Baseball Americana: celebrating history, community

Baseball Americana at the Library of Congress

Baseball in 1879

Americans, I learned, during a recent visit to see the "Baseball Americana" exhibit at the Library of Congress in Washington, D.C., had been playing baseball for a long time before they agreed upon the rules of the game – or even settled on how to spell it. Baseball, it seemed, was known by some as "town ball" or, more generically, as "round ball." Yet, no matter what form, the sport which has given us Babe Ruth, Ted Williams, Hank Aaron and Mickey Mantle, among so many stars – and broken the color barrier with Jackie Robinson – has endured. But it hasn't stayed the same in anyone's lifetime. One need only look at the use of the designated hitter in the American League since the 1970s.

"Baseball Americana" is a colorful and important showcase of pieces of baseball history curated by the Library of Congress with the help of Major League Baseball, ESPN, and the National Baseball Hall of Fame and Museum, that cannot be found anywhere else – but it's not meant to be a comprehensive history of baseball. Instead, as viewers to the exhibit will see, "Baseball Americana" is a celebration of baseball as community as well as an exploration of the sport's "gritty roots" and its "changing traditions." It's also about the game of baseball as we know it today.

The  American essayist and culture critic Gerald Early once said, "I think there are only three things America will be known for 2,000 years from now ... the Constitution, jazz music, and baseball."

Magna Carta of Baseball

Visitors are given a chance to consider baseball, both in its past and present forms, as it relates to the players and teams and to the communities that it creates. We learn how each of these groups has contributed to the fabric of baseball – its customs and traditions – and how they thrive, evolve or eventually fade into memory.

Front and center, the Magna Carta of Baseball shows the handwritten "laws" of the game. They are the founding documents for the modern version of baseball, going back to 1856, before the Civil War. The evolution of baseball equipment – bats, balls and gloves – are explored. The role that Jackie Robinson and Branch Rickey played in integrating the Major Leagues is discussed in great detail. There are also plenty of vintage black and white photographs, colorful posters, scouting reports and scorecards – even bobble-heads. Also, there are interactive areas that allow visitors to touch and feel bats and balls and gloves, create their own baseball cards, and test their baseball knowledge and IQ.

Free agency and player rights are addressed. The Negro Legues and the role of women's baseball are featured, too. And, the comedy of baseball as seen on TV (Cheers) and in film (Bull Durham) is not to be missed.

Willie Mays ca. 1965

My favorite part of "Baseball Americana" was hearing the "voices of the game" – Mel Allen, Vin Scully, Russ Hodges, to name a few – create colorful word pictures of some of the great moments of our National Pastime, including the final out of Don Larsen's 1956 World Series perfect game, Hank Aaron's record-breaking 714th home run from 1974, and Bobby Thomson's 1951 "shot heard 'round the world." And, nothing beats watching the greats of the game, including Willie Mays, Bob Gibson and Barry Bonds – in black and white and in color – come alive on the video screens.

The late commissioner of baseball, Bart Giamatti, once said, "Baseball breaks your heart. It's designed to break your heart." How else do you explain what the long-time suffering Chicago Cubs fans endured before they finally won a World Series in 2016 after not winning one in the past 118 years?

Time and again, baseball brings us together to watch or play the game – and to discuss it, analyze it, debate it. Heck, it's even spawned an entire cable network devoted to our National Pastime. From visiting "Baseball Americana," which opened on June 29 and continues through next June, I came away with a renewed appreciation of the way the history of baseball illuminates the history of our nation and the role baseball plays in providing us with a shared sense of belonging.

Cover Photo: By Michael Dickens © 2018.
Note: A digital version of "Baseball Americana," can be seen at www.loc. 

There's no better place in the world to make a comeback

Wimbledon Centre Court /
The thrill of victory 
on the most famous rectangle in tennis.

One year ago, Novak Djokovic left Wimbledon injured and uncertain of his future. On Sunday, the Serbian left the All England Club as the 2018 Wimbledon gentlemen's singles champion for the fourth time. As a further reward, he even got to share a dance with this year's ladies' singles champion, Angelique Kerber, at Sunday night's Champions' Dinner.

While the past couple of years have seen some dark, barren times for the 13-time Grand Slam champion, his 6-2, 6-2, 7-6 (3) win over 32-year-old Kevin Anderson of South Africa in this year's Wimbledon final proved without a doubt that Djokovic is back – and, now, he's the newly ranked No. 10 player in the world.

Meanwhile, Anderson's memorable fortnight, which included a five-set victory over No. 1 seed Roger Federer in the quarterfinals that propelled him toward reaching his second Grand Slam final in less than a year, lifted him to No. 5 in the latest ATP rankings.

"Even though today is not the result I was looking for, I think in the next few days, just seeing my new career-high ranking is going to mean a lot to me," said Anderson during the trophy presentation following Sunday's final. "Looking back at some of the matches, especially my quarterfinal and semifinal match, it will really set, in what I've accomplished. I can be happy with that and use it for continued motivation."

At No. 21, Djokovic became the lowest-ranked male to win Wimbledon since Goran Ivanisevic won in 2001 while ranked No. 125.

Novak Djokovic celebrates his Wimbledon 
victory by waving to his family.

While the 12th-seeded Djokovic's victory, which came a day after his epic five-set semifinal win over World No. 1 Rafael Nadal, lifted him back into the Top 10, it's worth asking: just how good was Djokovic during this Wimbledon fortnight? Does this put him in the right frame of mind with the United States Open just a few weeks away? Can Djokovic win any more majors?

Tackling these pressing  questions one at a time, Djokovic remains the best returner in men's tennis, bar none, and it made a big difference against the 6-foot-8 Anderson, who was hobbled by mental and physical fatigue brought on from his six plus-hour marathon semifinal on Friday against John Isner, in which the fifth set alone was stretched to 50 games (26-24 in favor of Anderson) and lasted nearly three hours alone. Understandably, the personable giant, who is one of the nicest and most polite professionals on tour, had little left for the final. Indeed, by winning Wimbledon, it gives Djokovic a big psychological boost heading into the North America hard court season leading up to the United States Open, which begins the final week of August. And yes, if Federer can still win Grand Slams at age 36, there's  no reason that Djokovic can't win a few more, too – he's just 31.

The past couple of years have seen a decline in Djokovic's desire – not to mention turmoil among his coaching team – coupled with a serious injury to his right elbow that required surgery following this year's Australian Open. On Sunday, it was great to see the champion, nicknamed "Nole," back on Centre Court playing in a Grand Slam final, reunited with his longtime coach Marian Vajda who sat perched in the players' box just above Centre Court. Djokovic played solid-if-not-patient tennis throughout much of the two hour and 19 minute match. He won 76 percent (52 of 68) of his first-serve points, hit 20 winners against 13 unforced errors and broke his opponent four times in four tries. Although Anderson finished with 10 service aces and hit 26 winners, he committed 32 unforced errors and was zero-for-seven in break-point conversions. Djokovic outpointed Anderson 100-74.

On match point, with Djokovic serving at 6-3 in the third set tie-break, he forced Anderson into netting a forehand return. The final was over. After meeting Anderson at the net to shake hands and exchange pleasantries, Djokovic lifted his arms in triumph – much to the delight of the cheering crowd. Soon after, the new champion knelt down to nibble a few blades of grass in celebration – giving a literal interpretation to tasting victory.

Three-year-old Stefan Djokovic, secure in the
arms of his mother, Novak Djokovic's wife
Jelena, during the trophy ceremony.

Shortly after the ancient silver gilt cup that is awarded to the winner was solidly in Novak's hands, the BBC's cameras quickly cut to Djokovic's box where the charming sight of his three-year-old son, Stefan, secure in the arms of his mother, Djokovic's wife Jelena, applauded his papa's accomplishment.

"It feels amazing – the first time in my life I have someone screaming 'Daddy! Daddy!'," said Djokovic, beaming a smile during his on-court interview with the BBC's Sue Barker.

"I'm very emotional with him being there, and my wife and while team. I cherish this moment."

Polite and gracious, Djokovic continued: "I would like to congratulate Kevin. I was quite lucky to get through. I'm very grateful to everyone who has been supporting me. The last couple of years haven't been easy, facing for the first time a severe injury. I had many moments of doubt and didn't know if I could come back. But there's no better place in the world to make a comeback. I always dreamed of holding this trophy as a boy. This is a sacred place for tennis. It's very special."

Indeed, as Djokovic showed everyone on Sunday, there's no better place in the world than Centre Court at Wimbledon – the most famous rectangle in tennis – to make a comeback.

Photos: Courtesy of Google Images.

UNIQLO For the Win – New Apparel, Same Federer

Roger Federer/UNIQLO Global Brand Ambassador

When the eight-time Wimbledon champion and No. 1 seed Roger Federer walked out on Centre Court to christen the start of this year's Wimbledon Championship and begin his title defense on Monday afternoon, he wore a new brand, Tokyo-based UNIQLO - not Nike, his long-time apparel partner. The decades-long Federer-Nike era was over. It was a stunning sight to the start of this year's fortnight.

The 36-year-old Federer's nearly all-white attire – collarless shirt with a two-button front and a red pinstripe accent, shorts, bandana-style headband, socks and warm-up jacket – had the minimal and slim-cut red and white UNIQLO logo. His white shoes, which are custom made, were still Nike and bore the familiar swoosh logo. Federer's new UNIQLO kit bore the design of the Japanese brand's artistic director Christophe Lemaire.

Within minutes after the 20-time Grand Slam winner took Centre Court for his first-round match against 57th-ranked Dusan Lajovic of Serbia, UNIQLO UK tweeted:

"UNIQLO is honoured to welcome Roger Federer as our new Global Brand Ambassador!"

In a statement released by UNIQLO, Tadashi Yanai, UNIQLO's founder and chairman, said, "Mr. Federer is one of the greatest champions in history – my respect for him goes beyond sport.

"Our partnership will be about innovation on and off the court. We share a goal of making positive change in the world, and I hope together we can bring the highest quality of life to the greatest number of people. UNIQLO will help Mr. Federer continue taking tennis to new places while exploring innovations in a number of areas including technology and design with him."

Federer said, "I am deeply committed to tennis and to winning championships. But like UNIQLO, I also have great love for life, culture and humanity. We share a strong passion to have a positive impact on the world around us and look forward to combining our creative endeavors."

Soon after the announcement, Sports Illustrated executive editor and senior writer Jon Wertheim tweeted:

Roger Federer debuts his new Uniqlo kit
at Wimbledon on Monday.

"Uniqlo for the win. #Wimbledon"

Wertheim added, "As we see a global athlete wearing Uniqlo, a reminder: Tokyo will host the 2020 Olympics. $30 million per year, sources tell us. Do they get into performance footwear now?"

According to Darren Rovell of ESPN.com, the deal "is worth more than $300 million guaranteed over 10 years and has an unprecedented clause that says that Federer will still collect the money even if he doesn't play." He can also sell patches on his shirt, which he couldn't do with Nike.

When you take a look at Federer's $300 million UNIQLO deal, consider this: his career on-court earnings over the past two decades are a mere $116.6 million.

Federer's deal with Nike expired on March 1. He continued to wear Nike without a deal during recent grass-court tournaments in Stuttgart and Halle, Germany, last month. He appeared for his Wimbledon pre-tournament press conference on Sunday wearing an open-collar dress shirt and sports jacket. By all appearances, Federer looked like he was dressed up for a dinner out the Wimbledon village with his family and team instead of coming in from the practice courts.

Christopher Clarey, tennis columnist for The New York Times, said in a tweet that "Federer's Nike deal is done but have been told by industry sources that the RF logo will revert to Federer at some stage in the next few years. Am told they do not own the rights to it in perpetuity so it may well rise again."

As it happened, Federer beat Lajovic in the opening round, 6-1, 6-3, 6-4, in a tidy 1 hour and 19 minutes, then returned on Wednesday afternoon to Centre Court and beat 94th-ranked Lukas Lacko of Slovakia in straight sets, 6-4, 6-4, 6-1. He is undefeated wearing UNIQLO and has now won 26 consecutive sets at Wimbledon. Although it might take a few matches to get used to seeing Federer in UNIQLO instead of Nike, I think the change is a good one for the Swiss maestro. He's playing inspired, efficient tennis and – still – is the player to beat at Wimbledon this year.

"We're going to have to get adjusted to not seeing the Nike swoosh," said Hall of Famer Jim Courier, who analyzed Federer's opening-day match for Tennis Channel. "It's like Superman without the 'S'. We'll see if it has any impact on him. I doubt it."

While Federer's fashion choices will be debated by the media and his legion of worldwide fans, one thing's certain: the new UNIQLO grand brand ambassador still looks fabulous in white. His new adornments highlight his graceful movement and masterful strokes – and, as Federer has shown so far, he still knows how to play superb tennis.

Photos: Courtesy of Uniqlo Twitter feed and Google images.