Christmas 2022 is upon us. Once again, I would like to share a Christmas Day poem, this one by James Langston Hughes.
SHEPHERD’S SONG AT CHRISTMAS
By James Langston Hughes (1901-1967)
Look there at the star!
I, among the least,
Will arise and take
A journey to the East.
But what shall I bring
As a present for the King?
What shall I bring to the Manger?
I will bring a song,
A song that I will sing,
In the Manger.
Watch out for my flocks,
Do not let them stray.
I am going on a journey
Far, far away.
But what shall I bring
As a present for the Child?
What shall I bring to the Manger?
I will bring a lamb,
Gentle, meek, and mild,
A lamb for the Child
In the Manger.
I’m just a shepherd boy,
Very poor I am –
But I know there is
A King in Bethlehem.
What shall I bring
As a present just for Him?
What shall I bring to the Manger?
I will bring my heart
And give my heart to Him.
I will bring my heart
To the Manger.
Amen.
Wishing kind thoughts for a Merry Christmas. Although we are of many faiths, it is important that our common humanity allows us to share a season of peace and goodwill.
May each of you stay healthy in the days, weeks and months ahead.
Team World entered the final day of Laver Cup 2022 in London trailing four-time champion Team Europe 8-4 and needing to win three of four matches. While it wasn’t an impossible task, it would take everyone on John McEnroe’s Team World squad coming together and playing inspired and focused tennis on Sunday.
With each win worth three points, match by match, Team World turned this year’s Laver Cup upside down and won three straight matches – all with exciting outcomes – to win the Laver Cup title for the first time.
It was quite a weekend to remember in London, which drew more than 96,000 tennis enthusiasts to the O2 Arena, first to bid farewell to Roger Federer, then to see Novak Djokovic’s return to the ATP Tour after winning his seventh Wimbledon title, and, finally, to see Team World’s remarkable final-day comeback, in which Canada’s Felix Auger-Aliassime and Frances Tiafoe of the United States shouldered the load and carried the team on their shoulders to triumph.
Auger-Aliassime gave Team World the lead on the final day thanks to a pair of wins, first by partnering with Jack Sock to edge Matteo Berrettini and Andy Murray, 2-6, 6-3, 10-8, then by defeating Djokovic, 6-3, 7-6 (3). Next, Tiafoe, fought off four match points during a second-set tie-break to beat Stefanos Tsitsipas, 1-6, 7-6 (11), 10-8, which clinched the 13-8 victory for Team World.
When one considers what transpired, it’s pretty wild that a team with zero Grand Slam singles titles beat a team with 66 that featured Federer (20), Rafael Nadal (22), Djokovic (21) and Andy Murray (3). But that’s exactly what happened.
In praising his team during the trophy ceremony, Team World captain McEnroe said: “They brought the energy, belief and intensity.”
Later, McEnroe admitted: “It beats losing, that’s for sure. The difference was that we kept battling. There was a great team spirit. We knew we had a shot at it, but it was an uphill battle.”
While McEnroe likely would have been second-guessed for playing Auger-Aliassime back-to-back in Sunday’s first two matches – especially if the young, 21-year-old Canadian faltered against the veteran Djokovic, 35 – in hindsight it was a brilliant and tactical decision.
“This is something that’s discussed among all of us,” he said. “These guys know the ins and outs of what’s going to work best. Felix was ready for it, he had debuted last year, and now he was ready to step up to the big time.”
Auger-Aliassime said he enjoys the challenge that comes from playing in team events, “feeling I can bring something not only to myself but to the team. I feel like it pushes me also to stay positive, to dig deep, that feeling that I’m not only playing for myself, I’m trying to bring something to the team, bring a point to the team.”
Tiafoe added: “All week leading up I kept saying this was our year. The guys showed up. Felix beat Novak, Jack and Felix also played unbelievable doubles. We did it all together, it wasn’t just me.”
Coming off a semifinal run at the US Open, which boosted his ranking to a career-best World No. 19, Tiafoe has been playing some of the best tennis of his career. He said he would rank his Laver Cup-clinching victory over Tsitsipas among his best.
“To do it here in Laver Cup, to win for the first time, given how bad Mac wanted it, how bad everybody else wanted it, seeing what Felix and Jack did – I thought it was just time. It was time to get it done,” Tiafoe said during his team’s final press conference.
Looking back, as New York Times tennis correspondent Christopher Clarey suggested in a tweet Sunday evening, “[the] Laver Cup has proven that it is value added for tennis.
“Its future is up to the players. If the best ones commit to it consistently and continue to care about the outcome it will thrive.”
A postscript
Roger Federer said this year’s Laver Cup competition would remain special to him – especially the sendoff he received Friday evening after playing in the final match of his pro career.
“Being on court on Friday and having such a huge moment in my career, being surrounded by my biggest rivals like Novak and Andy and Rafa was truly unique, and I can never thank them enough for being there and staying there and going through it with me,” he said.
“I hope that their farewell will also be unique and special, that it works for them, because it was beautiful for me.”
Within minutes after Roger Federer announced his retirement from tennis on Thursday – the Laver Cup next week in London will be his final ATP event – the tributes began to pour in on social media. There were many and they were all sincere and genuine. They came from players such as Rafael Nadal, Petra Kvitova, Coco Gauff and Carlos Alcaraz as well as from Wimbledon, where he enjoyed many of his greatest moments as a professional tennis player.
Of all the gifts that tennis has given Federer, the greatest without a doubt, he wrote, has been the people he’s met along the way. “My friends, my competitors, and most of all the fans who give the sport its life.”
It is said that timing is everything and Federer, 41, has always shown impeccable timing throughout his storied and artistic career that began as a ball kid growing up in Basel, Switzerland. Federer’s announcement came just five weeks after Serena Williams announced her “evolution” away from from the sport. Who could have imagine that this day would arrive for Federer, too?
In a letter written to his fans from home in Switzerland and posted Thursday on his social media channels, Federer wrote: “As many of you know, the past three years have presented me with challenges in the form of injuries and surgeries. I’ve worked hard to return to full competitive form. But I also know my body’s capacities and limits, and its message to me lately has been clear. I am 41 years old. I have played more than 1500 matches over 24 years. Tennis has treated me more generously than I ever would have dreamt, and now I must recognize when it is time to end my competitive career.
“The Laver Cup next week in London will be my final ATP event. I will play more tennis in the future, of course, but just not in Grand Slams or on the tour.”
Federer has not competed since Wimbledon in July 2021. Since then, he’s undergone multiple surgeries to his left knee and tried to rehabilitate it in order to regain elite form and continue playing competitively.
Federer expressed that it was a bittersweet decision because “I will miss everything the tour has given me. But at the same time, there is so much to celebrate. I consider myself one of the most fortunate people on Earth. I was given a special talent to play tennis, and I did it at a level that I never imagined, for much longer than I ever thought possible.”
While Federer thanked his wife, Mirka, and his four children; his parents and sister, plus his coaches, business partners and sponsors – as well as the hard-working teams and tournaments on the ATP Tour – he also made a point to thank his competitors on the court.
“I was lucky enough to play so many epic matches that I will never forget. We battled fairly, with passion and intensity, and I always tried my best to respect the history of the game. I feel extremely grateful. We pushed each other, and together we took tennis to new levels.”
Above all else, Federer gave praise to his “unbelievable” fans. “You will never know how much strength and belief you have given me. The inspiring feeling of walking into full stadiums and arenas has been one of the huge thrills in my life. Without you, those successes would have felt lonely, rather than filled with joy and energy.”
Federer’s career began at age 16 in July 1998 in Gstaad, Switzerland, with a 6-4, 6-4 loss to Lucas Arnold Ker of Argentina and ended at age 39 – almost 40 – with a 6-3, 7-6 (4), 6-0 loss to Hubert Hurkacz of Poland in July 2021 at Wimbledon.
Indeed, the last 24 years have been an incredible adventure, thanks to Federer and Williams – global citizens of sport – especially during the Grand Slam fortnights. Federer has played in more than 40 countries and he’s laughed and cried, felt joy and pain – and at his best, his tennis has been incredibly alive and sublime. His eight Wimbledon titles represent some of his greatest moments among the 20 major titles and 103 tour-level crowns he’s won. He surpassed Pete Sampras with a then-leading 15 major titles, then was passed by two of his contemporaries, Rafael Nadal and Novak Djokovic. His battles against his Big Four mates – Nadal and Djokovic, and Andy Murray – were all memorable.
If you are interested in learning more about Federer, two books worth a very good read are: The Master: The Long Run and Beautiful Game of Roger Federer by New York Times tennis correspondent Christopher Clarey, about Federer and this golden age in men’s tennis, published in 2021; and Strokes of Genius: Federer, Nadal, and the Greatest Match Ever Played, by Sports Illustrated tennis writer and Tennis Channel insider L. Jon Wertheim, about the epic Federer-Nadal 2008 Wimbledon final.
On a personal note, Federer has been one of just a very small number of athletes, whom I would drop whatever I doing to watch perform on TV – especially during the Grand Slams. There was always a sense of wonder in watching him play on Centre Court at Wimbledon as well as on Arthur Ashe Stadium at the US Open. He was greatness personified – he showed class and respected the history of the game – and he dressed the part, too. It all added up.
It’s never easy when one of the greats of sports steps down. Federer may be retiring from the competitive arena, but he never retired from a match. Fortunately, Federer leaves the sport of tennis better than when he arrived – and it will be exciting to see if the next generation of men’s players that includes Carlos Alcaraz, Jannik Sinner and Frances Tiafoe are ready to step up and carry on the aesthetics and athleticism that Federer brought to the sport. Hopefully, there will be others who will combine elegance and grace, and a beautiful game, too.
In the meantime, here’s giving thanks to Federer, who definitely made tennis better on and off the court. As he exits the stage, he will be missed. Mind you, I think it will be exciting to see Roger continue to bring joy to the world in other ways. No doubt, he will be just as successful.
“So, I want to thank you all from the bottom of my heart, to everyone around the world who has helped make the dreams of a young Swiss ball kid come true,” Federer concluded in his message.
“Finally, to the game of tennis, I love you and will never leave you.”
Elvis Costello continues to charm the pants off his audiences. It’s something he’s done successfully in a music career that’s spanned more than five decades. He’s one of his generation’s greatest songwriters and performers – and one of many reasons I never tire of seeing him perform live in concert.
Costello has worked diligently at his craft to attain a special place in the music world. Whether with a simple wink of the eye, a friendly smile or just the right choice of words and upbeat tone of voice, the bespectacled and iconic English musician, who was once described by a critic as a “pop encyclopedia,” has become a master of the craft of storytelling.
Last week at the Filene Center at Wolf Trap in Vienna, Va., near Washington, D.C., in what was my 13th time to see Costello in concert since the early ‘80s, Costello delighted the baby-boomer crowd with disposable money that flocked to see him and his band, the Imposters (Steve Nieve on keyboards, Pete Thomas on drums, Davey Faragher on bass, Charlie Sexton on assorted guitars) and joined by guest vocalist Nicole Atkins – plus special guests Nick Lowe and Los Straightjackets – with his good-natured manner and geniality of performing. The singer-songwriter, who turns 68 on August 25, has taken great care of himself and of the stories he shares with his audiences, through his musical lyrics and interpretation.
Nick Lowe and Los Straightjackets
Musically, throughout his 105-minute performance, Costello moved freely between playing a canon of his most-recognized hits – “Accidents Will Happen,” “Watching the Detectives,” “(I Don’t Want to Go to) Chelsea,” “Pump It Up,” and “(What’s So Funny ‘Bout) Peace, Love and Understanding,” which he performed with Lowe – and also a quartet of new songs from his most recent album, “The Boy Named If.” The set list on this night totaled 17 songs. Throughout, Costello’s material was filled full of rich characters loaded with plenty of desire mixed with heartache.
What one learns from going to so many Elvis Costello shows through the years – and whether seeing him perform with his original band the Attractions, current band the Imposters, with special guests such as the late great New Orleans pianist Allen Toussaint or backed by a symphony orchestra – is that Costello is truly a music fan. He also delights in championing the works of other musicians, whether it be from country star George Jones or rock guitarist and producer T Bone Burnett – or even the influential Philadelphia hip-hop band The Roots. Through the years, Costello has also collaborated with Burt Bacharach and duetted with Tony Bennett.
Filene Center at Wolf Trap, Vienna, Va.
Looking back, Costello has immersed himself in pop, rock and roll, country, Americana, soul and jazz, among the many genres that he’s mastered. In a Costello show, he’s not afraid to share many of the lessons he’s learned growing up in a Liverpool music family and we’re rewarded with songs that are as literate as they are artful. I am reminded of when my wife and I took the train to Philadelphia last October just to see Costello perform at The Met, an old opera house in north Philly, and he charmed us with a hauntingly beautiful minor-key tango that blended his own song “Brilliant Mistake” with the 1930s Al Dubin-penned “Boulevard of Broken Dreams” that was a hit song for Bennett among many.
Throughout his Wolf Trap performance, Costello showed he can be acerbic and witty, as well as lamenting and sad. There’s always a fine balance between rock and balladry in a Costello performance and this one was no different from the other 12 shows I had seen over the past 40 years in that regard. Yet, he also reminded us that this was no exercise in nostalgia and pastiche, either despite the age demographic of the audience – about 55 to 70 years-old – that’s been around to enjoy Costello from the beginning of his rock-n-roll career in the late ‘70s.
Collectively, Costello’s body of work is that of an adept storyteller who’s learned more than a few things from the past. On this summer night in northern Virginia, Costello took his audience on a musical journey through his expansive songbook that was as intimate as it was entertaining – and it was inspiring, too.
Elvis Costello and the Imposters
Elvis Costello’s Wolf Trap set list:
Accidents Will Happen / Green Shirt / Either Side of the Same Town / Hetty O’Hara Confidential / Mystery Dance / Watching the Detectives-Invisible Lady-Isabelle in Tears / My Most Beautiful Mistake / Still Too Soon to Know / Just About Glad / The Man You Love to Hate / Penelope Halfpenny / What If I Can’t Give You Anything But Love? / Magnificent Hurt / (I Don’t Want to Go to) Chelsea / Pump It Up / Indoor Fireworks (with Nick Lowe) / What’s So Funny ‘Bout) Peace Love and Understanding (with Nick Lowe).
Serena Williams has never liked the word retirement, saying it doesn’t feel like a modern word to her.
However, a week ago, a day after Williams won her first WTA Tour singles match after turning 40, the 23-time Grand Slam champion – arguably the greatest women’s tennis player of all time – hinted in an interview with Vogue magazine that her storied career will soon come to an end.
An iconic champion and crossover star, Williams admitted she doesn’t like the word retirement, because “it doesn’t feel like a modern word to me. I’ve been thinking of this as a transition, but I want to be sensitive about I use that word, which means something very specific and important to a community of people. Maybe the best word to describe what I’m up to is evolution.”
Evolution as in evolving away from tennis toward other things that are important to Williams. Like her older sister Venus, who has created a large business footprint outside the baseline, a few years ago, Serena started Serena Ventures, a venture capital firm “designed to do VC differently through standout strategies, bold initiatives, and a global network of investors, business leaders, and influencers.” Soon after, she started a family with her husband, Alexis Ohanian, co-founder of Reddit, when their daughter, Olympia, was born in September 2017.
“Believe me, I never wanted to have to choose between tennis and a family. I don’t think it’s fair. If I were a guy, I wouldn’t be writing this because I’d be out there playing and winning while my wife was doing the physical labor of expanding our family,” Williams told writer Rob Haskell for Vogue, in an interview published last Tuesday for its September issue. “Maybe I’d be more of a Tom Brady if I had that opportunity. Don’t get me wrong: I love being a woman, and I loved every second of being pregnant with Olympia.
“I was one of those annoying women who adored being pregnant and was working until the day I had to report to the hospital – although things got super complicated on the other side. And I almost did do the impossible: A lot of people don’t realize that I was two months pregnant when I won the Australian Open in 2017. But I’m turning 41 this month [in September], and something’s got to give.”
While Williams was not specific in Vogue about the exact timing of her farewell, on Instagram, she gave a hint that it might end very soon. The start of the US Open is less than two weeks away, a major which she has won six times. So, it would be very fitting if Williams ended her career in New York. She won the US Open for the first time in 1999 at age 17 against then-No. 1 Martina Hingis.
“One thing I’m not going to do is sugarcoat this,” Williams wrote. “I know that a lot of people are excited about and looking forward to retiring, and I really wish I felt that way. Ashleigh Barty was number one in the world when she left the sport this March, and I believe she really felt ready to move on. Caroline Wozniacki, who is one of my best friends, felt a sense of relief when she retired in 2020.
“Praise to those people, but I’m going to be honest. There is no happiness in this topic for me. I know it’s not the usual thing to say, but I feel a great deal of pain. It’s the hardest thing that I could ever imagine. I hate it. I hate that I have to be at this crossroads. …”
Williams trails only Margaret Court’s 24 Grand Slam singles titles and has been stuck on 23 since winning the Australia Open in 2017, when she was pregnant with her daughter. She owns 73 career titles overall – including seven at the Australian Open, three at Roland Garros, seven at Wimbledon and six at the US Open – and has earned more than $94.5 million in prize money. Along with Court, Helen Wills and Chris Evert, Williams has won major singles titles in her teens, 20s and 30s. Ten of her Grand Slam crowns have come after she turned 30.
In addition to her singles success, Williams has also won 14 Grand Slam doubles titles with Venus, two mixed doubles crowns with Max Mirnyi, and four Olympic gold meals, including one in singles and three in doubles with Venus.
“There comes a time in life when we have to decide to move in a different direction,” Williams wrote. “That time is always hard when you love something so much. My goodness do I enjoy tennis. But now, the countdown has begun. I have to focus on being a mom, my spiritual goals and finally discovering a different, but just [as] exciting Serena. I’m gonna relish these next few weeks.”
After Williams defeated Nuria Parrizas-Diaz of Spain, 6-3, 6-4, at the National Bank Open Presented By Rogers in Toronto, her first win since beating Danielle Collins in the third round of the 2021 French Open, she told reporters, “I guess there’s just a light at the end of the tunnel. I don’t know, I’m getting closer to the light. Lately that’s been it for me. I can’t wait to get to that light.”
A postscript …
• Williams lost her second-round match to Tokyo Olympic Games gold medalist Belinda Bencic of Switzerland, 6-2, 6-4. Afterward, she was feted on court by the tournament.
“Yeah, it was a lot of emotions,” Williams said during an on-court interview after the match. “Obviously, I love playing here. I’ve always loved playing here. And, yeah, I wish I could have played better, but Belinda played so well today.”
• Tonight, Williams returns to face 19-year-old Emma Raducanu of Great Britain, the reigning US Open champion in the first round of the Western & Southern Open in Mason, Ohio. It will be their first meeting.
“It’s going to be an exciting match,” Raducanu said in her pre-tournament press conference. “An amazing opportunity to play probably the best tennis player of all time. For our careers to have crossed over, I am really fortunate to get to play her, and whatever happens, I think it’s just going to be an incredible experience for me and something I think I will remember for the rest of my life.”
Cover photo: Courtesy of National Bank Open. Graphics: Vogue magazine, WTA Twitter, YouTube video.
What a wonderful surprise that Joni Mitchell gave us at the Newport Folk Festival Sunday evening.
For the first time since 1969, the revered Canadian singer/songwriter returned to Rhode Island with her voice and electric guitar at the ready and played a historic set to close this year’s festival. It was her first full-length public concert in about two decades.
Credit goes to singer Brandi Carlisle for bringing Mitchell and her popular music back to the performance stage. The Fort Adams crowd was filled with elation as the 78-year-old legend gave new meaning to many of her iconic songs such as “Both Sides Now,” “Help Me,” “Big Yellow Taxi,” “A Case of You,” and “Both Sides Now.”
As Mitchell sat in a Louis XIV-style chair on the festival stage – likened by many as a throne – wearing a beret, a grey-toned satin pants ensemble and decked with glittering beads and sunglasses, she began her set with a group sing-a-long to “Carey,” one of the chestnuts from her 1971 album Blue, regarded as one of the greatest albums of all time. The group included Carlisle and Wynonna Judd.
Later, Mitchell’s set included “Amelia,” about Amelia Earhart, which she penned for her jazz-inspired 1976 album Hejira as well as a long, electric guitar solo interlude on the 1974 tune “Just Like This Train” from Court and Spark that reminded everyone of her keen sense of jazz phrasing. Despite having gone through health struggles in recent years, recovering from a 2015 brain aneurysm that required her to re-learn how to talk and walk, the elder Mitchell looked in good spirits on this evening – surrounded by friends – and her 13-song set showed her strength of will is second to none.
Looking back, one of my set favorites was Mitchell’s lower-register interpretation of the Gershwin classic “Summertime,” from the 1935 opera Porgy & Bess. The husky sound of Mitchell’s voice brought to mind that of Nina Simone, another wonderful interpreter of the Gershwin aria. Listening with great interest, there was a determination that couldn’t be denied in the sound of Mitchell’s voice in this classic tune.
Mitchell’s set ended with “The Circle Game,” which she performed more than half a century ago in Newport.
“After all she’s been through, she returned to the Newport Folk Fest stage after 53 years and I will never forget sitting next to her while she stopped this old world for a while,” Carlisle, who sang backup for Mitchell, wrote on Twitter.
Indeed, Mitchell has looked at life from both sides and, now, she’s come full circle in this one memorable evening.
Mitchell’s memorable set list included: “Carey,” “Come In From the Cold,” “Help Me,” “Case of You,” “Big Yellow Taxi,” “Just Like This Train,” “Why Do Fools Fall in Love,” “Amelia,” “Love Potion #9,” “Shine,” “Summertime,” “Both Sides Now,” and “The Circle Game.”
On Sunday, Mitchell’s eternal songs echoed with a sense pride and joy spread that transcended across generations. Long may she live – and may her songs continue to shine brightly among the music canon.
Cover photo: Courtesy of Newport Folk Festival YouTube video.
Claes Oldenburg: Giant Shuttlecocks, Nelson-Atkins Art Museum, Kansas City, Mo.
I was saddened to learn of the recent death of Claes Oldenburg, the Swedish-born American sculptor, who delighted in creating large replicas of everyday objects. They were designed to be playful and monumental, and yes, they are all gigantic in stature and attention grabbers.
The 93-year-old Oldenburg’s public art installations include: a diaper pin, badminton shuttlecocks, a spoon and cherry, a clothespin, an ice cream cone, even an old-fashioned typewriter eraser. These visual art works and others just as playful and monumental created by Oldenburg dot the urban landscapes of many major U.S. cities, including San Francisco, Kansas City, Minneapolis and Seattle.
It wasn’t until I caught a glimpse of Corridor Pin, Blue in 2013, during a visit to the de Young Fine Arts Museum in San Francisco’s Golden Gate Park, that I realized I had seen many of Oldenburg’s public art installations during my U.S. travels this millennium.
I’ve seen the Giant Shuttlecocks on the pristine front lawn of the Nelson-Atkinson Museum of Art in Kansas City, the Spoonbridge and Cherry that highlights the Minneapolis Sculpture Garden at the Walker Art Center, and the Typewriter Eraser, Scale X at the Olympic Sculpture Garden in Seattle. Since moving east, I’ve also seen another version of Oldenburg’s Typewriter Eraser, Scale X at the National Gallery of Art Sculpture Garden in Washington, D.C., too.
Among other Oldenburg sculptures, Chicago, where the artist grew up, has an Oldenburg baseball bat and there’s a fruit bowl in Miami. Meanwhile, Cleveland has a giant stamp, and Las Vegas is home to a flashlight. In Philadelphia, there’s a 45-foot-high clothespin that is displayed across the street from City Hall.
Lo and behold, San Francisco is home to not only the giant diaper pin sculpture. It is also where Cupid’s Span, a 60-foot-high painted fiberglass and stainless-steel sculpture created by Oldenburg and Coojse Van Brugge, his wife and collaborator of more than a quarter of a century, dropped anchor and took up residence along the Embarcadero waterfront in 2002. It certainly changed the look and landscape when it premiered.
I’ve walked by and admired Cupid’s Span numerous times over the years, when I lived in the San Francisco Bay Area, and photographed it from many different angles. Each time, it seemed, there’s something different about it. Once, I was lucky enough to capture the bow and area while it was covered in fog.
On the occasion of the unveiling of Cupid’s Span, Oldenburg told the San FranciscoChronicle:
“At first there’s the man-in-the-street opinion, but then there’s the more nuanced response.
“We don’t copy the objects we use, we try to transform them and we hope they go on transforming as you look at them. The idea of endless public dialogue – visual dialogue – is very important to us.”
In remembering Oldenburg, who died Monday at his Manhattan home, The New York Times wrote that the artist “revolutionized our idea what a public monument could be. In lieu of bronze sculptures of men on horseback, or long-forgotten patriots standing on a pedestal, hand over heart, orating through the ages, Oldenburg filled our civic spaces with nostalgia-soaked objects inflated to absurdist proportions. It is interesting that so many of his subject are culled from the realm of the home and traditional female pursuits. His sculpture of a lipstick case or a garden spade, his ‘Clothespin’ or nearby it, his ‘Split Button’ sculpture (a beloved meeting place at the University of Pennsylvania) – all are based on the type of objects that could be found at the bottom of our mother’s purses.”
Whether or not Oldenburg had a social agenda behind his public art installations didn’t matter to me. I found his Pop Art both visually colorful and admiring. And, as Oldenburg once explained to former San Francisco Chronicle art critic Kenneth Baker: “Just the fact that you can put up something beautiful and complex in a city is a social statement to itself.”
As Novak Djokovic won his fourth straight Wimbledon Championships gentlemen’s singles title and seventh crown overall, which leveled him with his boyhood idol Pete Sampras, one quality among many stood out. He remained quietly focused – not to mention calm and cool – throughout the three-hour and one-minute final that took place on a sun-drenched, sold-out Centre Court Sunday afternoon. It was in stark contrast to his opponent, the chuntering Nick Kyrgios, who repeatedly lost his cool. You really didn’t expect anything else from the mercurial one, did you?
Yet, one can only wonder what if Kyrgios had kept his mouth quiet instead of incessantly chattering to himself, shouting at his entourage in his box, or at the tennis gods above – often using profanity-laced language not suitable for the ears of young eight-year-old Prince George of Cambridge, who was seated in the first row of the Royal Box in between his dad and mum, Their Royal Highnesses the Duke of Cambridge and Duchess of Cambridge. The Royal Box was also filled with plenty of tennis royalty, too. Among the notables were Hall of Famers Rod Laver, John Newcombe, Stan Smith, Chris Evert and Jan Kodes – all of them past Wimbledon champions from bygone years, back when decorum mattered.
As it happened, Djokovic won the final, 4-6, 6-3, 6-4, 7-6 (3), for his 21st Grand Slam singles title, which moved him one ahead of Roger Federer and placed him one behind Rafael Nadal. It was a fitting way for the Serbian great to celebrate his eighth wedding anniversary with his wife, Jelena. His two young children, Stefan, 7, and Tara, 4, have been in tow throughout the Wimbledon fortnight, too. Nothing like keeping it all in the family, right?
Djokovic managed to shut out the temper tantrums and overcame all of the obstacles Kyrgios could toss at him – including the booming 130 mile-per-hour first serves that produced 30 aces and helped contribute toward the 62 winners the Aussie hit. He also took advantage of the 33 unforced errors made by Kyrgios. Meanwhile, Djokovic, whose head was in the right place, put together a steady, steely and, at times, brilliant shotmaking performance that resulted in 15 aces and 46 winners. His serve was broken just once. He outpointed Kyrgios 132-112.
After securing victory in his 32nd career Grand Slam final – compared to just one final for Kyrgios – Djokovic, as has been his custom after winning Wimbledon on six previous occasions, pulled up a few blades of Centre Court grass to munch on. Djokovic’s winning streak on grass had extended to 28 matches, a streak that began in 2018.
At least, to his credit afterward, Kyrgios showed he could be polite. He shared a good laugh with Djokovic as the competitors walked off the court and was courteous and gracious in accepting his runner-up plate from the Duchess of Cambridge, who is the All England patron.
“He’s a bit of a god, I’m not going to lie,” Kyrgios said during his on-court interview with the BBC’s Sue Barker during the trophy ceremony. Kyrgios also made a point of thanking the ball kids, who put up with his antics over the past two weeks.
When the volatile and acrobatic Kyrgios, 27, was asked if he would return to the All England Club, he laughed at the thought and quipped: “Absolutely not. I’m set for life. Myself, my team, I think we’re all exhausted. We’ve played so much tennis. I definitely need a well-earned vacation after this. … Maybe, one day I’ll be here again, but I don’t know about that.”
Meanwhile, Djokovic, a member of the All England Club since winning his first Wimbledon title in 2011, definitely will be back. It’s like a home away from home for him. He also suggested that Kyrgios will be back, too. Say what you will, Kyrgios is good for box office and TV ratings.
“Nick, you’ll be back,” he said. “I know it’s tough to find consolation words after a tough loss like this, but you sowed why you deserve to be one of the world’s best, particularly on this surface.”
Djokovic added: “I never thought I was going to say so many nice things about you, considering the relationship. … It’s officially a bromance. Hopefully, this is the start of a wonderful relationship off the court as well.”
During his on-court remarks after lifting the Wimbledon champion’s trophy for the seventh time, the 35-year-old Djokovic got serious for a moment. “I lost words for what this tournament, what this trophy means to me, my family, my team,” he said. “It was the one that motivated me to play tennis. Then, he added: “It’s also a relief as well, considering what I’ve been through of course this year. It adds more value and more significance and more emotions, of course.”
A postscript
Novak Djokovic remains unvaccinated and, as such, he goes off to an uncertain future with the US Open looming next month. It’s likely he won’t get to play in the year’s final Grand Slam. That’s because the United States has a vaccine mandate that likely won’t be relaxed just for him. Currently, noncitizen nonresident internationals, such as Djokovic, aren’ allowed to enter the country if they aren’t vaccinated against COVID-19.
During his post-match news conference Sunday, Djokovic stood adamant about his decision not to get the required shots to be able to travel to the U.S. “Yeah, I mean, I’m not vaccinated and I’m not planning to get vaccinated,” he said. “So the only good news I can have is them removing the mandated green vaccine card – or whatever you call it – to enter [the] United States, or exemption.
“I don’t know. I don’t think exemption is realistically possible. If that is a possibility, I don’t know what exemption would be about. I don’t know. I don’t have much answer there. I think it’s just whether or not they remove this in time for me to get to U.S.A.”
At the same time, despite Djokovic’s Wimbledon triumph, he fell four slots in the new ATP rankings, released Monday, from No. 3 to No. 7. That’s because the ATP Tour didn’t award rankings points for this year’s Wimbledon because of the tournament’s ban on Russian and Belarusian players, which Wimbledon enacted because of Russia’s invasion of Ukraine earlier this year.
Looking ahead, Djokovic’s future remains uncertain, he’s still unbeatable on Wimbledon’s famed Centre Court.
Photo credits: Courtesy Wimbledon video.
A version of this blog previously appeared in Tennis-TourTalk.com.
While observing Stephen Curry throughout the NBA Finals, it’s easy to see and admire how the Golden State Warriors superstar guard values and loves his routine of beautiful basketball. However, as easy as it may seem to us on the surface, the 34-year-old Curry, who is in his 13th season in the NBA, has put in a lot of time and energy – hard work – to become the player he is.
In Game 4 Friday in Boston, Curry’s 43-point performance showed why he’s one of the best to ever play the sport. While the Warriors prepared for Game 5 of the NBA Finals series against the Boston Celtics in San Francisco Monday night – a game which Golden State won 104-94 to take a 3-2 series lead – it was interesting to learn from their head coach, Steve Kerr, that Curry and the Warriors once drew inspiration from a meeting the team had with tennis great Roger Federer five years ago in Shanghai, China.
Kerr told reporters that Curry was greatly inspired by how the 20-time Grand Slam champion Federer comported himself. What he learned from the Swiss icon centered around how the love of his routine helped to keep him motivated and to keep playing tennis.
As Kerr described the meeting, Federer was asked by one of the Warriors, Draymond Green, just how he managed to keep doing this for 20 years?
“And his answer was just simple, yet profound,” Kerr explained. “He said, ‘I love my daily ritual.’ He said, ‘I get up, make my kids breakfast, drop them off at school, go train and I’ve figured out the right training methods to keep me in the best position at my age. I love competing.’ He said, ‘But every single day, I put my head on the pillow at the end of the day and think, Man, what a great day.’
“So, I think of Steph a lot when I think of that story from Roger Federer. Very, very similar just sort of zest for life and just joy for the process.”
Like Federer, there’s a lot of work routine for Curry that includes time devoted to the training room, the weight room and, finally, the basketball court, where he practices taking shots from a variety of locations. If it seems like there’s a sense of clockwork, you’re right.
Kerr went on to describe in detail that for Curry, there’s a “sense of joy and energy within that work.
“He enjoys it so much. He loves the process. I that’s one of the things that ties all great athletes together, like talking about the superstar athletes, the Roger Federers of the world, the Steph Currys of the world. There’s a routine that not only is super-disciplined but it’s really enjoyed each day.
“There’s a passion that comes with it, and that’s what sustains it over time. When you love something like those guys do, you work at it, you get better and you just keep going.”
It should come as no surprise, then, that over the weekend Federer, 40, shared his goals for the remainder of the 2022 season. He’s been idle since last year’s Wimbledon and has undergone two surgeries on his right knee. Federer plans to resurface in September at the Laver Cup in London, then finish out the season at in October the Swiss Indoors in Basel. Beyond that, who knows?
“After Basel, the season is over anyway,” Federer told Swiss tennis journalist Simon Graf on Saturday. “It’s important for me to get fit again so that I can train fully. Once I’ve done that, I can choose how many tournaments I play and where. The Laver Cup is a good start, I don’t have to play five matches in six days.
“I will have to be able to do that in Basel. That’s why I have to prepare for it in practice. I’m curious myself what’s still to come. But I’m hopeful, I’ve come a long way. I’m not far away. The next three or four months will be extremely important.”
Asked by Graf if he wishes to return to the ATP Tour in 2023 at age 41, if his knee cooperates, Federer replied affirmatively. “Yes, definitely. How and where, I don’t know yet. But that would be the idea. Definitely.”
In the meantime, like Curry, Federer will continue sharing a zest for life and just joy for the process of routine.
Photos: Stephen Curry, courtesy of Golden State Warriors Twitter; Roger Federer, courtesy of Instagram.
“Victory belongs to the most tenacious,” are words inscribed in both English and French and appear on the upper-deck facing on either side of Court Philippe-Chatrier. They are very visible to players and fans alike. These words are attributed to French aviation and World War I hero Roland Garros, whose name is synonymous with the French Open. They serve as a reminder to those who play on the famed terre battue at Stade Roland Garros in Paris, the City of Lights.
On Sunday afternoon, Rafael Nadal, looking and playing unbeatable, won his 14th French Open title. He extended his remarkable men’s record of 22 major singles titles with 6-3, 6-3, 6-0 victory over Casper Ruud, 10 years his junior. Nadal won the last 11 games of the two hour, 18-minute title match before a sellout crowd of 15,000.
At the end of the day, the King of Clay reigned, again, 17 years to the day he hoisted his first Coupe de Mousquetaires trophy as a long-haired, 19-year-old teenager in toreador pants, after defeating Mariano Puerta. His latest triumph was filled with emotion and it was important to him, too.
Nadal was asked by NBC’s Maria Taylor during a post-trophy ceremony interview to describe what it felt like to hold the trophy this time. He replied: “It’s amazing, much more emotional than the first time. It’s completely unexpected for me to be where I am at this age, at this stage of my career. It means everything.
“I have been going through tough times the last couple of months. To have this trophy with me here is something unbelievable.”
Like the previous 13 times, the French Open served as Nadal’s wake-up call to the rest of the tennis world. Through the latest Parisian fortnight, Nadal became the third man in the Open Era to beat four Top-10 opponents in a single major. Three days after he celebrated his 36th birthday, Nadal became the oldest man to win Roland Garros, surpassing another Spaniard, Andrés Gimeno, who set the record at age 34 half a century ago.
Nadal extended his perfect record to 14-0 in Roland Garros finals, and also extended his record of most career major titles to 22, which now puts him two ahead of his closest rivals, Novak Djokovic, whom he beat in the quarterfinals, and Roger Federer, who is still recovering from knee surgery. Nadal solidified his place in the tennis Hall of Fame and his records will certainly be unbeatable for the foreseeable future, if at all.
During the trophy ceremony that followed Nadal’s latest French triumph, he expressed his appreciation and also thanked his legions of faithful fans, many whom were holding up banners and waving Spanish flags throughout the stadium.
“I for sure never believed I would be here at 36 being competitive again, playing in the most important court of my career one more time in the final,” Nadal said. “It means a lot to me, means everything. It just means a lot of energy to try to keep going.”
Indeed, Nadal kept going and his latest French Open title was an historic run for him and for tennis. He began with a trio of straight-set wins over Jordan Thompson of Australia, wild card Corentin Moutet of France, and No. 26 seed Botic van de Zandschulp of the Netherlands.
Then, Nadal came from behind to beat No. 9 seed Felix Auger-Aliassime of Canada in five sets, and followed it with a four-hour-plus, four-set victory over the World No. 1 and top seed Djokovic in the 59th renewal of their storied rivalry. On Friday, his semifinal against No. 3 seed Alexander Zverev was cut short when the German severely rolled his ankle and suffered ligament damage to his right foot that forced him to retire in the second set. Finally, the Spaniard mastered No. 8 seed Ruud, who was making his first Grand Slam final appearance. He won the last 11 games in a row and surrendered just eight total points to Ruud in the final set.
From first ball to last ball, Nadal showed great control and tolerated frustration. By the end, he showed how special a man he is. It’s not often that you get to perform in front of tennis royalty – among those who attended the final were Billie Jean King, Stan Smith, Stefan Edberg and Gustavo Kuerten – and monarchs, too. King Felipe VI of Spain and the the crown prince of Norway had front-row seats for Nadal’s coronation.
The 23-year-old Ruud, who made history by being the first male player from Norway to appear in a major final, has been a student at Nadal’s tennis academy in Mallorca, Spain, and Nadal has nurtured him. Ruud said in press after his semifinal victory over No. 20 seed Marin Cilic on Friday that Nadal was his childhood idol. He could even recite whom the champion beat in each of his 13 previous French Open title matches. Imagine Ruud’s surprise that the first time he would meet Nadal would be in a major final, the title match of the French Open.
Looking back on the experience, Ruud can be forgiven for struggling at times and not playing his best in the final. It’s not a surprise that trying to beat Nadal can turn dreams into nightmares. However, by the end of the match, all was good between the two competitors – both were cheerful and smiling – and Nadal had plenty of kind things to say about Ruud during the trophy ceremony after Ruud was highly complementary of Nadal.
“The most important thing is to congratulate Rafa,” Ruud said after receiving his runner-up trophy. “It is your 14th time here and 22nd [title] at Grand Slams. We all know what a champion you are and today I got to feel how it is to play against you in the final and it is not easy. I am not the first victim; I know there have been many before.
“To you Rafa, your team, your family. You have taken me into your academy with open arms. So, thank you a lot. You are a true inspiration to me and everyone who follows tennis around the world. We all hope you will continue for some more time.”
Soon, when it was Nadal’s turn to give his valedictory speech, he said: “I don’t know what can happen in the future but I’m going to keep fighting to try to keep going.” The applause that followed was deafening but sincere. Plenty of cheers of “Rafa! Rafa! Rafa!” were audible throughout Court Philippe-Chatrier.
After, when Nadal addressed the media in his final Roland Garros news conference, he said that for him, having the Coupe de Mousquetaires next to him, again, meant everything.
“It has been an emotional victory, without a doubt,” he said. “Unexpected in some ways. I am very happy. It has been a great two weeks. I played from the beginning, improving every day. Finishing by playing a good final. I am super happy and can’t thank everybody enough for the support since the first day that I arrived here. It is very emotional.”
Additionally, Nadal said that it was not his intention to continue to play in tournaments with pain-killing injections that numbed his chronically-injured left foot, like he did in Paris to combat his condition known as Müller-Weiss syndrome.
“Everybody knows how much this tournament means to me,” Nadal expressed. “That was the only way to give myself a chance here, no? So, I did it. And I can’t be happier and I can’t thank enough my doctor for all the things he did during all my tennis career, helping me in every tough moment. But it’s obvious that I can’t keep competing with the foot asleep.”
Nadal ruled out taking further painkilling injections in order to play Wimbledon, which begins June 27. Instead, he will seek an alternate means to be able to play pain free. For now, Nadal declined to rule out playing Wimbledon. He still has the desire to compete, to fight. It’s in his DNA.
“It’s not about being the best [in] history. It’s not about the records,” Nadal stressed. “It’s about what I do. I like to play tennis. And I like the competition. As I said a couple of times in the past, and is not a thing that I repeat, is not the thing that I don’t feel for me, we achieved our dreams. Me, Roger, Novak, we achieved things that probably we never expected.
“For me, what drives me to keep going is not about the competition to try to be the best or win more Grand Slams than the others. What drives me to keep going is the passion for the game, live moments that stay inside me forever, and play in front of the best crowds in the world and the best stadiums.”
For now, we can appreciate the remarkable and incredible 2022 season Nadal has enjoyed thus far – a 30-3 win-loss record and four ATP Tour titles won – and hope there are more historic days ahead. After all, there were fewer finer hours than Sunday in Paris, a place that has always been unique for Nadal. This time, he ended his latest title victory by solidly hitting his 37th winner of the match, a beautiful down-the-line backhand that landed in the sunshine end of the court. It lifted Nadal’s all-time mark at Roland Garros to an astonishing 112-3. The outcome allowed him, once again, to wear his emotions on his sleeve for all of the world to bear witness.
Indeed, the King of Clay will always have Paris.
An alternate version of this first appeared in Tennis-TourTalk.com.
