Showing posts with label destiny. Show all posts
Showing posts with label destiny. Show all posts

Tuesday, December 11, 2018

On books: Jon Meacham’s ‘The Soul of America: The Battle for Our Better Angels’ is timely reading


Jon Meacham is a Pulitzer Prize-winning historian and author of Destiny and Power: The American Odyssey of George Herbert Walker Bush, the definitive biography of the recently deceased 41st President of the United States. Last week, Meacham eulogized Mr. Bush, calling him “America’s last great solider-statesman, a 20th-century founding father.”

During Meacham’s eulogy, he said, “Abraham Lincoln’s ‘better angels of our nature’ and George H.W. Bush’s ‘thousand points of light’ are companion verses in America’s national hymn. For Lincoln and Bush both called on us to choose the right over the convenient, to hope rather than to fear and to heed not our worst impulses but our best instincts.”

In Meacham’s latest best-selling book, The Soul of America: The Battle for Our Better Angels, a brilliant and fascinating – if not timely work – we are reminded that from our country’s very beginnings, the United States has, in the words of American historian and law professor Annette Gordon-Reed, “struggled to deliver on the promise of the Declaration of Independence and to make our Union ‘more perfect.’ Race has often been at the heart of those struggles, and The Soul of America persuasively argues that the resilient spirit of those who fought throughout our history to overcome that seemingly intractable problem is still with us. It is that spirit that gives us cause to be hopeful in the face of doubts about our country’s future.”

Meacham writes with both clarity and purpose throughout The Soul of America and explains how our current “Trumpian” climate of partisan fury is not new. He explores other contentious periods of our nation’s history – from the Civil War to World War I to the fight for women’s rights to Lyndon Johnson’s crusade against Jim Crow – to show how presidents and ordinary citizens have united to defeat “the forces of anger, intolerance, and extremism.”

Through each of these periods of our nation’s history, Meacham explains, our national life “has been shaped by the contest to lead the country to look forward rather than back, to assert hope over fear – a struggle that continues even now.” As Meacham told Trevor Noah recently on The Daily Show, “every era is a battle between our best impulses and our worst impulses.”

Careful students of history will be familiar with some of these stories, but as Meacham notes, “if we have learned anything in recent years – years in which the president of the United States has taken pride in his deliberate lack of acquaintance with the most essential historical elements of his office – it is that even the most basic facts of our common past repay attention. ‘Eternal vigilance,’ it has been long said, ‘is the price of liberty’ and a consciousness about what has worked – and what hasn’t – in previous eras is surely a useful form of such vigilance.”

Historian Ken Burns, no stranger to the study of our nation’s past, summed his thoughts about The Soul of America by saying, “Rather than curse the darkness, John Meacham, with his usual eloquence and surpassing knowledge of our history, has offered us all the sublime and calming reassurance that, as threatening as so much of the present moment seems, Americans have weathered such storms before and come out on the other side with fresh and progressive horizons. This is a beautifully expressed and convincing prayer to summon our own ‘better angels’ to meet the obvious challenges of today.”

Meacham concludes The Soul of America by writing, “For all of our darker impulses, for all of our shortcomings, and for all of the dreams denied and deferred, the experiment begun so long ago, carried out so imperfectly, is worth the fight. There is, in fact, no struggle more important, and none nobler, than the one we wage in the serve of those better angels who, however besieged, are always ready for battle.”



Photos: Courtesy of Google images. Video: Courtesy of YouTube.com/The Daily Show.

Tuesday, February 13, 2018

In Between: Taking on gender politics without apology




On Sunday morning in Washington, D.C., my wife and I attended a sneak preview of In Between (Bar Bahar in Arabic), a bold and brassy Israeli drama written and directed by Palestinian filmmaker Maysaloun Hamoud about living Arab and female in Israel. The "in-your-face-but-not-in-your-face" film is set in freewheeling and secular Tel Aviv, where the fallout from Arab Spring has brought about a new underground of Palestinians who are enjoying never-imagined freedoms – they're caught up in a new social revolution, a new world order, if you will – yet, whose underground nightlife remains contemporary and ethnic.

In Between presents three very different women – a conservative, hijab-wearing Muslim university computer science student; a modern Muslim criminal lawyer who likes to party after hours; and a liberal, Christian underground scene DJ/bartender – who happen to share an apartment where they find themselves balancing their lives between "tradition and modernity, citizenship and culture, fealty and freedom." Each woman tries to shape her own destiny despite living in a conservative Arab society that's entrenched in patriarchy.

In In Between, there's a whole lot of young people who are thinking and behaving differently – a mixture of gay and straight culture – while breaking down sacred and sexual barriers. The film, which stars Palestinian actresses Mouna Hawa (as the beautiful extrovert Laila), Sana Jammelieh (as the artsy and closeted lesbian Salma) and Shaden Kanboura (as the somewhat näive but observant and studious Nour), is presented in Arabic and Hebrew dialogue with English subtitles and includes an exotic and pulsating electronica soundtrack. It is Hamoud's first feature-length film – she did it with Israeli funding – and it earned her a fatwa from her own people because of the frank and explicit subject matter it tackled: homosexuality, intoxication and drug use.

"I couldn't imagine this happening, but I am not surprised," said Hamoud, during a 2017 BBC Newsnight interview. "They didn't want to look in the mirror and see the ugly face that is put in front of them."

As we see during this non-rated 103-minute film, In Between also deals with a Jewish state that treats its Arab citizens with a sense of mistrust, which makes it even more of a challenge for Laila, Salma and Nour to be able to live free in a restricted society and defend their sense of independence from the familial values they no longer share.

Throughout In Between, suggests critic Susan Wloszczyna of RogerEbert.com, what is most intriguing is "how each woman is allowed to make mistakes and learn from them without any judgment on Hamoud's part." Another critic, Ella Taylor of NPR, writes that "Hamoud's narrative instincts can be broad, but she is rarely glib or coy. That she has chosen to focus squarely on internal tensions within the Arab community – the widening cultural and political gulf between the generations – is a mark of her courage, her bravado and her brutal honesty."

In his review of In Between, New York Times film critic A.O. Scott notes that the movie "is fatalistic about the local political situation, pessimistic about men and encouraged by the power of female solidarity. In other words, whether by serendipity or prophetic insight or some combination of the two, it's a perfect movie for the movement."

Adds Hamoud: "The thing that's really touched me is when women come and say 'you are inspiring for us'. I cannot ask for more than this."

In awarding In Between best debut feature film at the Haifa Film Festival, the jury described it as "a powerful creation about women fighting to shape their fate by coping with challenges, through friendship, courage, victory, and by breaking free of shackles, and the price they pay."

In an age of #MeToo, In Between takes on gender politics without apology. I highly recommend this award-winning film, which has received limited release in the U.S.

Photo: Courtesy of Film Movement. Videos: Courtesy of YouTube.