In 'Film Stars Don't Die in Liverpool,' a femme fatale's passion and lust for her young lover are tested to the limits

Annette Benning (L) and Jamie Bell
star in Film Stars Don't Die in Liverpool.

On Sunday morning, I attended a sneak preview of Film Stars Don't Die in Liverpool, a 2017 British-American romantic drama from director Paul McGuigan that stars four-time Academy Award nominee Annette Bening and Jamie Bell, co-stars Julie Walters, and includes a lovely cameo appearance by Vanessa Redgrave.

Film Stars Don't Die in Liverpool, which enjoyed its world premiere at the Telluride Film Festival in September, arrives in theaters later this month at a very busy time of the year. Hopefully, it won't get lost in the shuffle of year-end blockbusters and Oscar contenders because it's worth our time and attention.

Based on a memoir of the same name by Peter Turner, the film follows a playful but passionate relationship between Turner (played by Jamie Bell of Billy Elliott fame) and the vibrant but eccentric Academy Award-winning actress Gloria Grahame (portrayed by 59-year-old Annette Bening, who I learned had been waiting 20 years to be age-appropriate to play the legendary Hollywood femme fatale). The film is set in late 1970s Liverpool, England. The glamorous Grahame had been a big name in 1940s film noir, but was not so famous in color. As we see during the 106-minute Sony Pictures Classics film, what starts as a vibrant affair between the actress Grahame and her young lover Turner quickly grows into a deeper, complicated – and at times salacious – relationship that is tested to the limits by events beyond their control.

"When Gloria was a young actress, there were many more 'good girls' and 'bad girls' and 'good mothers' and 'bad mothers,' and those stereotypes that were rampant in all storytelling about women," Bening said in a recent interview with Women's Wear Daily. "And I think now there's a lot of change going on and the reality of women's lives is getting voiced. And the reality of the complexity of things: somethings you've got it together, and sometimes you don't."

In the same interview, producer Barbara Broccoli added: "What's important to (Bening) in this role is that there is no veneer. She is completely real: she wanted to play a real woman, a complex woman, a woman of her age in this time of life, where she is reflecting on her life and her career and her relationships, and she's with a younger man and has this disease – it's very, very complex. And I think Annette's performance is so extraordinary because she has no vanity – she's just wanting to play it with as much truthfulness as possible."

Meanwhile, the English musician/songwriter Elvis Costello, a big fan of Gloria Grahame, contributed an original song, "You Shouldn't Look At Me That Way," composed specifically for the film. "'You Shouldn't Look At Me That Way' is a song dealing with two people who have a lot of secrets," says Costello. "They were in a relationship and perhaps had difficulty seeing each other as they really were. All lovers have secrets. One lover has some vanity but also a lot of vulnerability. The title really came from that. It could refer to a seductive gaze but also a plea not to be judged."

Film Stars Don't Die in Liverpool will be released in the U.S. on December 29. It is rated R for brief nudity.

A New Orleans diary: Why food matters in the Big Easy

Domilise's / Nothing fancy or elaborate.
Just one of the best meals in the Big Easy.

New Orleans takes its food seriously – gumbo, red beans and rice, and beignets come to mind – and it's been said that you can't come to the Big Easy and not eat a po-boy sandwich. So, why not try the best – even if it's made to order in a hard-to-find location up river from the French Quarter, where parking is difficult at best and getting a table (there are only five) or a seat at the bar (there's about 10 of them) is a matter of good timing. Yet, despite all of these obstacles, the locals swear by this hole in the wall kind of place.

Domilise's Po-Boy and Bar consists of a single-room bar
and dining area with five tables and about 10 bar seats.

Such it was on a recent Friday afternoon while visiting New Orleans that my wife and I dropped in at Domilise's Po-Boy and Bar, tucked away at 5240 Annunciation Street (corner Bellecastle), and treated ourselves to a po-boy sandwich for lunch. We had an hour to kill before we had to be on the highway headed west toward Lafayette in the Acadiana region of Louisiana to attend our nephew's wedding celebration.

We first visited Domilise's back in 2001 – pre Hurricane Katrina – and it was an enjoyable experience. So it was on our next visit to New Orleans earlier this month, we knew we wanted to revisit Domilise's.

Domilise's Po-Boy and Bar is an Uptown New Orleans restaurant known for its po-boy sandwiches. For the uninitiated, a po-boy is a traditional Louisiana sandwich served on baguette-like New Orleans French bread that's known for its fluffy center and crispy crust. The restaurant was founded in the 1930s by the Domilise family, who I learned lived in the house above the single-room bar/dining area. It was run by Sam and Dorothy "Miss Dot" Domilise for more than 75 years until her death in 2013. Although it was closed during Hurricane Katrina, since reopening Domilise's has been more popular than ever – acclaimed by many, including CNN's Anderson Cooper as well as Anthony Bourdain, who once filmed a spot on location for his Travel Channel program No Reservations.

My Domilise's meal /
A delicious ham and Swiss po-boy,
Zapp's New Orleans kettle-style chips,
Barq's root beer.

During our recent visit, my po-boy of choice a ham and Swiss cheese dressed with spicy Cajun mustard, shredded lettuce and pickles while my wife opted for a turkey dressed all the way. Both were made with love by the sweet ladies who manned the kitchen. The reasonably priced menu is full of excellent choices, including shrimp, oyster, catfish, roast beef and sausage, and come in two sizes: small and large. The small was plenty large for my appetite. Along with my fabulous po-boy, I complemented my "meal" with a bag of Zapp's New Orleans kettle-style potato chips and a bottle of Barq's root beer.

We sat at the bar sipping on our sodas and munching our chips – and soaking up the vibrant atmosphere – while our po-boys were being prepared with TLC, waiting for a table to open up. By the time our order was called, a table materialized by the back entrance. Nothing fancy, but plenty of space to spread out and enjoy our delicious – albeit sometimes messy – po-boys. Looking around as we ate, I couldn't help but notice we were likely the only tourists mixed among a crowded room full of white- and blue-collar locals who swear by this place for a great meal.

Domilise's Po-Boy & Bar /
Uptown at the corner of Annunciation and Bellecastle.

As Tom Piazza points out in his insightful 2006 book Why New Orleans Matters, "the real neighborhood places, tucked away usually in some unlikely corner of a residential street, animate the day-to-day grass roots culinary life of the city. There is nothing fancy or elaborate about these places to say the least, but also nothing humdrum or mass-produced, or even lackluster ... It is a point of honor to make food that tastes good – I don't think a New Orleanian would even understand the concept of turning out blah food so you could just eat and run.

"You can go into the most unassuming place – say, Domilise's, a sandwich shop with a hand-lettered sign in a very modest corner house a block from the river in a residential uptown neighborhood – and get a meal that you will remember for the rest of your days. Or at least for the rest of the day."

Indeed, you see food is a part of the rhythm and life of New Orleans, and it doesn't get much better than this. There's a reason that Domilise's is one of the best at what they do.

Photos: Cover photo courtesy of Google Images. All other photos by Michael Dickens © 2017.

Where do you want to live? A simple question, but ...

For the second consecutive year, Tokyo was selected No. 1 in Monocle's
Quality of Life survey.

It's no secret that the best cities in the world are ones which are vibrant and offer the best quality of life for their residents. The best city environments are those which are tolerant and open-minded, celebrate diversity, have great universities and welcome creativity.

Having quality independent bookshops, green spaces and clean streets as well as efficient transportation systems are big pluses, too.

Back in summer 2007 when Monocle was still just a few months old, the London-based monthly briefing that's become a "must-read" – and a favorite of mine – through its focus on global affairs, business, culture and design, launched its inaugural "Quality of Life" survey, naming the best global cities to call home. Munich was the first No. 1. This year, it's Tokyo reigning at the top for the second consecutive year in the 10th year that Monocle has conducted its "Quality of Life" survey. It's both a source of pride for the cities who make the top 25 list – like receiving a prestigious Michelin star – and every year seems to unearth a surprise or two or three.

Monocle: A briefing on Global Affairs,
Business, Culture & Design.

Over the years, Monocle has added new metrics that take into account both intangibles and infrastructure – from nightlight to pet-friendly parks – which have led to some dramatic changes and brought about a new world order.

"We add to the metrics each year and this time we've measured cities' nocturnal qualities too, from closing times to the places that still serve a good meal after 22.00," wrote Monocle executive editor Steve Bloomfield in a preface to this year's "Quality of Life" survey. "Despite these new metrics, when looking back over the previous surveys it's striking to see how the fundamentals of what makes a livable city have remained the same.

"Among the metrics we still count the number of murders and break-ins, and the average response times of emergency services – because if your city isn't safe it doesn't matter how many art galleries there are. We still grade cities on their transport network too, from infrastructure to cost. Cities that encourage cycling and make it cheap and easy to use public transport continue to score well. So too do those that make it easy to get away; the best cities are connected to the rest of the world. And we still judge our cities on their food, drink and retail – the quality, not just the quantity. Those with a high number of independent bookshops prosper; those with a high number of Starbucks less so."

Bloomfield concludes: "The most livable cities are safe, affordable and exciting. And that will probably still be the case in another decade's time."

While London, Paris and Rome remain three of the biggest tourist destinations in the world, their popularity doesn't necessarily translate into great places to live. Hint: none of the Big three made Monocle's top 25 cities list.

Here are Monocle's top 25 cities in this year's "Quality of Life" survey:

•  1. Tokyo, Japan
•  2. Berlin, Germany
•  3. Vienna, Austria
•  4. Copenhagen, Denmark
•  5. Munich, Germany
•  6. Melbourne, Australia
•  7. Fukuoka, Japan
•  8. Sydney, Australia
•  9. Kyoto, Japan
•10. Stockholm, Sweden
•11. Vancouver, B.C. (Canada)
•12. Helsinki, Finland
•13. Zürich, Switzerland
•14. Madrid, Spain
•15. Hamburg, Germany
•16. Lisbon, Portugal
•17. Düsseldorf, Germany
•18. Hong Kong
•19. Barcelona, Spain
•20. Singapore
•21. Amsterdam, Netherlands
•22. Auckland, New Zealand
•23. Honolulu, Hawaii (USA)
•24. Portland, Oregon (USA)
•25. Montréal, Quebec (Canada)

Of the 25 cities, I have experienced seven of them: Copenhagen, Vancouver, Helsinki, Amsterdam, Honolulu, Portland and Montréal. I've been a return visitor to Vancouver, Amsterdam and Portland numerous times and there's much to enjoy in each of these cities. Vancouver was a welcoming host for both the 2010 Olympic Winter Games and the 2015 Women's World Cup football championships and I'm glad to have experienced both events as well as both winter and summer weather in Vancouver.

In justifying Tokyo's No. 1 ranking, Monocle wrote: "... the city's round-the-clock economy is a key feature that makes it one of the most attractive places to live and visit. With a conveniently located international airport open 24 hours a day, bookshops that open at 07.00 and close at 04.00, and restaurants and shops that never close, Tokyo recognizes the pull of being open all hours."

Quality of Life: Naming the best places to call home

No. 1 Tokyo / Provides great quality of life for those who live and visit.

"What makes the good life and where can we find it?" asks Monocle, the global affairs and culture magazine that's published in London. While great cities adapt and change like their residents, it's worth asking: How do we create cities that deliver quality of life for everyone?

Stanley Park / Vancouver, B.C. 

It's no secret that the best cities in the world are ones which are vibrant and offer the best quality of life for their residents. The best city environments are those which are tolerant and open-minded, celebrate diversity, have great universities and welcome creativity. Having quality independent bookshops, green spaces and clean streets as well as efficient transportation systems are big pluses, too.

In summer 2007 when the magazine was still just a few months old, Monocle launched its inaugural Quality of Life list, naming the best global cities to call home. Munich was the first No. 1. Over the years, its added new metrics that take into account both intangibles and infrastructure which have led to some dramatic changes and brought about a new world order. While London, Paris and Rome remain three of the biggest tourist destinations in the world, their popularity doesn't necessarily translate into great places to live.

Place de la Concorde / Paris

"Now we know we are not the only people to draw up a ranking of great metropolises but ours is different," writes Monocle editor Andrew Tuck, in the preface to this year's Quality of Life list. "For a start we ensure that we are not just looking at data about the quality of education or the cleanliness of the streets but also the softer elements that inspire you to make a city your base: cinemas, bars, opening hours. And while much of our survey is pretty data-driven we are happy to say that a good amount comes from the views of our correspondents and editors. And it is also tilted to our readers' needs; we know, for example, that while that Alpine city is cute it's also woefully disconnected and lacks even a modest airport -- so it's not in the running for us."

This year, Monocle also took into account another annoyance: "cities where the cost of living prohibits old bookshops from staying in business or young entrepreneurs finding a start-up space." I guess that's why San Francisco didn't make the Top 25 and Portland, Oregon did.

So, when the ninth annual Quality of Life list was published in Monocle's July/August issue, a new number one emerged for 2015 -- say hello to world No. 1 Tokyo.

On Tokyo, Monocle wrote: "A new and worthy winner. Monocle has made little secret of its love for Tokyo through the years and it does something no other global city can: provides great quality of life for those who live and visit. London and New York, take note.

"Tokyo has appealed to many outsiders and for many different reasons: its cleanliness, tolerance, politeness and difference, as well as its sheer scale, which has always allowed foreigners to bathe in comfortable anonymity. ... It was recently identified as the world's safest city, a stereotype that residents can happily attest to. ... At the heart of this unexpected sense of security is Tokyo's defining paradox: its heart-stopping size and concurrent feeling of peace and quiet."

Powell's City of Books / Portland, Oregon

Monocle asked its contributors, which included architects, chefs, writers and directors, to consider what draws them to their favorite cities and what quality of life means to them.

"Quality of life is ... simple pleasures," wrote Mari Shapiro, founding director of Protocinema, which creates contemporary-art exhibitions. "What makes life good is simultaneously a very simple and complicated question. It is about being in a city that allows you to do or have what makes you happy. Ultimately, this issue often comes down to class and economy and the cities with the best quality of life are those in which the basic pleasures -- to be safe, to have the time to enjoy food, to be engaged with culture, with friends and family -- are available to people of any means. At the top of my list is Istanbul: a strong cay or a grilled fish for a few lira by the Bosphorus is available to anyone."

Bloemenmarkt / Amsterdam 

One thing Monocle hopes, as in previous years, is that the Quality of Life list provokes a stimulating and lively debate.

At the very least, for me, it's always interesting to pour over the list and see how many of the cities I've visited in person -- six (Vancouver, Helsinki, Copenhagen, Paris, Amsterdam and Portland).


Here is Monocle's 2015 Quality of Life ranking of the top 25 cities in the world:

• 1. Tokyo
• 2. Vienna
• 3. Berlin
• 4. Melbourne
• 5. Sydney
• 6. Stockholm
• 7. Vancouver
• 8. Helsinki
• 9. Munich
• 10. (tie) Zürich and Copenhagen
• 12. Fukuoka
• 13. Singapore
• 14. Kyoto
• 15. Paris
• 16. Madrid
• 17. Auckland
• 18. Lisbon
• 19. Hong Kong
• 20. Amsterdam
• 21. Hamburg
• 22. Geneva
• 23. Oslo
• 24. Barcelona
• 25. Portland

To watch a film on the Monocle Quality of Life Survey 2015:
http://monocle.com/film/affairs/the-monocle-quality-of-life-survey-2015/

Photographs: Tokyo - Google Images; Amsterdam, Paris, Portland, and Vancouver by Michael Dickens © 2012 and 2015.

Bruce Hornsby: Broadening his full range by exploring many winding roads on a wonderful music journey

Bruce Hornsby /Deftly swinging a tune from one style to another
without ever missing an internal beat.

Bruce Hornsby is an American singer and keyboardist who draws from a variety of musical traditions, among them rock, jazz, classical, bluegrass, hymns and folk, that shape his songwriting talent. The Virginia-born composer has explored songs with Southern themes about race, religion, judgement and tolerance -- even penning a song "Sneaking Up on Boo Radley," that's a reference to a character from Harper Lee's Pulitzer Prize-winning novel To Kill a Mockingbird. 

An avid basketball fan, Hornsby is just as comfortable blending and re-working the melodies of legendary jam band Grateful Dead, whom he will sit in as a guest keyboardist during their 50th anniversary farewell concerts this summer, as he is paying homage to bluegrass legend Bill Monroe. In addition to collaborating with the Grateful Dead, Hornsby's creative interest has also sparked working with Rickie Lee Jones, Ornette Coleman, Bela Fleck, Ricky Skaggs and Pat Metheny on various projects over the years as well as on his own in a career that has spanned two and one-half decades.

The spontaneity and creativity of Hornsby's live performances are loose and playful, and he welcomes requests from his audiences, which are collected before the start of each show and sit visible across the top of his Steinway & Sons grand piano.

Bruce Hornsby / Exploring and improving.impr

The 60-year-old Hornsby's solo performances, such as the one I attended last week in Zellerbach Hall at the University of California, Berkeley, offer him a limitless opportunity to challenge himself: through reworking originals, segueing songs into other songs, and blurring the lines of classical compositions and jazz standards.

Performing solo, as he did for two hours on a recent Wednesday evening in Berkeley, has allowed him to "recommit (himself) to the study of piano" and "take (his) piano playing to a whole new level."

"My standard line," Hornsby says of his solo concerts, "is: I'm not the vehicle for your nostalgic night out. But I will be kind."

These explorations and improvisations culminated in Hornsby's first entirely live solo piano album, entitled Solo Concerts, released in August 2014, which was given out to all ticket holders the night I saw him perform in Berkeley.

The 21 tracks which comprise the album were culled from solo concerts performed by Hornsby throughout the U.S. in 2012 and 2013. They bring together "disparate information from musical languages often thought to be opposed: Americana roots music, folk-pop, film scores and modern classical, what Hornsby calls an 'unholy alliance.'"

There are solo renditions of recognizable Hornsby chestnuts ("Mandolin Rain" and "The Valley Road") as well as boogie-woogie ("Preacher in the Ring"), a Spike Lee film score ("Song E {Hymn in E-Flat}") and modern classical with the "dissonance and expressive chromatics" of 20th century 12-tone experimental composers such as Austrians Arnold Schoenberg and Anton Webern, as well as the American modernist Elliot Carter, Hungarian György Ligeti and Frenchman Olivier Messaien.

"There's often a bias in the rock or pop world against virtuosity," said Hornsby, in the program notes for his Cal Performances concert in Berkeley. "I understand that mindset: expression over virtuosity. But my feeling is, why not both?"

After all, it's not clinical, what Hornsby does as well and as enjoyable as anyone. His two-handed independence at the keyboard is really vibrant and emotional. It's what he calls the pursuit of the unattainable. And, yet, his solo concerts turn his audiences into adventurous music listeners.

That's the way it is.

Photos: Courtesy of Google images and © Kirk Stauffer Photography.