SFMOMA – Welcoming an old friend back to the City

Welcome back / The new-look SFMOMA has grown from five to 10 stories.

Last Thursday evening, my wife and I welcomed an old friend back to San Francisco. The San Francisco Museum of Modern ART (SFMOMA) reopened earlier this month after being closed for the past three years while undergoing a massive – and challenging – expansion project by Oslo and New York design firm Snøhetta. The new-look SFMOMA has grown from five to 10 stories. Dropping in on the newly transformed museum after work for a short visit before heading out for dinner and shopping, we delighted in seeing some favorite artworks and architectural features – including some of the gems from the Doris and Donald Fisher Collection, considered to be one of the world's greatest.

The largest living wall in the U.S. greets visitors to SFMOMA.

From first glimpse, there's much to like about the new look and space of SFMOMA, including new galleries, expanded exhibition space, better lighting, greater access, art-filled public spaces, six terraces and sculptural staircases, which offer unique views out to the city.

As visitors step outside onto the main terrace, they are greeted by a giant living wall designed by Habitat Horticulture. It is part art, part landscape and it's the nation's largest public green wall of native plants.

Constellation  (1949) / From Alexander Calder: Motion Lab

We delighted in seeing the Alexander Calder: Motion Lab, which highlights Calder's restless innovation in bringing actual movement into art. We viewed About Time: Photography in a Moment of Change, a thematic exhibition which investigates how photography has profoundly reflected, inflected and transformed our perception of time through its 180-year history. We also saw Model Behavior, Snøhetta's initial sketches and models for the expanded SFMOMA building, located in a challenging and prominent urban site on Third Street, just south of Market Street.

A swarm of chaotic energy /
Studying Antony Gormley's "Quantum Cloud VIII"

Finally, upon ascending to Floor 5, we admired British Sculptors, in which more than forty years of diverse sculpture by artists who were born or reside in Great Britain was displayed.

My favorite was Antony Gormley's "Quantum Cloud VIII," a 1999 steel sculpture that was acquired by the Fisher Family in 2000. According to the sculptor, "Quantum Cloud VIII conceives of the body as a swarm of chaotic energy. A human figure seems to alternately materialize from and disintegrate into the cloud of metal bars."

Created between 1999 and 2009, Gormley's Quantum Cloud series reflects on "how the subatomic particles and energy that make up our bodies are integrated with those that compose the universe around us."

Alexander Calder /
Big Crinkly (1969)

There is much to see and enjoy in the 170,000 square feet of exhibition space, and as members, we look forward to going back often to see some of the things we missed during our initial visit. Some of the current exhibits include:

• Paul Klee in Color, which includes paintings and watercolors by the Swiss-born modernist Paul Klee (1879-1940) that explore "his intuitive and theoretical approaches to color."

• German Art after 1960, which is an overview of leading German artists such as Gerhard Richter, Georg Baslitz, Anselm Kiefer, and Bernd and Hilla Becher.

• Typeface to Interface, which features graphic design from the Collection, "a trajectory of iconic type and the evolution of digital tools marking the rapid transformation of graphic design over the past sixty years."

San Francisco / A city that loves art and open spaces.

In its 81-year history, SFMOMA has established itself as a premier showcase for modern art – think Calder, Close, Kahlo, Kelly, Pollack and Warhol. One things certain: There's definitely a new a positive dedication to openness as the museum begins a new dialogue with San Francisco, a city that loves its art.

To read more about what art critics are saying about the new SFMOMA design:
http://www.dezeen.com/2016/05/18/critics-reaction-san-francisco-museum-modern-art-sfmoma-extension-snohetta-mario-botta/

Photos: All photos by Michael Dickens © 2016.

Yountville: Come for the food and wine, stay for the art

A New Spin / Napa Valley artist Freeland Tanner's 2014 sculpture is
comprised of Cedar and Redwood grape stakes and repurposed poplar wood.

The town of Yountville is quickly becoming synonymous with art as it is with food and wine. Look around and you'll see how the influences from vintner culture, wine industry, culinary and arts converge in this lovely destination situated along Highway 29 in the heart of California's Napa Valley, about 60 miles outside San Francisco.

Bouchon / One of Yountville's
 world-class dining experiences.

While French Laundry and Bouchon brought Michelin stars and accolades -- and helped transform Yountville into a world-class destination for food -- there's been a push to show a creative, artsy side in a very public and profound way thanks to the installation of outdoor sculptures. The output of artwork doting Yountville has been very inspiring and has helped turn this wine country town into an outdoor art gallery.

Balance by Sherry Tobin.

Locals or tourists who walk along Yountville's Washington Street, the town's main thoroughfare, will notice about three dozen pieces of outdoor sculpture. The town went on an art binge beginning about three years ago by installing sculptures by local artists and some internationally-known ones, too.

While some of the sculptures are subtle in their quality, most are quite colorful and grab one's attention. Each is a welcome sight and during a recent visit, I noticed, many were magnets for both serious photographers as well as tourists stopping to take selfies.

Trellis Way to the Sky
by Freeland Tanner.

Each sculpture is well signed with information such as title, artist and composition. And, best of all, each is for sale with a percentage of the sales benefitting the Yountville Arts Fund which helps provide continued support for arts related activities and events in Yountville.

As someone who has returned often to Yountville to enjoy its culinary aspects, at Bouchon as well as Ad Hoc and Redd Wood, I've seen the town evolve nicely over the past 20 years. Now, the outdoor sculptures have become an essential and enjoyable component of the Yountville experience just like the puff pastries and macarons at Bouchon Bakery.

Indeed, come for the food and wine, stay for the art.

All photographs by Michael Dickens © 2015.

A visual tour de force that says you're definitely in Berkeley

The Rotante Dal Foro Centrale / A visual tour de force

Look, how the floor of heaven
is thick inlaid with patines of bright gold;
There's not the smallest orb which thou behold'st
But in his motion like an angel sings ...
Such harmony is in immortal souls;
But, whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.

~ William Shakespeare, from The Merchant of Venice

The Rotante Dal Foro Centrale is a shining orb measuring six and one-half feet in diameter. It sits on a swatch of circular bricks surrounded by a bed of bright green grass amid a tall grove of California redwood trees. It's a head turner and an eye opener that's located just off bustling Oxford Street, along a busy pathway near the western entrance of the 178-acre University of California campus in Berkeley, across the bay from San Francisco.

Walking by the Rotante Dal Foro Centrale, as I did on a recent sunny Saturday afternoon, it garnered my attention. And, it grabbed the attention of many others, too: UC students, tourists, football fans heading across campus to Memorial Stadium and locals just up from downtown Berkeley, who snapped photographs standing next to the bronze sphere, peered through it, touched it and stared curiously at it. I suppose small children could crawl through it, though I wouldn't recommend it. Yet, it's opening is big enough to leave gifts or secret notes inside.

The Rotante Dal Foro Centrale is the creation of the Italian sculptor Arnaldo Pomodoro (b. 1926), who has sculpted variations of the "Sphere Within Sphere" that are located around the world, including at the United Nations Headquarters in New York; the Hirshhorn Museum and Sculpture Garden in Washington, D.C.; Tehran Museum of Contemporary Art, Iran; and Tel Aviv University, Israel.

While some have suggested that the Rotante Dal Foro Centrale resembles a huge eyeball gazing at us, one can't help wonder if the sculpture's design is meant to symbolize the September 11 attacks on America because of its explosive appearance.

On a campus filled with political and counterculture history, classic architecture and freestanding art that includes both modern abstracts and artistic gods and goddesses -- plus an assortment of bears reflecting the school mascot Oski -- leave it to a burnished metal ball with a large jagged hole to be a visual and conversational tour de force.

It's a campus landmark that definitely says you're in Berkeley.

Photograph of Rotante Dal Foro Centrale by Michael Dickens, copyright 2013.