On food: Chef José Andrés knows the importance of talking to his ingredients; they will always tell him a story

Following an evening of enjoyable shopping at the Holiday Market one recent Friday, we happened upon the very lively and fascinating China Chilcano (418 7th Street NW), one of José Andrés’ signature Washington, D.C., restaurants that defines the culinary spectrum of Peru.

“Food is about making an interaction with ingredients,” says Andrés, the celebrity chef and restauranteur – and Nobel Peace Prize nominee – who is a national hero in a city full of political enemies. “If you talk to them, they will always tell you a story.”

What a brilliant story chef Andrés shares night after night. He’s engaging his diners to indulge in a wide range of culinary delights that juxtaposes traditional Peruvian cuisine with Chinese Chifa and Japanese Nikkei – and I’m happy to say that it works. It’s an exciting journey. If you’re lucky, like my wife and I were on the night we dined at China Chilcano, you might even have a chance to say “hi” to chef Andrés and thank him yourself for a wonderful meal.

Why Peru, China and Japan together? According to the menu, the story goes like this: “In the late 19th century, Chinese and Japanese settlers traveled to Peru and made it their home, bringing with them time-honored cooking traditions that sparked the beginning of the rich, multicultural offering that is Peruvian cuisine.”

Our menu selections, which included Chifles Chiferos con Salsa (crispy plantain and taro root chips served with a sweet potato-rocoto sauce and Chinese five spice), Chupe de Camarón (Pacific wild shrimp soup with fresh cheese, chocolate, rice, potato and poached egg), and Chicharrón (a fried pork belly with sweet potato, salsa criollo, and hot sauce sandwich), were bold and flavorful – and all simply superb. We saved room for dessert and ordered the Ponderaciones de Kiwicha (a crispy fried spiral cookie, Fortunato No. 4 chocolate cream, banana, and Algarrobina ice cream). I learned that the Fortunato No. 4 chocolate is made from Pure Nacional Cacao. The name honors the Peruvian farmer, Fortunato, and the mother tree of the rare Pure Nacional Cacao trees that grow in his Marañón Canyon farm.

Recently, chef Andrés and World Central Kitchen, his non-profit organization, have established themselves as a reliable source for feeding the hungry. In the past year, they’ve been to a number of different natural disaster areas such as Houston, Florida, and California as well as to Guatemala and Puerto Rico to provide food and emergency relief. More recently, they’ve fed the hungry and contributed humanitarian relief along the Mexican border town of Tijuana in response to the Trump administration’s hard-line stance on immigration.

In a recent interview with the Washington Post, chef Andrés said showing up in Tijuana was the right thing to do. “In the end, it’s very simple. Our motto comes from John Steinbeck’s ‘The Grapes of Wrath,’” he said. Then, quoting from the author’s Depression-era novel, “Wherever there’s a fight so hungry people may eat, I will be there.”

A Spanish native who became a naturalized U.S. citizen five years ago, chef Andrés continued: “If you are a person of faith, you will argue this is the right thing to do. If you are a person of love and compassion, this is the right thing to do. If you are a person that believes that pain in the world should go away, this is the right thing to do.”

Earlier this year, chef Andrés, who has become the face of American natural disaster relief, co-wrote a book, ‘We Fed an Island,’ with veteran British journalist Richard Wolffe, following the Hurricane Maria disaster that struck Puerto Rico. It served as a manifesto that asks governments and nonprofit groups to rethink the way in which they feed people after a natural disaster has struck.

If chef Andrés can feed just one person, he is happy. The bottom line according to him is simple: “We don’t need to be politicizing the suffering of others. What we need to be doing is having more compassion.”

Indeed, putting humanity forward is the right thing to do – especially during the holiday season.

Credits: Photo – Google images. Video – PBS NewsHour/YouTube.

Encore: Who lives, who dies, who gets to tell your story?

Creative genius / Lin-Manuel Miranda

It's been said that works of art have long informed how people understand the past, and Lin-Manuel Miranda's Hamilton, which I saw for the second time in the past year last weekend in New York City, is no exception.

As the creative genius of the Broadway smash-hit Hamilton, Miranda changed the way that people considered one of the Founding Fathers and the era he lived in. In doing so, it put Miranda in lofty territory, alongside how Shakespeare transformed Richard III, and how the author Leon Uris romanticized the founding of Israel in his novel Exodus.

In revisiting an essay I wrote about Miranda in March 2016, here's some things worth noting:

In creating Hamilton, Miranda relied on the core elements of hip-hop and R & B-inspired music as well as jazz, pop and Tin Pan Alley – plus a racially-diverse cast – to make history as relatable as possible. Soon after its 2015 debut, Hamilton became a certifiable Broadway box office hit – it remains one of the toughest, most-sought after tickets on Broadway – and the musical became centered around a story arc that relates Hamilton's life story, from his orphaned upbringing in the West Indies to his death in a duel at the hands of Aaron Burr.

"This is a story about America then, told by America now," Miranda, a native New Yorker of Puerto Rican heritage, once told The Atlantic, "and we want to eliminate any distance between a contemporary audience and this story."

In a September 29, 2015 essay for The Atlantic, Edward Delman wrote, "Hamilton, then, has the potential to strongly influence the way Americans think about the early republic. For one thing ... it understands Thomas Jefferson to be a deeply flawed individual. It presents an American history in which women and people of color share the spotlight with the founding fathers. The primarily black and Hispanic cast reminds audiences that American history is not just the history of white people, and frequent allusions to slavery serve as constant reminders that just as the revolutionaries were fighting for their freedom, slaves were held in bondage.

"Perhaps, the most significant lesson the show might teach audiences, and one that has particular relevance today, is the outsized role immigrants have played in the nation's history. Alexander Hamilton was an immigrant – a fact that Miranda repeatedly emphasizes throughout the show – and the musical also prominently features the Marquis de Lafayette, a French nobleman who played a crucial role during the revolutionary war."

It's pretty amazing to think back to the fascinating process which Miranda translated the history of the unlikely rise and untimely fall of the first U.S. Treasury Secretary, Alexander Hamilton, onto the stage. He drew upon the Ron Chernow biography of Hamilton for focus and inspiration. Then, flash back to May 12, 2009, when Miranda first performed "The Hamilton Mixtape" before an audience that included President Barack Obama and First Lady Michelle Obama at the White House Evening of Poetry, Music and the Spoken Word, accompanied by pianist Alex Lacamoire.

In looking back at a February 2015 feature about Hamilton, Rebecca Meade of The New Yorker wrote: "It does not seem accidental that Hamilton was created during the tenure of the first African-American President. The musical presents the birth of the nation in an unfamiliar but necessary light: not solely as the world of élite white men but as the foundational story of all Americans. Thomas Jefferson, James Madison, and George Washington are all played by African-Americans. Miranda also gives prominent roles to women, including Hamilton's wife Eliza Schuyler, and sister-in-law Angelica Schuyler. When they are joined by a third sister, their zigzagging harmonies sound rather like those of Destiny's Child.

"Miranda portrays the Founding Fathers not as exalted statesmen but as orphaned sons, reckless revolutionaries, and sometimes petty rivals, living at a moment of extreme volatility, opportunity, and risk. The achievements and the dangers of America's current moment – under the Presidency of a fatherless son of an immigrant, born in the country's island margins – are never far from view."

The Grammy Award-winning original cast recording, produced by The Roots' Questlove and Black Thought – has been a welcome companion of mine on my car stereo for several years – and I never really tire of its songs.

"I don't know how many really good ideas you get in a lifetime," Miranda once told The Hollywood Reporter, "but the idea of telling Hamilton as a hip-hop story was definitely one because you get to do everything: love and death and a war and duels and revenge and affairs and sex scandals."

One thing remains certain: Thanks to Miranda's genius, the Tony Award-winning Hamilton continues to have a positive influence in altering our perception of American history, and the role in which artists are helping shape historical narrative. And, Miranda knows that he can't stop being who he is just because more people are looking at him.

Photo credits: Lin-Manuel Miranda's Twitter feed and Google Images. Video/audio credit: YouTube.com.

Who lives, who dies, who gets to tell your story?

Lin-Manuel Miranda /
Writer, composer, star, genius of "Hamilton".

It's been said that works of art have long informed how people understand the past, and Lin-Manuel Miranda's Hamilton is no exception.

As the writer, composer, and star of the Broadway smash-hit Hamilton, Miranda is changing the way that people consider one of the Founding Fathers and the era he lived in. It puts him in lofty territory, alongside how Shakespeare transformed Richard III, and how the author Leon Uris romanticized the founding of Israel in his novel Exodus.

The recipient of a MacArthur "Genius" grant, the 36-year-old Miranda relies on the core elements of hip-hop and R & B-inspired music as well as jazz, pop and Tin Pan Alley – plus a racially-diverse cast – to make history as relatable as possible. Hamilton has become a certifiable Broadway box office hit – tickets are sold out into early 2017 – and the musical is centered around a story arc that related Hamilton's life story, from his orphaned upbringing in the West Indies to his death in a duel at the hands of Aaron Burr.

"This is a story about America then, told by America now," said Miranda, a native New Yorker, in an interview with The Atlantic, "and we want to eliminate any distance between a contemporary audience and this story."

The real Alexander Hamilton (L) and Lin-Manuel Miranda,
who portrays the First U.S. Treasury Secretary in "Hamilton".

"Hamilton, then, has the potential to strongly influence the way Americans think about the early republic. For one thing ... it understands Thomas Jefferson to be a deeply flawed individual. It presents an American history in which women and people of color share the spotlight with the founding fathers. The primarily black and Hispanic cast reminds audiences that American history is not just the history of white people, and frequent allusions to slavery serve as constant reminders that just as the revolutionaries were fighting for their freedom, slaves were held in bondage," wrote Edward Delman in a September 29, 2015 essay for The Atlantic. 

"Perhaps the most significant lesson the show might teach audiences, and one particular relevance today, is the outsized role immigrants have played in the nation's history. Alexander Hamilton was an immigrant – a fact that Miranda repeatedly emphasizes throughout the show – and the musical also prominently features the Marquis de Lafayette, a French nobleman who played a crucial role during the revolutionary war."

Lin-Manuel Miranda / The artist at work.

The process which Miranda translated the history of the unlikely rise and untimely fall of the first U.S. Treasury Secretary, Alexander Hamilton, onto the stage is a fascinating one. The origin of
Hamilton dates back to May 12, 2009, when Miranda performed "The Hamilton Mixtape" before an audience that included President Barack Obama and First Lady Michelle Obama at the White House Evening of Poetry, Music and the Spoken World, accompanied by pianist Alex Lacamoire.

Lin-Manuel Miranda (center) translated the history of the
unlikely rise and untimely fall of the first U.S. Treasury
Secretary, Alexander Hamilton, in "Hamilton". 

In a February 2015 feature about Hamilton, Rebecca Meade of The New Yorker wrote: "It does not seem accidental that Hamilton was created during the tenure of the first African-American President. The musical presents the birth of the nation in an unfamiliar but necessary light: not solely as a work of élite white men but as the foundational story of all Americans. Thomas Jefferson, James Madison, and George Washington are all played by African-Americans. Miranda also gives prominent roles to women, including Hamilton's wife, Eliza Schuyler (Phillipa Soo), and sister-in-law, Angelica Schuyler (Renée Elise Goldsberry). When they are joined by a third sister, their zigzagging harmonies sound rather like those of Destiny's Child. Miranda portrays the Founding Fathers not as exalted statesmen but as orphaned sons, reckless revolutionaries, and sometimes petty rivals, living at a moment of extreme volatility, opportunity, and risk. The achievements and the dangers of America's current moment – under the Presidency of a fatherless son of an immigrant, born in the country's island margins – are never far from view."

The original cast recording, produced by The Roots' Questlove and Black Thought – which has been a constant companion of mine in my car stereo the past couple of weeks – recently garnered a Grammy Award, and Hamilton most assuredly and deservedly will clean up at this summer's Tony Awards.

"I don't know how many really good ideas you get in a lifetime," Miranda recalled in a December 2015 interview with The Hollywood Reporter, "But the idea of telling Hamilton as a hip-hop story was definitely one because you get to do everything: love and death and a war and duels and revenge and affairs and sex scandals."

One thing's certain: thanks to Miranda's genius, Hamilton is having a positive influence in altering our perception of American history, and the role in which artists are helping shape the historical narrative.

Toy Story at Twenty: To infinity and beyond!

Toy Story / A great story with great characters.

With the release of The Good Dinosaur over Thanksgiving weekend, it's hard to believe that it's been 20 years since the debut of Toy Story, the memorable tale of a group of toys that come to life which was the first feature-length computer-animated film and the first theatrical film produced by Pixar.

At San Francisco International Airport, I recently happened upon SFO Museum's newest curated exhibition, "Toy Story at Twenty," which tells the story behind the story of this wonderful buddy-comedy adventure film through a variety of artifacts -- early sketches, toys and sculptures of the unforgettable characters Woody, a pull-string cowboy doll, and Buzz Lightyear, an astronaut figure -- as well as sharing backstories from many of the principals at Pixar such as director John Lasseter, producer Ralph Guggenheim, and story co-creator Andrew Stanton, who were involved in the production that forever changed the landscape of feature animation.

Toy Story / A buddy movie where the buddies are toys.

"It'll be a buddy movie: a banter-laden tale of a bitter alliance blossoming into a true friendship," said Toy Story director John Lasseter, as quoted in the exhibition. "It'll have a few unusual twists. First, the buddies will be toys. And second, it will be the first time an entire movie will have been created using computer animation."

According to Toy Story producer Ralph Guggenheim, "Nobody knew what skills we'd need when we started. It was a completely new series of combinations that had to add up to more than the sum of its parts." Added story supervisor Joe Ranft, "If the story isn't there, all the breakthrough computer graphics in the world piled onto it won't matter. You'll have made a piece of passing fashion."

Fortunately, the vivid, entertaining and moving story was there and it resonated with its audience. The iconic and timeless Toy Story had its theatrical debut on November 22, 1995, and went on to earn over $361 million worldwide.

Toy Story / An early sketch image of Woody.

The voices Woody and Buzz Lightyear are familiar ones belonging to actors Tom Hanks and Tim Allen.

"Getting a line reading from Tom Hanks is like getting this big, incredibly wet sponge," remembered animator Glenn McQueen. "It's overflowing with different possibilities for you to wring out." Meanwhile, as John Lasseter described it, "Casting Tim Allen to voice Buzz gave us that quality we wanted of a macho guy with a soft underbelly. Tim's perfect at doing an everyday guy."

Toy Story story co-creator Andrew Stanton said: "We never thought Woody and Buzz's repartee would hold the spotlight in and of itself. But once they were animated, suddenly the chemistry between them was the highlight of the movie."

Toy Story / A prototype of Buzz Lightyear.

The film received three Academy Award nominations, including Best Original Screenplay, Best Original Score, and Best Original Song for "You've Got a Friend in Me" written and performed by Randy Newman. It won a Special Achievement Academy Award.

"Randy (Newman) turned out to be a great help to us when we needed a lot of emotion told to the audience, and accepted by the audience in a short amount of time," said Andrew Stanton.

"'You've Got a Friend in Me' speaks volumes about the love between Andy and Woody, better than we ever could tell it in dialogue. The way you feel it at the end of the song, we would have needed two more sequences without a song to get that point across."

Peter Schneider, president of Walt Disney Feature Animation, summed it up best: "At the end of the day, it's not the technique that the audience cares about; it's a great story, a visual feast, and great characters. They want to be taken on an emotional journey they've never been on before."

"Toy Story at Twenty" opened last week and it's on continuous display daily through May 22, 2016, for free, pre-security, in the SFO International Terminal main hall departures lobby. It is accessible to all airport visitors, and I highly recommend it.

To infinity and beyond!

Images: Courtesy of Pixar and Toy Story at Twenty.

In remembrance of the day that forever changed our lives and our world

In remembrance of September 11, 2001, a day that forever changed our lives and our world, here's a simple thought to share with each of you:

"The living owe it those who can no longer speak to tell their story for them."

~ Czesław Miłosz (1911-2004), Polish poet, prose writer and translator of Lithuanian origin, and Nobel Laureate, who became an American citizen.

Photograph of white rose by Michael Dickens, taken on September 11, 2012. Copyright 2012. All rights reserved.