Showing posts with label Laura Marling. Show all posts
Showing posts with label Laura Marling. Show all posts

Tuesday, August 21, 2012

A music study break: Laura Marling and thoughts about her song "What He Wrote"




Laura Marling / I Speak Because I Can

One of many things I enjoy contributing to my Facebook Timeline is something I call a "music study break". It might either be a song that I've recently heard while listening to the "Morning Becomes Eclectic" program via KCRW.com (Monday-Friday 9 a.m.-noon PT; GMT -7 hours) or, perhaps, a song that's recently come up in the shuffle mode on my iPod. 


Recently, I woke up wondering what to share for my "music study break" that day and the young, English folk singer/songwriter Laura Marling (age 22) immediately came to mind. And, I thought: What a wonderfully powerful alto voice she's been blessed with, and Marling has the gifted ability to pen intelligently defiant songs about feminine independence filled with gravitas. Earlier this summer, Marling shared in what was described as a religious communion of music when she performed a concert in San Francisco's Gothic-style Grace Cathedral.

As it happens, I have an autographed copy of Marling's 2010 Mercury Prize-winning album 'I Speak Because I Can' downloaded on my iPod that I've been exploring. It's an album filled with songs whose themes are centered around responsibility, particularly the responsibility of womanhood. I came across one particular song, "What He Wrote" that's both poignant in its tone, thought provoking in its lyrics, and it brings out the clarity in her voice.


After sharing "What He Wrote" on my Timeline, I decided to peruse the lyrics and see what I could glean from them. One of my first thoughts while listening to this song was: Is Marling sharing a poetic confession with God? After all, she connects authentically with her listeners in an elegant and emotional manner. And, Marling writes with keen wisdom beyond her years.

As it turned out, Marling explained in an interview, "What He Wrote" was inspired by letters from a wife to her husband in the Second World War. And, according to Marling, it reflected a time in her own life when she was still looking for her identity as a young woman.

In writing about the album which "What He Wrote" appears on, 'I Speak Because I Can', one critic suggested that Marling "uses folk as an archetypal form to get at the essential realities of love, sex, heartbreak, and death. Sometimes she does it with heart-stopping quietness, her voice dropping to conversational tones." So, in a sense, my immediate thoughts about a woman sharing a confession with God weren't too off base as the essential realities of Marling's songs aren't unlike some of the very same themes that are expressed in The Bible or, perhaps, The Quran. 

Laura Marling / She uses folk as an archetypal form to get
at the essential realities of love, sex, heartbreak and death.

Here's what the U.K.'s New Music Express described of "What He Wrote": "Inspired by wartime love letters that Laura read in a newspaper, ‘What He Wrote’ seems to detail the forbidden love of writing to a man other than your husband – she appeals to the Greek goddess Hera, goddess of women and marriage, for forgiveness for speaking to this man when she’s 'spoken for.' The whole song, just vocals and guitar, trembles in its waltz rhythm, but the most effecting line has to be the unqualified frankness of, 'I miss his smell.'"

In her review for the London-based newspaper The Telegraph, critic Helen Brown said of Marling: "Her songs are simple yet complex, weird but quotidian like hedgerows – twisted, full of thorns, fruit, life and death." Writing about "What He Wrote," Brown says: "She gazes back into Greek mythology for female companionship, addressing the marriage goddess Hera and conjuring the spirit of Odysseus’ patient wife Penelope." 

Laura Marling speaks because she can ~ and, through her inspiring music, she delivers a lot of poignant and expressive thoughts worth our time and pleasing to our ears.

What He Wrote
By Laura Marling

Forgive me Hera,
I cannot stay.
He cut out my tongue,
There is nothing to save.

Love me?
Oh Lord, he threw me away,
He laughed at my sins, in his arms I must
Stay.

He wrote, I'm broke.
Please send for me.
But I'm broken, too,
And spoken for.
Do not tempt me.

Her skin is white, and I'm light as the
Sun,
So holy light shines, on the things you have done.

So I asked him,
How he became this man?
How did he learn,
To hold fruit in his hands?

And where is the lamb, that gave you your
Name?
He had to leave, though I begged Him to
Stay.

Left me alone, when I needed the
Light.
Fell to my knees, and I wept for my
Life!

If he had of stayed, you might
Understand.
If he had of stayed, you never would've
Taken my hand.

He wrote,
I'm alone.
Please send for me.
But I'm broken, too,
And spoken for.
Do not tempt me.

And where is the lamb, that gave Him your
Name?
He had to flee, though I begged him to
Stay.

Begged him to stay, in my cold wooden
Grip.
Begged him to stay, by the light of this
Ship.

Me fighting him,
Fighting light,
Fighting dawn.
The waves came,
And stole him,
And took him to war.

He wrote,
I'm broke.
Please send for me.
But I'm broken, too,
And I am spoken for.
Do not tempt me.

Forgive me, Hera, I cannot stay.
He cut out my tongue, there is nothing to
Save.
Love me or loathe, he threw me away.
He laughed at my sins, in his arms I must
Stay.

We write.
And that's alright.
But I miss his smell.

And we speak,
When spoken to.
That suits me well.
That suits us well.
That suits me well.


Tuesday, March 1, 2011

Across the pond: Connecting through music

Laura Marling /
I Speak Because I Can
Laura Marling is only 21.  Yet, she sings with maturity and passion that is poised beyond her years.

The singer/songwriter from Eversley in Hampshire, England, whom many have compared to a young, folksy Joni Mitchell, writes songs that are both strikingly melodic and lyrically poetic.

Simple and pure, Marling is an authentic talent, a voice for her generation.  Fortunately, her lovely and lilting voice is becoming heard more ~ and gaining recognition ~ on this side of the pond thanks to her music receiving airplay via public radio.

Recently, Marling won the 2011 Brit Award for Best Female Solo Artist, besting Ellie Goulding and Cheryl Cole, and she was bestowed the same honor from the NME.  Her anthemic song, "Rambling Man," from her 2010 album I Speak Because I Canwas also nominated for Best Original Song at the BBC Radio 2 Folk Awards.  Could a Grammy Award be in her future?

It was during last month's televised broadcast of the BBC Radio 2 Folk Awards in London that Marling took the stage and previewed the unreleased "Flicker and Fail". It's a song that's been passed down a generation to her from her father.





If old is suddenly the new new, could "Flicker and Fail" be the start of a trend?  After all, she's covered other songwriting greats like Neil Young ("The Needle and the Damage Done") and Jackson C. Frank ("Blues Run the Game"). According to Marling's website, "... Foundations of ("Flicker and Fail") were in fact laid down via a battered old (but still surviving!) Yamaha guitar over 30 years ago by LM's own father.  LM has revived and tinkered with the lyrics and melody somewhat and shaped it into something old but new."

As someone who has been a fan of Marling's work since first being introduced to her music by Nic Harcourt on KCRW's Morning Becomes Eclectic in 2008, when she was only 18, I'm extremely excited about what the future holds for this wonderfully talented and passionate musician.

Wednesday, November 17, 2010

Covers: Interpreting another artist's work

Online music blogs fascinate me.  Because I'm an avid reader and passionate about music, I could easily lose myself perusing online music blogs if only I had enough hours in a day.  There's always something waiting to be read and an artist looking to be discovered.


Online music blogs/ Keeping up with our favorite cutting-edge artists


Just as the iPod has changed the way we routinely listen to music, online music blogs have changed the way we're able to maintain a pulse with our favorite cutting-edge musicians and the music industry, too.  No longer must we rely on daily newspapers or music magazines as the only sources for music news. With online music blogs, there's a sense of immediacy ~ urgency, maybe? ~ and many of the good ones worth reading are always adding new content to keep us coming back for more.  Also, many online music blogs offer links to listen to or legally download mp3s of the artists they are writing about.

While some of my favorite online music blogs include: Britain's New Music Express Daily Download (www.nme.com/blog), Direct Current (http://www.directcurrentmusic.com/), and Naive Harmonies (http://naiveharmonies.com/) ~ and there's even a music blog aggregator, Elbows (http://elbo.ws/) that's great help in searching for everything written about a particular artist like Elvis Costello ~ there are a couple of great music blogs which are endless sources for finding new, recent and interesting covers of original songs. They are: Cover Me (www.covermesongs.com/) and Cover Lay Down (http://coverlaydown.com/).

I find great interest in listening to artists interpreting other artist's work and, often, online music blogs provide us with keen insight and, occasionally, back stories about the covers.  I credit both "covers" blogs for inspiring me to search for ~ and discover ~ new, recent and classic covers. 

Among the covers I've recently discovered and have been listening to include:


* "No Cars Go" by Maxence Cyrin (original by Arcade Fire).


* "The Needle and the Damage Done" by Laura Marling from Ghosts (original by Neil Young).


* "Alone and Forsaken" by Emmylou Harris from Timeless: Hank Williams Tribute (original by Hank Williams).


* "Let's Dance" by M. Ward from Transfiguration of Vincent (original by David Bowie).


* "Your Song" by Ellie Goulding from Lights (original by Elton John). 


* "Can't Find My Way Home" by Alison Krauss from Crossing Jordan Soundtrack (original by Blind Faith).


Sometimes, the artists are new to me like Maxence Cyrin, a classically trained, French pianist with a penchant for wonderfully interpreting cutting-edge indie artists like Arcade Fire, Radiohead and Massive Attack, that make me curious to explore more of their work.


Laura Marling/ Showing maturity covering a legend like Neil Young


Other artists, such as 20-year-old British folk revivalist Laura Marling, are quickly becoming recognized by everyone, period. Not only is she building a nice foundation with her own material full of lyricism and melody, but she's also showing great maturity early in her career to cover a legend such as Neil Young.


Until the other day, I had no idea that longtime favorite M. Ward had covered David Bowie's "Let's Dance" ~ and, although the lyrics are the same, you won't immediate recognize the tune.  


The same goes for Ellie Goulding, who does a sweet version of the 1970 Elton John hit, "Your Song," that strips the song bare ~ it's just the singer baring her soul, backed by a piano and some simple strings. 


And, who knew that Alison Krauss could add so much poignancy and the right touch of bluegrass to "Can't Find My Way Home," the 1969 chestnut by British blues-rock super group Blind Faith that was originally sung by Stevie Winwood?  


Finally, with Emmylou Harris covering Hank Williams, it's simply one country legend paying tribute to another ~ and Emmylou have covered some of the best over the years.  I remember early in her career, Harris paid her due to another music legend, the Beatles, by beautifully covering "Here, There and Everywhere" on her 1975 album Elite Hotel that brought out the simplicity and lush melody of the Lennon-McCartney ballad.


Here are links to enjoy listening to some of the covers I've recently discovered that are worth a listen or two:


M. Ward:

Emmylou Harris:

Ellie Goulding:  

Alison Krauss:
http://coverlaydown.com/tunes/cfind.mp3


There are many more out there for the discovery.


Happy listening!