Thoughts on the media: Democracy Dies in Darkness

There were many enjoyable – and, yes, forgettable – commercials that aired during Sunday night’s Super Bowl LIII broadcast on CBS. Some were even thought provoking for their content or message.

One advert that drew my attention – and hopefully yours – came near the two-minute warning late in the fourth quarter of the New England Patriot’s 13-3 victory over the Los Angeles Rams. It lasted just 60 seconds, but it was a powerful and poignant minute. It was for The Washington Post newspaper, and its narrator was actor Tom Hanks.

CNN’s Anderson Cooper

If you think about it, though, this commercial was really about more than just a newspaper. Think democracy, think freedom of the press, and think about the importance that good and responsible journalism plays in our country.

As you watch, listen to the words that Hanks flawlessly recites while images of the World War II D-Day invasion and first moon landing are shown as well as clips of Fox News’ Bret Baier and CNN’s Anderson Cooper reporting from war zones and natural disasters. One of the final images gives special tribute to slain Washington Post columnist Jamal Khashoggi, who was murdered last fall after entering the Saudi consulate in Instanbul.

“When we go off to war. When we exercise our rights. When we soar to our greatest heights. When we mourn and pray. When our neighbors are at risk. When our nation is threatened. There’s someone to gather the facts. To bring you the story. No matter the cost. Because knowing empowers us. Knowing helps us decide. Knowing keeps us free. Democracy Dies in Darkness.”

While this $10 million commercial (paid for by Washington Post owner Jeff Bezos, who also owns Amazon.com) was seen by millions of football fans and casual sports viewers from coast to coast – and, maybe, it will change a few minds, which good advertising does – imagine if the intended audience for this advertisement was just one person, who just happens to be the President of the United States.

Something to think about as the memory of this year’s Super Bowl game fades to black.

Ambition with talent: Costello is back with “Look Now”

In a recent Q & A with the London-based Financial Times, Elvis Costello was asked: Which matters more to success, ambition or talent? The 64-year-old English troubadour answered matter-of-factly, “Once upon a time, I would have said ambition without talent was worthless. Now I’m not so sure.”

Earlier this month, the ambitious – and extraordinarily talented – Costello released his first new album with his band The Imposters in 10 years, the cohesive Look Now, on Concord Records. One critic mused that “it’s not just craft but touch, not just energy but sensitivity. On Look Now, Costello and The Imposters have both.”

After Costello revealed earlier this year he had survived a bout with a “small but very aggressive” cancer, word of a new album was very welcome news. Produced by Costello and Sebastian Krys, the songs comprising Look Now represent some of Costello’s best career work. His sophisticated and transforming songbook runneth over with simplicity and immediacy. 

Elvis Costello

Whether immersing himself in pop, rock and roll, country, Americana, soul or jazz, among the many genres that he’s mastered over many years, Costello shares many lessons learned and we’re rewarded with songs that are as literate as they are artful. The gifted storyteller has returned in fine form.

Costello, who paired with Burt Bacharach on 1998’s Painted From Memory, has reunited with the master songwriter on three impressionistic tunes, “Don’t Look Now,” “Photographs Can Lie,” and “He’s Given Me Things.” Bacharach’s piano lines are both poignant and beautiful – and reminded me of some of his brilliant late ‘60s pop collaborations with lyricist Hal David. Costello also penned “Burnt Sugar Is So Bitter” with another songwriting giant, Carole King, that is soulful with its female choir. Throughout the album, Costello can still be acerbic and witty, lamenting and sad in his lyrics. There's a fine balance between rock and balladry in Look Now.

As one critic noted, "Look Now is much more than an exercise in nostalgia and pastiche. As the title implies, it’s very much of the present, and the work of a master storyteller who’s learned more than a few things from the past.”

In a recent Pitchfork review, its critic concluded, “As a collection of tunes, Look Now is a triumph for Costello, a showcase for how he can enliven a mastery of form with a dramatist’s eye. But as an album, Look Now is a success because of the Imposters. ... They are a sharp, supple outfit that can swing and sigh, sometimes within the same number, as when they effortlessly pivot between boss’s nova verses and a radiant chorus during 'Why Won’t Heaven Help Me?' This subtle sophistication and palpable flair make Look Now more than a mere set of songs – it’s a record worth getting lost within.”