last month in Amsterdam on the bustling Leidsestraat near our hotel. There, the number of customers hanging out inside this colorful and particularly busy café, enjoying their cappuccinos in mugs while checking e-mail on their iPhones, far outnumbered those like me, who got their mocha in a to-go cup. To each his own, but I was in a walking mood, with things to see and places to go ~ and, it was lovely spring morning.

Enjoying a cappuccino with my
Saturday morning breakfast at 
Bagels & Beans in Amsterdam.
Thank goodness, during my recent travels in Europe, I discovered a world of coffee beyond Starbucks.  I saw this world in both Brussels and Paris ~ even in Amsterdam, too ~ and, over the course of 12 days, I tasted some very wonderful cappuccinos and mochas as they were meant to be enjoyed: in true café settings, and crafted by baristas, who took their time and turned coffee-making into an art form.  And, it was a delight to observe people unhurried, taking their time sipping and savoring their coffee. It added up to a most delicious and enjoyable experience.

All photographs by Michael Dickens. Copyright 2009, 2012. All rights reserved.